"These original documents are crucial for understanding East Asian Buddhist development. Professor Broughton's analysis of the material provides a new and refreshing look at the tradition which was focused on meditation and the ancient lineage of Bodhidharma. . . . We can be grateful that the translations are accompanied by a detailed study that gives the reader access to the social and cultural events of the time."—Lewis Lancaster, University of California, Berkeley

In the early part of this century, the discovery of a walled-up cave in northwest China led to the retrieval of a lost early Ch'an (Zen) literature of the T'ang dynasty (618-907). One of the recovered Zen texts was a seven-piece collection, the Bodhidharma Anthology. Of the numerous texts attributed to Bodhidharma, this anthology is the only one generally believed to contain authentic Bodhidharma material. Jeffrey L. Broughton provides a reliable annotated translation of the Bodhidharma Anthology along with a detailed study of its nature, content, and background. His work is especially important for its rendering of the three Records, which contain some of the earliest Zen dialogues and constitute the real beginnings of Zen literature. The vivid dialogues and sayings of Master Yuan, a long-forgotten member of the Bodhidharma circle, are the hallmark of the Records. Master Yuan consistently criticizes reliance on the Dharma, on teachers, on meditative practice, and on scripture, all of which lead to self-deception and confusion, he says. According to Master Yuan, if one has spirit and does not seek anything, including the teachings of Buddhism, then one will attain the quietude of liberation. The boldness in Yuan's utterances prefigures much of the full-blown Zen tradition we recognize today. Broughton utilizes a Tibetan translation of the Bodhidharma Anthology as an informative gloss on the Chinese original. Placing the anthology within the context of the Tun-huang Zen manuscripts as a whole, he proposes a new approach to the study of Zen, one that concentrates on literary history, a genealogy of texts rather than the usual genealogy of masters.

The life of Bodhidharma, the founder of Zen Buddhism, has, with the passing of time, been magnified to the scale of myth, turning history into the stuff of legend. Known as the First Patriarch, Bodhidharma brought Zen from South India into China in 500 CE, changing the country forever. In Tracking Bodhidharma, Andrew Ferguson recreates the path of Bodhidharma, traveling through China to the places where the First Patriarch lived and taught. This sacred trail takes Ferguson deep into ancient China, and allows him to explore the origins of Chan [Zen] Buddhism, the cultural aftermath that Bodhidharma left in his wake, and the stories of a man who shaped a civilization. Tracking Bodhidharma offers a previously unheard perspective on the life of Zen's most important religious leader, while simultaneously showing how that history is relevant to the rapidly developing super–power that is present–day China. By placing Zen Buddhism within the country's political landscape, Ferguson presents the religion as a counterpoint to other Buddhist sects, a catalyst for some of the most revolutionary moments in China's history, and as the ancient spiritual core of a country that is every day becoming more an emblem of the modern era.

A fifth-century Indian Buddhist monk, Bodhidharma is credited with bringing Zen to China. Although the tradition that traces its ancestry back to him did not flourish until nearly two hundred years after his death, today millions of Zen Buddhists and students of kung fu claim him as their spiritual father. While others viewed Zen practice as a purification of the mind or a stage on the way to perfect enlightenment, Bodhidharma equated Zen with buddhahood and believed that it had a place in everyday life. Instead of telling his disciples to purify their minds, he pointed them to rock walls, to the movements of tigers and cranes, to a hollow reed floating across the Yangtze. This bilingual edition, the only volume of the great teacher's work currently available in English, presents four teachings in their entirety. "Outline of Practice" describes the four all-inclusive habits that lead to enlightenment, the "Bloodstream Sermon" exhorts students to seek the Buddha by seeing their own nature, the "Wake-up Sermon" defends his premise that the most essential method for reaching enlightenment is beholding the mind. The original Chinese text, presented on facing pages, is taken from a Ch'ing dynasty woodblock edition.

