In this moving and funny memoir that spans the six years following the author's purported recovery from anorexia, Dana Lise Shavin offers a candid and ultimately optimistic window into the mindset and machinations of a mental illness whose tentacles reached deep into her life, long after she was considered "cured." In 1981, Shavin graduated from college with a BA in Psychology. It had been a difficult venture that included an expulsion, a four-month institutionalization, and a multitude of transfers. By the time it was over, she was convinced she was cured, and that it was time to start curing others. "I'm ready," she told her parents, her therapist, and friends-all of whom shook their heads in horror at her 95-pound, 5'9" frame. Undaunted, she landed a job as a counselor in a halfway house for drug and alcohol addicts. If anyone knew what it took to become a happy, functioning adult, Shavin was convinced she was the one. As anyone would suspect, the burden of self-contempt, faulty logic, and interpersonal turmoil that are the character traits of depressive disorders and addictions do not miraculously disappear once medication and therapy have taken effect. Where, then, do these dangerous obsessions, such as the wish for obliteration (which often co-exists with the wish for immortality), go once a person sets foot on the road to recovery? For Shavin, they lived beneath the radar of her supposed new-found health, disguising themselves in the falling-down houses she happily moved into and the dangerous neighborhoods she somehow didn't fear. They announced themselves in the deeply flawed men she professed to adore, the food rituals she thought were normal, the ordinary sex she could not have, and, most profoundly, her inability to acknowledge her father's illness and encroaching death. While many writers have written candidly and eloquently about their struggles with depression, addictions, and eating disorders, those stories usually conclude once there is progress toward recovery. Beyond recovery-whether from addiction, illness, the death of a loved one, or divorce-there is another story, one that is about how we re-join the world, and, in the living years that follow the darkness, pursue a life that is creative, engaged, and deeply felt in one's body.

2021 Independent Publisher Book Awards, Gold Medal Winner 2021 National Indie Excellent Awards Finalist 2020 Bronze Award for Travel Book or Guide from the North American Travel Journalists Association 2020 Bronze Winner for Travel in the Foreword INDIES Both a memoir in travel essays and an anti-guidebook, Bad Tourist takes us across four continents to fifteen countries, showing us what not to do when traveling. A woman learning to claim her own desires and adventures, Suzanne Roberts encounters lightning and landslides, sharks and piranha-infested waters, a nightclub drugging, burning bodies, and brief affairs as she searches for the love of her life and finally herself. Throughout her travels Roberts tries hard not to be a bad tourist, but owing to her cultural blind spots, things don’t always go as planned. Fearlessly confessional, shamelessly funny, and wholly unapologetic, Roberts offers a refreshingly honest account of the joys and absurdities of confronting new landscapes and cultures, as well as new versions of herself. Raw, bawdy, and self-effacing, Bad Tourist is a journey packed with delights and surprises—both of the greater world and of the mysterious workings of the heart.

NEW YORK TIMES BESTSELLER • From the beloved Pulitzer Prize–winning author—an irresistible novel exploring the slippery alchemy of attracting opposites, and the struggle to rebuild one’s life after unspeakable tragedy Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel up-ends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined. A fresh and timeless tale of unexpected bliss, The Accidental Tourist showcases Tyler’s talents for making characters—and their relationships—feel both real and magical. “Incandescent, heartbreaking, exhilarating…One cannot reasonably expect fiction to be much better than this.” —The Washington Post

"Travel is no longer a past-time but a colossal industry, arguably one of the biggest in the world and second only to oil in importance for many poor countries. One out of 12 people in the world are employed by the tourism industry which contributes $6.5 trillion to the world's economy. To investigate the size and effect of this new industry, Elizabeth Becker traveled the globe. She speaks to the Minister of Tourism of Zambia who thinks licensing foreigners to kill wild animals is a good way to make money and then to a Zambian travel guide who takes her to see the rare endangered sable antelope. She travels to Venice where community groups are fighting to stop the tourism industry from pushing them out of their homes, to France where officials have made tourism their number one industry to save their cultural heritage; and on cruises speaking to waiters who earn $60 a month--then on to Miami to interview their CEO. Becker's sharp depiction reveals travel as a product; nations as stewards. Seeing the tourism industry from the inside out, the world offers a dizzying range of travel options but very few quiet getaways"--

Entry name: Cassandra Grace Event: Horseback riding (jumping) Animal name: Lola (best horse in the world!) Fee enclosed: Um, almost . . . See, the thing is, I almost have enough money, I have tons of riding students who pay me, but there's this guy, and every time he calls I have to see him, so I've kind of been skipping work lately . . . but I'll have the fee soon, I promise!

