An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.

A riveting and powerful story of an unforgiving time, an unlikely friendship and an indestructible love

When first published, Marshall McLuhan's Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century.

How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.

'Finnish poetry is a popular poetry. It does not solve problems, or try to, but people turn to it for solace, inspiration, stimulation to think about themselves, extensions of experience, and the shaping spirit. This poetry has fed a clearly felt hunger: the need for companionable reports on what it is like to be a Finn in this phase of the muddle for survival. But like all authentic local reports, its appeal is universal. It is very spare. Our own poetry can look baroque to the Finns, not leaving enough silence between the words. The younger poets are already moving in new directions. Inheriting a flexible common idiom, forged by the previous generation, they have been liberated.' - Herbert Lomas.Herbert Lomas's anthology traces the history of post-war Finnish poetry, showing the rise and repercussions of Finland's own revolution in poetry. In a wide-ranging introduction, he describes the poetry of all 21 writers featured in the book, and presents a detailed analysis of the two major poets with international reputations, Paavo Haavikko and Pentti Saarikoski, the most famous of the brilliant generation of 21 year-olds who led the rejuvenation of Finnish poetry in the 1950s. The selections from the towering and controversial figures of Haavikko and Saarikoski cover their whole careers. But the other poets too - ranging from Eeva-Liisa Manner (born 1921) to Satu Salminiitty (born 1959) - are comprehensively presented. Among the book's surprises are the animal parables of Kirsi Kunnas, Finland's Stevie Smith, and the satires of Jarkko Laine, whose work is fuelled by a hatred of conventional poetry and religion.

Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

An examination of the aesthetic qualities of the Homeric simile

After losing her daughter Charlotte to a rare genetic disorder, life for Sukey Forbes is completely shattered. As devastated as she is, Forbes searches for ways to deal with her grief. She wants desperately to recover a full, meaningful life on the private island of Naushon where she and her family live. Forbes begins exploring her family's rich history of spiritual seekers, including her great-great-great grandfather, Ralph Waldo Emerson, who similarly lost a young child.

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing, much like the model made famous by Wendy Bishop’s “The Subject Is . . .” series. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about developing nearly every aspect of craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level. Topics in Volume 1 of the series include academic writing, how to interpret writing assignments, motives for writing, rhetorical analysis, revision, invention, writing centers, argumentation, narrative, reflective writing, Wikipedia, patchwriting, collaboration, and genres.