Includes hotels and restaurants; music clubs and bars; music landmarks; music festivals and events; interviews; jazz, blues, Cajun, zydeco, country, gospel, soul and rock and roll; and more.

On Highway 61 explores the historical context of the significant social dissent that was central to the cultural genesis of the sixties. The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America's first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:–––his profound commitment to freedom, to abolitionism and to African–American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post–Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing. As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

Highway 61 is the legendary Blues Highway and route taken by modern-day blues pilgrims on their journey south into the Mississippi Delta. For anyone embarking on the journey this is essential reading that ensures the blues pilgrim gets the most from the land where blues began.

"Daniel Erickson has the blues. There's a Russian mobster wearing his finger on a necklace, two hit men hot on his trail, an FBI agent obsessed with his capture, and a rogue motorcycle gang hunting him down as he desperately races cross-country following musical clues he hopes will lead him to the stolen million dollars that might not be enough to save him. Or his son"--Cover p. [4].

At a crossroads in the Mississippi Delta, Robert Johnson is said to have sold his soul to the Devil so that he could become a guitar virtuoso and King of the Delta Blues. Blues Traveling: The Holy Sites of Delta Blues will tell you where that legendary deal was supposed to have been made and guide you to all the other hallowed grounds that nourished Mississippi's signature music. Johnson, Mississippi John Hurt, Memphis Minnie, Jimmie Rodgers, Bessie Smith, Muddy Waters, Mississippi Fred McDowell, Howlin' Wolf, B. B. King, Little Milton, Elvis Presley, Bobby Rush, Junior Kimbrough, R. L. Burnside-the list of great artists with Mississippi connections goes on and on. A trip through Mississippi blues sites is a pilgrimage every music lover ought to make at least once in a lifetime, to see the juke joints and churches, to visit the birthplaces and graves of blues greats, to walk down the dusty roads and over the levee, to eat some barbecue and greens, to sit on the bank of the Mississippi River, and to hear some down-home blues music. Blues Traveling is the first and only guidebook to Mississippi's musical places and blues history. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead you in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales that generations of blues musicians have lived in, traveled through, and sung about. Stories, legends, and lyrics are woven into the text so that each backroad and barroom comes alive. Touring Mississippi with Blues Traveling is like having a knowledgeable and entertaining guide at your side. Even people with no immediate plans to visit Mississippi will enjoy reading the book for its photos, descriptions, and lore that will broaden their understanding and enhance their appreciation of the blues. Steve Cheseborough is an independent scholar and blues musician. His work has been published in Living Blues, Blues Access, Mississippi, and the Southern Register .

A father and son take a road trip along Highway 61--the legendary road of the blues--and through some of the most musically fertile and diverse landscapes in America. 10 photos.

An exploration of the pervasive influence of jazz on all forms of American music, this work maps the unexpected musical and cultural links between Louis Armstrong, Willie Nelson, Bob Dylan, Herbie Hancock and many others.

The legendary Blues Highway has played a key role in the lives of countless musicians. Running from Nashville, Tennessee, to New Orleans, Louisiana, there’s music around every bend. The greatest blues singers, rockers, and country wailers have all traveled this fateful road, U.S. Route 61. From the two-room home where the King was born to the original Heartbreak Hotel to the crossroads where Robert Johnson allegedly sold his soul to the devil for fame, every stop has a story to tell. Inspiring, practical, and entertaining, this is the premier guide to all the off-the-radar stops along America’s Blues Highway that you simply must not miss. Author Amy Bizzarri, road trip expert and author of the bestselling guide to the Mother Road, The Best Hits on Route 66, provides a comprehensive list of 100 unique stops that you’ll want to take a moment to explore as you journey along the fascinating, 730-mile route from Nashville to New Orleans. Experience its world-famous music landmarks, tucked-away locations, and one-of-a-kind stops. Travel one section at a time, or plan an extended trip along the entire route.

Ron Levy, blues keyboardist, has written his memories of being a musician on the road with artists like B.B. King, and also recorded with Freddie Hubbard, Melvin Sparks, David T. Walker, Idris Muhammad. He includes anecdotes covering his career as a back-up musician, a solo artist, as well as a producer and record label owner.

Photographs that illuminate Mississippi's rich but underexposed terrain