Hovern Bog. People live in terror of it-especially the residents of Fenchurch St. Jude, the little village located at its edge. They think of it as a living being. They've seen it reach out with sinewy tentacles . . . to take, entangle, and digest. When 2000-year-old bodies are recovered from the bog, perfectly preserved, it is the discovery of a lifetime for archaeologist David Macauley. But close examination of the corpses reveals a curious fact: all were cruelly, mysteriously murdered, gnawed to death by some unimaginable creature. Soon it becomes apparent that whatever tortured and killed the bodies from ancient times still roams the bog, and no one in Fenchurch St. Jude - especially David and his family - is safe. In The Bog (1986), Michael Talbot (1953-1992), author of the vampire classic The Delicate Dependency and the chilling haunted house novel Night Things, delivers an exciting mix of science and the supernatural that will keep readers guessing until the horrific climax. "One of the better horror novels . . . odd and risky mingling of pure science with fairy lore and gnashed bodies . . . terrific." -- Kirkus Reviews "Exciting!" -- Publishers Weekly "Convincingly original!" -- Ocala Star-Banner

When two small sisters go fishing to the magic pond, they find something much better than a frog or a newt. They find a bog baby. Small and blue with wings like a dragon, the girls decide to make him their secret. I won't tell if you won't. But the bog baby is a wild thing, and when he becomes poorly, the girls decide they must tell their mum. And she tells them the greatest lesson, if you really love something, you have to let it go.

In this fantasy/allegory, Rogers retells the life of biblical character King David.

One spring morning two men cutting peat in a Danish bog uncovered a well-preserved body of a man with a noose around his neck. Thinking they had stumbled upon a murder victim, they reported their discovery to the police, who were baffled until they consulted the famous archaeologist P.V. Glob. Glob identified the body as that of a two-thousand-year-old man, ritually murdered and thrown in the bog as a sacrifice to the goddess of fertility. Written in the guise of a scientific detective story, this classic of archaeological history--a best-seller when it was published in England but out of print for many years--is a thoroughly engrossing and still reliable account of the religion, culture, and daily life of the European Iron Age. Includes 76 black-and-white photographs.

Describes the discovery of bog bodies in northern Europe and the evidence which their remains reveal about themselves and the civilizations in which they lived.

There's a frog on the log in the middle of the bog. A small, green frog on a half-sunk log in the middle of the bog....

Over the past few centuries, northern Europe’s bogs have yielded mummified men, women, and children who were deposited there as sacrifices in the early Iron Age and kept startlingly intact by the chemical properties of peat. In this remarkable account of their modern afterlives, Karin Sanders argues that the discovery of bog bodies began an extraordinary—and ongoing—cultural journey. Throughout the nineteenth and twentieth centuries, Sanders shows, these eerily preserved remains came alive in art and science as material metaphors for such concepts as trauma, nostalgia, and identity. Sigmund Freud, Joseph Beuys, Seamus Heaney, and other major figures have used them to reconsider fundamental philosophical, literary, aesthetic, and scientific concerns. Exploring this intellectual spectrum, Sanders contends that the power of bog bodies to provoke such a wide range of responses is rooted in their unique status as both archeological artifacts and human beings. They emerge as corporeal time capsules that transcend archaeology to challenge our assumptions about what we can know about the past. By restoring them to the roster of cultural phenomena that force us to confront our ethical and aesthetic boundaries, Bodies in the Bog excavates anew the question of what it means to be human.

The bog turtle (Clemmys muhlenbergii) is variously considered to be secretive, uncommon, or threatened with extinction. It has a disjunct distribution in the eastern United States, and populations are restricted to wetlands such as bogs and swamps. The turtle appears to be an omnivore. It is most active in the spring, and the eggs (usually three to five) are laid in late spring or early summer. Sexual maturity in both sexes probably occurs at the plastral length of about 75 mm., when the turtles are 6 to 8 years old. Bog turtles apparently have small home ranges (about 1.3 ha or smaller). Other population features are poorly known. There is concern for the plight of the bog turtle because of the continual loss of wetland habitat and irresponsible collecting. A thorough survey is recommended to delineate the occurrence and abundance of the remaining populations of the species throughout its range.

Arriving on the planet Cashel, the Tenth Doctor witnesses a strange masked ball. To guarantee peace, Prince Zircon has to choose a bride from the Bog People – dead men and women who have been resurrected as slaves. Or as warriors. But Zircon is in love with the enslaved Princess Ash, whose parents were deposed and executed by the current Queen. As usual, the Doctor has walked right into trouble, and it's up to him to sort it out.

When Patricia Monaghan traveled to Ireland seeking her roots, what she found was much more than her physical ancestors. This is the story of her journey and the legends, landmarks, and mystical lore she encountered. Her poetic stories elucidate the ways that myth reveals the truth of human experience as well as the contradictions that are embodied in women's lives. This book is an extensive exploration of goddess mythology in Ireland, from Brigit, the Celtic goddess of water, fire, and transformation, to the historical figure of Granueille, a pirate queen.