From its earliest days, Buddhism has been closely intertwined with medicine. Buddhism and Medicine is a singular collection showcasing the generative relationship and mutual influence between these fields across premodern Asia. The anthology combines dozens of English-language translations of premodern Buddhist texts with contextualizing introductions by leading international scholars in Buddhist studies, the history of medicine, and a range of other fields. These sources explore in detail medical topics ranging from the development of fetal anatomy in the womb to nursing, hospice, dietary regimen, magical powers, visualization, and other healing knowledge. Works translated here include meditation guides, popular narratives, ritual manuals, spells texts, monastic disciplinary codes, recipe inscriptions, philosophical treatises, poetry, works by physicians, and other genres. All together, these selections and their introductions provide a comprehensive overview of Buddhist healing throughout Asia. They also demonstrate the central place of healing in Buddhist practice and in the daily life of the premodern world. This anthology is a companion volume to Buddhism and Medicine: An Anthology of Modern and Contemporary Sources (Columbia, 2019).

Jeffrey L. Broughton offers an annotated translation of the Whip for Spurring Students Onward Through the Chan Barrier Checkpoints (Changuan cejin), which he abbreviates to Chan Whip. This anthology, compiled by Yunqi Zhuhong (1535-1615), has served as a Chan handbook in both China and Japan since its publication in 1600. To characterize the Chan Whip as "late Ming Chan" is inaccurate-in fact, it is a survey of virtually the entirety of Chan literature, running from the late 800s (Tang dynasty) to about 1600 (late Ming). The Chan extracts, the bulk of the book, are followed by a short section of extracts from Buddhist canonical works (showing Zhuhong's adherence to the "convergence of Chan and the teachings"). The Chan extracts deliberately eschew abstract discussions of theory in favor of autobiographical narratives, anecdotal sketches, exhortations, sermons, sayings, and letters that deal very frankly-sometimes humorously-with the concrete ups and downs of lived practice. Recent decades have seen the publication in English of a number of handbooks on Zen practice by contemporary East Asian masters. The Chan Whip, though 400 years old, is as invaluable to today's practitioners as these modern works. The scholarly literature on Chan until now has focused on the Tang and Song dynasties-by giving us in addition the sayings of Yuan- and Ming-dynasty masters this translation fills a gap in that literature.

"An indispensable reference. Ferguson has given us an impeccable and very readable translation."---John Daido Loori --

Introduction by Paula Arai. This is the first collection to offer selections from the foundational texts of the Chinese, Korean, and Japanese Zen traditions in a single volume. Through representative selections from their poetry, letters, sermons, and visual arts, the most important Zen Masters provide students with an engaging, cohesive introduction to the first 1200 years of this rich -- and often misunderstood -- tradition. A general introduction and notes provide historical, biographical, and cultural context; a note on translation, and a glossary of terms are also included.

Even now, nearly two decades after his death, Osho’s books continue to sell in the hundreds of thousands, and his website receives over a million hits every month. His host of admirers simply increases with every succeeding generation. Here, Osho brings to life many of mankind’s most influential religious and spiritual leaders from a variety of cultures, including Krishna, the Buddha, and Jesus; poets such as Lao Tzu and Rumi; philosophers from Pythagoras and Socrates to Heraclitus and Nietzsche; and great thinkers of more recent times, including Gurdjieff, Krishnamurti, and Kahlil Gibran. Osho uses their lives and knowledge to guide the reader in a profound journey of spiritual discovery and wisdom

The tradition of Chan Buddhism—more popularly known as Zen—has been romanticized throughout its history. In this book, John R. McRae shows how modern critical techniques, supported by recent manuscript discoveries, make possible a more skeptical, accurate, and—ultimately—productive assessment of Chan lineages, teaching, fundraising practices, and social organization. Synthesizing twenty years of scholarship, Seeing through Zen offers new, accessible analytic models for the interpretation of Chan spiritual practices and religious history. Writing in a lucid and engaging style, McRae traces the emergence of this Chinese spiritual tradition and its early figureheads, Bodhidharma and the "sixth patriarch" Huineng, through the development of Zen dialogue and koans. In addition to constructing a central narrative for the doctrinal and social evolution of the school, Seeing through Zen examines the religious dynamics behind Chan’s use of iconoclastic stories and myths of patriarchal succession. McRae argues that Chinese Chan is fundamentally genealogical, both in its self-understanding as a school of Buddhism and in the very design of its practices of spiritual cultivation. Furthermore, by forgoing the standard idealization of Zen spontaneity, we can gain new insight into the religious vitality of the school as it came to dominate the Chinese religious scene, providing a model for all of East Asia—and the modern world. Ultimately, this book aims to change how we think about Chinese Chan by providing new ways of looking at the tradition.