In most areas of human endeavor, bluffing is an easy way of getting by -- a method of artificially appearing knowledgeable. The Bluffer's Guides are a three million-copy best-selling series of snappy little books containing facts, jargon, and inside information -- all that readers need to know to hold their own among the experts.

Instantly acquire all the knowledge you need to pass as an expert in the world of opera. Never again confuse a castrato with a contralto, a prima donna with sopratitoli, or O Sole Mio with an ice cream advert. Bask in the admiration of your fellow opera lovers as you pronounce confidently on the merits of Donizetti’s bel canto over Wagner’s leitmotiv, and hold your own against the most sneering of opera buffs.

From the #1 New York Times bestselling author of That Summer comes another “fun, feisty” (The Washington Post) novel of family, secrets, and the ties that bind. When her twenty-two-year-old stepdaughter announces her engagement to her pandemic boyfriend, Sarah Danhauser is shocked. But the wheels are in motion. Headstrong Ruby has already set a date (just three months away!) and spoken to her beloved safta, Sarah’s mother Veronica, about having the wedding at the family’s beach house in Cape Cod. Sarah might be worried, but Veronica is thrilled to be bringing the family together one last time before putting the big house on the market. But the road to a wedding day usually comes with a few bumps. Ruby has always known exactly what she wants, but as the wedding date approaches, she finds herself grappling with the wounds left by the mother who walked out when she was a baby. Veronica ends up facing unexpected news, thanks to her meddling sister, and must revisit the choices she made long ago, when she was a bestselling novelist with a different life. Sarah’s twin brother, Sam, is recovering from a terrible loss, and confronting big questions about who he is—questions he hopes to resolve during his stay on the Cape. Sarah’s husband, Eli, who’s been inexplicably distant during the pandemic, confronts the consequences of a long ago lapse from his typical good-guy behavior. And Sarah, frustrated by her husband, concerned about her stepdaughter, and worn out by the challenges of the quarantine, faces the alluring reappearance of someone from her past and a life that could have been. When the wedding day arrives, lovers are revealed as their true selves, misunderstandings take on a life of their own, and secrets come to light. There are confrontations and revelations that will touch each member of the extended family, ensuring that nothing will ever be the same. From “the undisputed boss of the beach read” (The New York Times), The Summer Place is a testament to family in all its messy glory; a story about what we sacrifice and how we forgive. Enthralling, witty, big-hearted, and sharply observed, “this first-rate page-turner” (Publishers Weekly) is Jennifer Weiner’s love letter to the Outer Cape and the power of home, the way our lives are enriched by the people we call family, and the endless ways love can surprise us.

Be an instant expert in opera and bluff your way Z99 all aficianados No heroics required just a sense of humor From Demi-Gods to Democracy and Oracles to Oratory the Bluffers Guide to the Classics offers all you need to know to achieve th

The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.

This new edition of leading opera critic Rupert Christiansen's perennially popular Pocket Guide has between extensively revised, and incorporates many more operas from all periods, including recent works by Philip Glass, Mark Anthony Turnage, Thomas Adès and George Benjamin. Whether you are a first-timer at La Boheme or a seasoned Wagnerian, every opera-goer can benefit from a little background information, and this book aims to provide just that. Accessible and easy-to-use, it contains entries for over a hundred works, both familiar and unfamiliar.

The sad fact is that the majority of people in the workforce have a less than perfect relationship with their supervisor and many of them consider themselves to be working for "a bad boss". But what can they do about it, short of leaving their job? "A Survival Guide for Working with Bad Bosses" gives readers all the guidance they so desperately need not just to survive, but thrive while reporting to someone incompetent, mean, unethical, or even worse.

Here is an excerpt of what The Good Opera Guide has to say about Cilea & rsquo;s Adriana Lecouvreur : & ldquo;The one about the star of stage and screen whose rival sends her a bouquet of poison gas violets. She sniffs it: snuffs it. & rdquo; The Good Opera Guide is not only for regular operagoers but also for people who are new to the world of opera, or indeed people who want to bluff their way through a performance! It is written with humor and is entertaining as well as informative. Where else would you find a & ldquo;dagger count & rdquo; for La Gioconda, and have Hansel and Gretel categorized as a & ldquo;Gingerbread Opera & rdquo;? From Adriana Lecouvreur to Mozart & rsquo;s Die Zauberfl & ouml;te, for each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are & ldquo;worth looking out for, & rdquo; & ldquo;really good, & rdquo; or, occasionally, & ldquo;stunning. & rdquo; He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma, and Sir Denis has no qualms about voicing his opinion. The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as & ldquo;Operatica, & rdquo; or the essential elements of opera, from the proper place and style of the audience & rsquo;s applause (and boos) to the use of subtitles. & ldquo;The first guide to take the sensible decision of separating comments on the music (serious and helpful) from descriptions of the plot (invariably flippant and often funny). & rdquo; & mdash; The Sunday Telegraph Sir Denis Forman (1917 & ndash;2013) was for many years chairman and chief executive of Granada Television. He was also deputy chairman of the Royal Opera House for nine years. Other works include The Good Wagner Guide.