“IN THE FOLLOWING PAGES the author deals with an exceedingly interesting subject in a most agreeable and instructive manner. His long experience with Arab horses in the East, in the West, on the ranch, in the park, and on Endurance Rides, fits him to speak with authority. I was one of the judges of the first Endurance Ride, conducted under rigid rules and active supervision, in this country, Mr. Harris rode an Arabian mare in this difficult contest, sixty miles per day, for five successive days, with two hundred pounds up, and brought her in in fine shape, to win first place. In addition to being a fine horseman and horsemaster, he is a renowned breeder of Arabian horses. “If one were in quest of accurate and complete information, historical or practical, about the Arab horse—data which would not glorify the Arab at the expense of fact, I should unhesitatingly refer him to the author. He owned the best Arab sire I have ever seen, whether in this country, Europe, or Asia. “He has a large stud farm of pure-bred Arabs. He also used his sires on mares of other breeding, or no breeding, with excellent results. “Whether one agrees with his conclusions or not, I know of no one better fitted to write of the merits and accomplishments of the Arab horse, without indulging in befogging breed-enthusiasm, than the author.”

In 1609, the entire Muslim population of Spain was given three days to leave Spanish territory or else be killed. In a brutal and traumatic exodus, entire families were forced to abandon the homes and villages where they had lived for generations. In just five years, Muslim Spain had effectively ceased to exist: an estimated 300,000 Muslims had been removed from Spanish territory making it what was then the largest act of ethnic cleansing in European history. Blood and Faith is a riveting chronicle of this virtually unknown episode, set against the vivid historical backdrop of Muslim Spain. It offers a remarkable window onto a little-known period in modern Europe - a rich and complex tale of competing faiths and beliefs, of cultural oppression and resistance against overwhelming odds.

A former member of the Islamic jihad recounts his early life in a terror training camp, his travels through the Middle East pursuing Umma, his conversion to Christianity, and his thoughts on the dangers of radical Islam.

During the years 1797-1820 the Qasimi Arabs or Qawasim, inhabitants of the present day United Arab Emirates, acquired an enduring reputation as ruthless pirates. Some of their victims flew the British flag, and thus their actions were to provide the initial stimulus and justification for 150 years of British involvement in the Gulf. Recently, however, it has been doubted whether the Qawasim were in fact pirates. In a scholarly but accessible account founded on contemporary sources, illustrated with testimonies of eye-witnesses and participants, this book sets out to decide this controversial question. By making use of valuable and hitherto untapped archival material, Charles Davies strongly evokes a flavour of life in the Gulf in this turbulent and formative period in the Gulf's history. This book represents the first in-depth investigation into this controversial subject. It is based on original research and and helps to explain why the Gulf is as it is today.

In 2014, a resurgent and bellicose Russia took over Crimea and fueled a civil war in Eastern Ukraine; post-Saddam Iraq lost a third of its territory to an army of hyper-violent millennialists; and the peace process in Israel seemed to completely collapse. In short, the post-Cold War security order that the US had constructed after 1991 seemed to be coming apart at the seams. David Kilcullen was one of the architects of America's strategy in the late phases of the second Gulf War, and he has also spent time in Afghanistan and other hotspots. In Blood Year, he provides a wide-angle view of the current situation in the Middle East and analyzes how America and the West ended up in such dire circumstances. Kilcullen lays much of the blame on Bush's initial decision to invade Iraq (which had negative secondary effects in Afghanistan), but also takes Obama to task for simply withdrawing and adopting a "leading from behind" strategy. As events have proven, Kilcullen contends, withdrawal was a fundamentally misguided plan. The U.S. had uncorked the genie, and it had a responsibility to at least attempt to keep it under control. Instead, the U.S. is at a point where administration officials state that the losses of Ramadi and Palmyra are manageable setbacks. Kilcullen argues that the U.S. needs to re-engage in the region, whether it wants to or not, because it is largely responsible for the situation that is now unfolding. Blood Year is an essential read for anyone interested in understanding not only why the region that the U.S. invaded a dozen years ago has collapsed into utter chaos, but also what the U.S. can do to alleviate the grim situation.

