Music critic Michael Gray presents opinionated entries on hundreds of figures, musical works, and other widely varied topics related to singer-songwriter Bob Dylan. Also includes the text on CD-ROM.

The only encyclopaedic sourcebook on one of the 20th century's most importantrtists, Keys to the Rain: The Definitive Bob Dylan Encyclopedia completelyhronicles this music icon's recorded work. Descriptions of Dylan's 43fficially released albums and collaborative efforts, including year ofelease, record company, serial number information for all formats (LP, CD,nd cassette), track list, musicians, and descriptive analysis of its placen Dylan's career are provided.;In addition, this book offers critical andistorically detailed entries on each of the more than 700 songs Dylan hasecorded or performed in more than four decades of touring, includingomposer information, and the album on which the song appeared. Completinghis reference are detailed biographical sketches of more than 100 musicians,ongwriters, and other individuals associated with Dylan, and a selected listf films in which he has been involved.

An illustrated version of the Bob Dylan song that asks the question "If dogs run free, why not we?"

WINNER OF THE NOBEL PRIZE IN LITERATURE Music legend Bob Dylan's only work of fiction—a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and offers unique insight into Dylan's creative evolution, capturing the stream-of-consciousness preoccupations of the legendary folk poet and his eclectic, erudite cool at a crucial juncture in his artistic development. It has since been welcomed into the Dylan canon, as Dylan himself has cemented his place in the cultural imagination, inspiring Todd Haynes’s acclaimed 2007 musical drama I’m Not There, selling more than 100 million records, and winning numerous prizes, including the Nobel Prize for Literature in 2017. In his acceptance speech for the Nobel, Dylan acknowledged the early influence on his work of Buddy Holly and Lead Belly as well as of wide-ranging classics like Don Quixote, All Quiet on the Western Front, and Moby Dick. Tarantula is a rare chance to see Dylan at a moment in which he was still deeply connected to his country roots and a folk vernacular while opening himself up to the influence of French 19th-century Surrealist writers like Arthur Rimbaud and the Comte de Lautreamont. A decade before the confessional singer-songwriter who would create the 1975 epic, Blood on the Tracks—which was just optioned by filmmaker Luca Guadagnino—here is Dylan at his most verbally playful and radically inventive. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music—a spirit of protest, a poetic spontaneity, and a chronicling of the eccentric and the everyday—which continue to make him a beloved artist and cultural icon.

An updated version of the author's discovery of the real person behind the mythology Bob Dylan created includes an interview with the author, previously unpublished photographs, and a new preface by the author. Original.

An updated edition of the most comprehensive account of Bob Dylan's Nobel Prize-winning work yet published, with the full story of every recording session, every album, and every single released during his nearly 60-year career. Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.

Whimsical and witty, “Man Gave Names to All the Animals” first appeared on Bob Dylans album Slow Train Coming in 1979. Illustrator Jim Arnosky has now crafted a stunning picture book adaptation of Dylans song thats a treat for both children and adults, with breathtaking images of more than 170 animals plus a CD of Dylans original recording.The revered musical legend rarely allows his songs to be illustrated, and Arnosky has done the song proud with a parade of spectacular creatures ready to receive their names-until the surprise ending, when children get to name an animal themselves!

An extraodinary collection of drawings and sketches-of women, hotel rooms, cityscapes, and more-by the world's best-known singer-songwriter, each accompanied by a note or short poem.

For fifty years, the music, words, story, and fans of Bob Dylan have fascinated David Gaines. As a son, a husband, a father, a teacher, and a passionate lover of the literary in all its guises, he has pursued the poetic fusion of knowledge and emotion all his life. More often than not, Dylan’s lyrics and music have expressed that fusion for him, and so he has encouraged others to acknowledge the musician or writer or painter or director or actor or athlete who matters deeply (perhaps a bit mysteriously) to them, and to deploy that enigmatic passion in service of self-knowledge and social connection. After all, one of the central reasons to be a fan is to compare notes, explore mysteries, and riff with fellow fans in a community of exploration. Gaines’s personal journey toward creating such communities of passionate knowledge encompasses his own coming of age and marriages, fatherhood, and teaching. As a devoted fan who is also a professor of American literature, questions about teaching and learning are central to his experience. When asked, “Why Dylan?” he says, “He’s the writer I care about the most. He’s been the way into the best and longest running conversations I have ever had.” Talking with students, exchanging Dylan trivia with fellow fans, or cheering on fan-musicians doing Dylan covers during the Dylan Days festival, Gaines shows that, for many people, being a fan of popular culture couples serious critical and creative engagement with heartfelt commitment. Here, largely unheralded, the ideal of liberal education is realized every day.