From Shamu the dancing whale at Sea World to Hawaiian lu'au shows, Staging Tourism analyzes issues of performance in a wide range of tourist venues. Jane C. Desmond argues that the public display of bodies—how they look, what they do, where they do it, who watches, and under what conditions—is profoundly important in structuring identity categories of race, gender, and cultural affiliation. These fantastic spectacles of corporeality form the basis of hugely profitable tourist industries, which in turn form crucial arenas of public culture where embodied notions of identity are sold, enacted, and debated. Gathering together written accounts, postcards, photographs, advertisements, films, and oral histories as well as her own interpretations of these displays, Desmond gives us a vibrant account of U.S. tourism in Waikiki from 1900 to the present. She then juxtaposes cultural tourism with "animal tourism" in the United States, which takes place at zoos, aquariums, and animal theme parks. In each case, Desmond argues, the relationship between the viewer and the viewed is ultimately based on concepts of physical difference harking back to the nineteenth century.

This stunning “dystopian feminist eco-thriller” from an award-winning South Korean author “takes on climate change, sexual assault, greed, and dark tourism” (Ms. Magazine). Welcome to the desert island of Mui, where a paid vacation to paradise is nothing short of a disaster in this “mordantly witty novel [that] reads like a highly literary, ultra–incisive thriller” (Refinery29). Jungle is a cutting–edge travel agency specializing in tourism to destinations devastated by disaster and climate change. And until she found herself at the mercy of a predatory colleague, Yona was one of their top representatives. Now on the verge of losing her job, she’s given a proposition: take a paid “vacation” to the desert island of Mui and pose as a tourist to assess the company’s least profitable holiday. When she uncovers a plan to fabricate an extravagant catastrophe, she must choose: prioritize the callous company to whom she’s dedicated her life, or embrace a fresh start in a powerful new position? An eco–thriller with a fierce feminist sensibility, The Disaster Tourist introduces a fresh new voice to the United States that engages with the global dialogue around climate activism, dark tourism, and the #MeToo movement.

From the #1 travel magazine in the country, a collection of travel tales from some of today's finest writers Travel writing maintains its seemingly endless popularity, and this volume offers a particularly transporting body of work, pairing exotic locales with writers of the highest caliber: Russell Banks writes on the Everglades, Francine Prose explores the secrets of Prague, Robert Hughes takes us on a tour of Italy, and more. From the most beautiful gardens to visit in Japan to the best free things to do in Provence, this book is as enlightening as it is entertaining. Whether off to the other side of the globe or to their favorite reading chair, wanderers of every sort will find this book truly indispensable. Other featured writers and places include: Nik Cohn on Savannah Philip Gourevitch on Tanzania Shirley Hazzard on Capri Pico Iyer on Iceland and Ethiopia Nicole Krauss on Japan Suketu Mehta on the Himalayas Edna O'Brien on Bath Patricia Storace on Provence and Athens James Truman on Iran Gregor Von Rezzori on Romania Edmund White on Jordan Simon Winchester on Mount Pinatubo William Dalrymple on his pilgrimage to Santiago John Julius Norwich on the Vatican Jan Morris on Hawaii

The role of the body and the concept of embodiment have largely been neglected in anthropological studies of tourism. This book explores the notion of the tourist body and develops understanding of how touristic practice is embodied practice, not only for tourists but also for those who work in tourism. This book provides a more holistic understanding of the role of the body in making and re-making self and world by engaging with tourism. This collection brings together scholars whose work intersects with the anthropology of tourism who each draw upon ethnographically informed research based on international case studies that include India, Turkey, Australia and Tasmania, Denmark, the United States, Nepal, France, Italy, South Africa and Spain. The case studies focus on a variety of themes including human and nonhuman ‘bodies’. The range of case studies gives the book an international appeal that makes it valuable to academic researchers and students in the disciplines of social anthropology, cultural geography, sociology, philosophy and the field of tourism studies itself.

In The Tourist, Olen Steinhauer—twice nominated for the Edgar Award—tackles an intricate story of betrayal and manipulation, loyalty and risk, in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's most touted luminaries. “Here’s the best spy novel I’ve ever read that wasn’t written by John le Carré.” —Stephen King, Entertainment Weekly In Olen Steinhauer's explosive New York Times bestseller, Milo Weaver has tried to leave his old life of secrets and lies behind by giving up his job as a "tourist" for the CIA—an undercover agent with no home, no identity—and working a desk at the CIA's New York headquarters. But staying retired from the field becomes impossible when the arrest of a long-sought-after assassin sets off an investigation into one of Milo's oldest colleagues and friends. With new layers of intrigue being exposed in his old cases, he has no choice but to go back undercover and find out who's been pulling the strings once and for all. *BONUS CONTENT: This edition of The Tourist includes a new introduction from the author and a discussion guide