"In the pursuit of the modern, the armed forces served as instrument, model, and metaphor for national progress. I examine in this book how the military experience, as representative of the process, failed or fulfilled aspects of the broad national transition towards hegemony and sovereignty. This is the first work combining personnel records and military literature with cultural sources to address the setting of military life for soldiers and their families rather than politics or officers. In connection with nation formation and identity, this book moves away from studies of the army as an institution to broaden understandings of inculcations and the limits and fault lines of building Mexico as a nation. More social and cultural in historical outlook, I examine the creation of political cultures rooted in or derived from the personal experiences of the lower ranks. In doing so, the book removes some of the privileged view that official narratives emphasize in order to explain the making of a bureaucratic institution from the bottom up, and to more clearly describe how this process both encouraged the development of nationalism and limited it in important ways. In this fashion I build on the works of scholars whose focus has centered more on officers, education, and political conflicts"--Introduction.

This innovative social and cultural history explores the daily lives of the lowest echelons in president Porfirio Díaz’s army through the decades leading up to the 1910 Revolution. The author shows how life in the barracks—not just combat and drill but also leisure, vice, and intimacy—reveals the basic power relations that made Mexico into a modern society. The Porfirian regime sought to control and direct violence, to impose scientific hygiene and patriotic zeal, and to build an army to rival that of the European powers. The barracks community enacted these objectives in times of war or peace, but never perfectly, and never as expected. The fault lines within the process of creating the ideal army echoed the challenges of constructing an ideal society. This insightful history of life, love, and war in turn-of-the-century Mexico sheds useful light on the troubled state of the Mexican military more than a century later.

TARMUN VYKERS His awestruck opponents call him The Reaper, an iron-willed man with no memory of his past, a ruthless champion who has risen to the level of death incarnate. But The Reaper has collected a legion of enemies as he cut a bloody swath through the greatest of heroes and villains. And these dogs have finally had their day, exacting a revenge both cruel and creative. Wandering lost, horribly disfigured and unable to fight, Vykers stumbles across the bones of a half-buried skeleton that can transform his ruined body in an inconceivable way. But first he must make a devil’s pact with… ARUNE A secretive, ghostly sorceress with ambitions of her own. If Vykers wants to wield a sword again, he must surrender to Arune that which he holds most dear. But can he trust this ethereal enchantress to hold up her end of their dangerous bargain? Vykers has few good choices, and he must make them quickly, for an impossibly talented and savage wizard has arisen to threaten all of humanity… THE END OF ALL THINGS Once an autistic boy hardly able to speak, The End has evolved into a supernatural terror bent on extinguishing all life. A fearsome and unequaled tactician, The End is the only person who doesn’t fear “The Reaper.” To have any hope of defeating this bloodthirsty mage, Vykers must gather the strangest, most dangerous cohort of killers ever assembled. Then he must seek out the only weapon that can defeat this terrible adversary… THE EPIC BATTLE Behold the greatest clash of men, monsters, and Fey that the kingdom has ever known. Vykers, at the head of his outnumbered contingent, launches a desperate attack against The End, with the fate of the world hanging in the balance. But The End is a creature worthy of his name. He has forged a secret weapon, a wicked and terrible instrument that will break through Vykers’ defenses and exact a devastating toll. Only one thing is certain, this extraordinary battle will end in a way that no one could have predicted!

"Kevin Gannon asks that the contemporary university's manifold problems be approached as opportunities for critical engagement, arguing that, when done effectively, teaching is by definition emancipatory and hopeful. Considering individual pedagogical practice, the students who are teaching's primary audience and beneficiaries, and the institutions and systems within which teaching occurs, Radical Hope surveys the field, tackling everything from imposter syndrome to cellphones in class to allegations of a campus "free speech crisis"--

“The Lynley books constitute the smartest, most gratifyingly complex and impassioned mysteries now being published.”—Entertainment Weekly The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an eighteen-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves. He and Havers must tread carefully through the complicated terrain of human relationships while they work to solve a case rooted in the darkest corners of the past and the unexplored regions of the human heart.

When an immigrant dies on a Venice street, it will take a determined detective to pursue the case to its shocking end: “[An] outstanding series.” —Marilyn Stasio, The New York Times Book Review On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the man’s wares before his death—fake handbags of every designer label. The dead man was one of the many African immigrants purveying goods outside normal shop hours and trading without a work permit. Once Commissario Guido Brunetti begins to investigate this unfamiliar Venetian underworld, he discovers that matters of great value are at stake within the secretive society. And his boss’s warning to avoid getting involved only makes Brunetti more determined to unearth the truth behind this mysterious killing. “[A] stunning novel . . . an engrossing, complex plot.” —Publishers Weekly, starred review “The appeal of Guido Brunetti, the hero of Donna Leon’s long-running Venetian crime series, comes not from his shrewdness, though he is plenty shrewd, nor from his quick wit. It comes, instead, from his role as an Everyman . . . [his life is] not so different from our own days at the office or nights around the dinner table. Crime fiction for those willing to grapple with, rather than escape, the uncertainties of daily life.” —Booklist

With Japanese Philosophy: A Sourcebook, readers of English can now access in a single volume the richness and diversity of Japanese philosophy as it has developed throughout history. Leading scholars in the field have translated selections from the writings of more than a hundred philosophical thinkers from all eras and schools of thought, many of them available in English for the first time. The Sourcebook editors have set out to represent the entire Japanese philosophical tradition—not only the broad spectrum of academic philosophy dating from the introduction of Western philosophy in the latter part of the nineteenth century, but also the philosophical ideas of major Japanese traditions of Buddhism, Confucianism, and Shinto. The philosophical significance of each tradition is laid out in an extensive overview, and each selection is accompanied by a brief biographical sketch of its author and helpful information on placing the work in its proper context. The bulk of the supporting material, which comprises nearly a quarter of the volume, is given to original interpretive essays on topics not explicitly covered in other chapters: cultural identity, samurai thought, women philosophers, aesthetics, bioethics. An introductory chapter provides a historical overview of Japanese philosophy and a discussion of the Japanese debate over defining the idea of philosophy, both of which help explain the rationale behind the design of the Sourcebook. An exhaustive glossary of technical terminology, a chronology of authors, and a thematic index are appended. Specialists will find information related to original sources and sinographs for Japanese names and terms in a comprehensive bibliography and general index. Handsomely presented and clearly organized for ease of use, Japanese Philosophy: A Sourcebook will be a cornerstone in Japanese studies for decades to come. It will be an essential reference for anyone interested in traditional or contemporary Japanese culture and the way it has shaped and been shaped by its great thinkers over the centuries.