Blood, in Gil AnidjarÕs argument, maps the singular history of Christianity. A category for historical analysis, blood can be seen through its literal and metaphorical uses as determining, sometimes even defining, Western culture, politics, and social practices and their wide-ranging incarnations in nationalism, capitalism, and law. Engaging with a variety of sources, Anidjar explores the presence and the absence, the making and unmaking of blood in philosophy and medicine, law and literature, and economic and political thought, from ancient Greece to medieval Spain, from the Bible to Shakespeare and Melville. The prevalence of blood in the social, juridical, and political organization of the modern West signals that we do not live in a secular age into which religion could return. Flowing across multiple boundaries, infusing them with violent precepts that we must address, blood undoes the presumed oppositions between religion and politics, economy and theology, and kinship and race. It demonstrates that what we think of as modern is in fact imbued with Christianity. Christianity, Blood fiercely argues, must be reconsidered beyond the boundaries of religion alone.

The U.S. occupation of Japan transformed a brutal war charged with overt racism into an amicable peace in which the issue of race seemed to have disappeared. During the Occupation, the problem of racial relations between Americans and Japanese was suppressed and the mutual racism transformed into something of a taboo so that the two former enemies could collaborate in creating democracy in postwar Japan. In the 1980s, however, when Japan increased its investment in the American market, the world witnessed a revival of the rhetoric of U.S.-Japanese racial confrontation. Koshiro argues that this perceived economic aggression awoke the dormant racism that lay beneath the deceptively smooth cooperation between the two cultures. This pathbreaking study is the first to explore the issue of racism in U.S.-Japanese relations. With access to unexplored sources in both Japanese and English, Koshiro is able to create a truly international and cross-cultural study of history and international relations.

Kosher sushi, kebab stands, a secondhand bookstore, and a bar: the 19th arrondissement in Paris has all the trappings of a cosmopolitan melting pot--a place where multiethnic citizens live, love, and worship alongside one another. But dark passions are brewing beneath the seemingly idyllic vision of peacefully coexisting ethnicities. Ahmed Taroudant is an archetypal French Arab-non-observant, unable to reconcile his conflicting identities, and troubled by the past. A crime fiction connoisseur, Ahmed is engrossed in his latest book when he finds blood dripping from his upstairs neighbor's apartment. There, Laura Vignole is found brutally murdered, with a joint of pork placed near her body, prompting the obvious conclusion that the killer had religious motives. As the neighborhood erupts into speculation and gossip, Ahmed finds himself first among many suspects. Detectives Rachel Kupferstein and Jean Hamelot attempt to untangle the complex web of events leading up to Laura's death, but truth is hard to come by, with each inhabitant--an Armenian anarchist, a Turkish kebab-shop owner, and a Hasidic Rastafarian--reluctant to reveal anything. Determined to clear his name, Ahmed joins the detectives as they investigate the connection between a disbanded hip-hop group and the fiery extremist preachers clamoring for attention in the streets. Meanwhile, an ecstasy variant called Godzwill is taking the district by storm. In his debut novel, Karim Miské demonstrates a masterful control of setting, as he moves effortlessly between the sensual streets of Paris and the synagogues of New York to reveal the truth behind a horrifying crime.

WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, long before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and then left unemployed on the margins of society. In that time, Arabness was a mark of cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Oscar's son, the Jewish Arab journalist Massoud Hayoun whom Oscar raised in Los Angeles, finds his voice by telling his family's story. To reclaim a worldly, nuanced Arab identity is, for Hayoun, part of the larger project to recall a time before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that is now nearly lost. When We Were Arabs showcases the gorgeous prose of the Eppy Award–winning writer Massoud Hayoun, bringing the worlds of his grandparents alive, vividly shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines over which we do battle.