This innovative social and cultural history explores the daily lives of the lowest echelons in president Porfirio Díaz’s army through the decades leading up to the 1910 Revolution. The author shows how life in the barracks—not just combat and drill but also leisure, vice, and intimacy—reveals the basic power relations that made Mexico into a modern society. The Porfirian regime sought to control and direct violence, to impose scientific hygiene and patriotic zeal, and to build an army to rival that of the European powers. The barracks community enacted these objectives in times of war or peace, but never perfectly, and never as expected. The fault lines within the process of creating the ideal army echoed the challenges of constructing an ideal society. This insightful history of life, love, and war in turn-of-the-century Mexico sheds useful light on the troubled state of the Mexican military more than a century later.

TARMUN VYKERS His awestruck opponents call him The Reaper, an iron-willed man with no memory of his past, a ruthless champion who has risen to the level of death incarnate. But The Reaper has collected a legion of enemies as he cut a bloody swath through the greatest of heroes and villains. And these dogs have finally had their day, exacting a revenge both cruel and creative. Wandering lost, horribly disfigured and unable to fight, Vykers stumbles across the bones of a half-buried skeleton that can transform his ruined body in an inconceivable way. But first he must make a devil’s pact with… ARUNE A secretive, ghostly sorceress with ambitions of her own. If Vykers wants to wield a sword again, he must surrender to Arune that which he holds most dear. But can he trust this ethereal enchantress to hold up her end of their dangerous bargain? Vykers has few good choices, and he must make them quickly, for an impossibly talented and savage wizard has arisen to threaten all of humanity… THE END OF ALL THINGS Once an autistic boy hardly able to speak, The End has evolved into a supernatural terror bent on extinguishing all life. A fearsome and unequaled tactician, The End is the only person who doesn’t fear “The Reaper.” To have any hope of defeating this bloodthirsty mage, Vykers must gather the strangest, most dangerous cohort of killers ever assembled. Then he must seek out the only weapon that can defeat this terrible adversary… THE EPIC BATTLE Behold the greatest clash of men, monsters, and Fey that the kingdom has ever known. Vykers, at the head of his outnumbered contingent, launches a desperate attack against The End, with the fate of the world hanging in the balance. But The End is a creature worthy of his name. He has forged a secret weapon, a wicked and terrible instrument that will break through Vykers’ defenses and exact a devastating toll. Only one thing is certain, this extraordinary battle will end in a way that no one could have predicted!

"Kevin Gannon asks that the contemporary university's manifold problems be approached as opportunities for critical engagement, arguing that, when done effectively, teaching is by definition emancipatory and hopeful. Considering individual pedagogical practice, the students who are teaching's primary audience and beneficiaries, and the institutions and systems within which teaching occurs, Radical Hope surveys the field, tackling everything from imposter syndrome to cellphones in class to allegations of a campus "free speech crisis"--

When an immigrant dies on a Venice street, it will take a determined detective to pursue the case to its shocking end: “[An] outstanding series.” —Marilyn Stasio, The New York Times Book Review On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the man’s wares before his death—fake handbags of every designer label. The dead man was one of the many African immigrants purveying goods outside normal shop hours and trading without a work permit. Once Commissario Guido Brunetti begins to investigate this unfamiliar Venetian underworld, he discovers that matters of great value are at stake within the secretive society. And his boss’s warning to avoid getting involved only makes Brunetti more determined to unearth the truth behind this mysterious killing. “[A] stunning novel . . . an engrossing, complex plot.” —Publishers Weekly, starred review “The appeal of Guido Brunetti, the hero of Donna Leon’s long-running Venetian crime series, comes not from his shrewdness, though he is plenty shrewd, nor from his quick wit. It comes, instead, from his role as an Everyman . . . [his life is] not so different from our own days at the office or nights around the dinner table. Crime fiction for those willing to grapple with, rather than escape, the uncertainties of daily life.” —Booklist

“The Lynley books constitute the smartest, most gratifyingly complex and impassioned mysteries now being published.”—Entertainment Weekly The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an eighteen-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves. He and Havers must tread carefully through the complicated terrain of human relationships while they work to solve a case rooted in the darkest corners of the past and the unexplored regions of the human heart.

Karl Marx remarked that the only way to write about the origins of capitalism is in the letters of blood and fire used to drive workers from the common lands, forests, and waters in the sixteenth century. In this collection of essays, George Caffentzis argues that the same is true for the annals of twenty-first-century capitalism. Information technology, immaterial production, financialization, and globalization have been trumpeted as inaugurating a new phase of capitalism that puts it beyond its violent origins. Instead of being a period of major social and economic novelty, however, the course of recent decades has been a return to the fire and blood of struggles at the advent of capitalism. Emphasizing class struggles that have proliferated across the social body of global capitalism, Caffentzis shows how a wide range of conflicts and antagonisms in the labor-capital relation express themselves within and against the work process. These struggles are so central to the dynamic of the system that even the most sophisticated machines cannot liberate capitalism from class struggle and the need for labor. Themes of war and crisis permeate the text and are given singular emphasis, documenting the peculiar way in which capital perpetuates violence and proliferates misery on a world scale. This collection draws upon a careful rereading of Marx’s thought in order to elucidate political concerns of the day. Originally written to contribute to the debates of the anticapitalist movement over the last thirty years, this book makes Caffentzis’s writings readily available as tools for the struggle in this period of transition to a common future.