A comprehensive bibliography of secondary works on Henry James.

In this fascinating study, Peter Johnson makes explicit the issues involved in using the novel as a source in moral philosophy. The book pays close attention to questions of method, aesthetic accounts of the novel and the nature of ethical knowledge. The views of leading philosophers are examined and criticised in the light of the book's distinctive contribution to the current debate.

This study re-locates the work of Henry James by revealing parallels between the aestheticism of John Ruskin and that of James. It explores a mix of well-known fictional texts alongside James’s essays and tales, which are less frequently analysed, but which, nevertheless, offer important insights into James’s attitude to his artistic method. Tracing James’s early development in comparison with Ruskin’s, this book also explores German Romantic thought and the idealism of Kant, Goethe and Hegel. While examining the German connections with James, this study is also alert to James’s relations with Walter Pater and French realism, to which James became increasingly close in the mid-1880s. Rather than placing James within one single category, it demonstrates how James interfused Romanticism and realism in establishing his own form of aestheticism. Shedding light on James’s period of apprenticeship, this book therefore articulates the Victorian concept of ‘aestheticism’ as used by James and Ruskin.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Jolly Corner and Other Tales, 1903–1910 includes the final ten stories James wrote. Many involve satirical critiques of an increasingly narcissistic, acquisitive society - from 'The Papers', with its attack on celebrity culture, to 'The Birthplace', offering a sardonic view of the Shakespeare industry, and 'A Round of Visits', which conducts a horrified tour through selfishness and swindling in early twentieth-century New York. The title story itself was in James's own view 'a miraculous masterpiece in the line of the fantastic-gruesome, the supernatural-thrilling ... the best thing of this sort I've ever done'. With its extensive textual history and wide-ranging notes, this volume will interest not only James scholars, but all students of early twentieth-century Anglo-American literature and culture.

To commemorate the recent centennial of Henry James’s death and to help readers understand the depth and scope of the author’s influence both today and during the previous century, thirty leading Jamesian scholars from twelve different countries and five continents were asked to explore ways in which the notions of ‘heritage’ and ‘transmission’ currently come into play when reading James. The resulting chapters of this volume are divided into three main sections, each focusing on different ways in which James’s legacy is being re-evaluated today—from his influence on key authors, playwrights and film-makers over the past century (Part One), to new discoveries regarding European authors and artists who influenced James (Part Two), to recent approaches more radically re-evaluating James for the twenty-first century, including contemporary poetics, political and sociological dimensions, cognitive science, and queer studies (Part Three). This collection will be of great interest to scholars and general readers of James, and is a useful guide to tracing the writer’s ever-elusive ‘figure in the carpet’ and understanding the power of his continued impact today.

The 'transnational' turn has transformed modernist studies, challenging Western authority over modernism and positioning race and racial theories at the very centre of how we now understand modern literature. Modernism and Race examines relationships between racial typologies and literature in the late nineteenth and early twentieth centuries, drawing on fin de siécle versions of anthropology, sociology, political science, linguistics and biology. Collectively, these essays interrogate the anxieties and desires that are expressed in, or projected onto, racialized figures. They include new outlines of how the critical field has developed, revaluations of canonical modernist figures like James Joyce, T. S. Eliot, Ford Madox Ford and Wyndham Lewis, and accounts of writers often positioned at the margins of modernism, such as Zora Neale Hurston, Claude McKay and the Holocaust writers Solomon Perel and Gisella Perl. This collection by leading scholars of modernism will make an important contribution to a growing field.

In recent decades, the dramatic development of the new communication and information technologies, especially thw World Wide Web, has had a major impact on society. Undoubtedly, the Internet has become a powerful medium of communication and is regarded as a limitless resource by professionals and researchers in many areas.