The most extraordinary collection of photos of any small town in the entire United States. Block Island, in the Atlantic Ocean off the south coast of New England, has a photographic history of 145 years. No other community could produce such an array of images from both land and sea. Volume 2 of The Block Island History of Photography adds more than 400 images to America’s history, from shipwrecks and lighthouses, steamboats and tourists, World Wars 1 & 2, Prohibition era fun, into hard times, through two strong hurricanes, and yet more fun. The earlier Volume 1, from 1870 to the 1910s, contains another 380 images. This is the face of quiet America most people missed — and most, once lived, would miss.

"With his gallery on the wharf and thirty-plus years on the island, Malcolm Greenaway is the Rembrandt of Block Island photographers."

With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.

Two days after Christmas in 1738, a British merchant ship traveling from Rotterdam to Philadelphia grounded in a blizzard on the northern tip of Block Island, twelve miles off the Rhode Island coast. The ship carried emigrants from the Palatinate and its neighboring territories in what is now southwest Germany. The 105 passengers and crew on board-sick, frozen, and starving-were all that remained of the 340 men, women, and children who had left their homeland the previous spring. They now found themselves castaways, on the verge of death, and at the mercy of a community of strangers whose language they did not speak. Shortly after the wreck, rumors began to circulate that the passengers had been mistreated by the ship's crew and by some of the islanders. The stories persisted, transforming over time as stories do and, in less than a hundred years, two terrifying versions of the event had emerged. In one account, the crew murdered the captain, extorted money from the passengers by prolonging the voyage and withholding food, then abandoned ship. In the other, the islanders lured the ship ashore with a false signal light, then murdered and robbed all on board. Some claimed the ship was set ablaze to hide evidence of these crimes, their stories fueled by reports of a fiery ghost ship first seen drifting in Block Island Sound on the one-year anniversary of the wreck. These tales became known as the legend of the Palatine, the name given to the ship in later years, when its original name had been long forgotten. The flaming apparition was nicknamed the Palatine Light. The eerie phenomenon has been witnessed by hundreds of people over the centuries, and numerous scientific theories have been offered as to its origin. Its continued reappearances, along with the attention of some of nineteenth-century America's most notable writers-among them Richard Henry Dana Sr., John Greenleaf Whittier, Edward Everett Hale, and Thomas Wentworth Higginson-has helped keep the legend alive. This despite evidence that the vessel, whose actual name was the Princess Augusta, was never abandoned, lured ashore, or destroyed by fire. So how did the rumors begin? What really happened to the Princess Augusta and the passengers she carried on her final, fatal voyage? Through years of painstaking research, Jill Farinelli reconstructs the origins of one of New England's most chilling maritime mysteries.

ISLAND STRIPERS is a result of the author’s 45 years of fishing Block Island’s waters and his offered contentions supported by science. This effort is filled with insights into its history & unique geology, its tides & currents, early native fishing, updates in striper biology & evolution, detailed day & night, surf & boat angling, striper diseases, major action spots and techniques, popular baits, recent record-breaking fish, fly & surf fishing interviews, forage species, various tagging agencies, results of his striper tagging, vessels used, and much, much more..... Early in 2012 he was selected for induction into the IGFA’s World Fishing Hall of Fame, a result of his career tagging nearly 60,000 documented game fish for science, thanks to help from clients & friends. Of these 43,000 were striped bass for the American Littoral Society (ALS), the remainder for the National Marine Fisheries Service (NMFS), which included bluefin tuna, various billfish and shark species. Back in 2011 SPORTFISHING magazine commenced their annual Making A Difference (MAD) Campaign, to identify fifty individuals nationwide who made significant contributions to sport fishing. Capt. Al Anderson was announced as one of their five winners. He is a well known New England charter skipper, author, lecturer and conservationist, long recognized for his ethic of marking game fish for science. (www.ProwlerChartersRI.com).

As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.

Recounts the stories of the USS Block Island CVE 21 and CVE 106 and their crews, many of whom served on both ships in the Atlantic and Pacific theatres

Brooklyn has seen exponential change over the past fifteen years, and this book presents the best work of the photographers from all over the world who have been capturing those changes and movements in cityscapes, portraits, vignettes, and process-oriented photography. Brooklyn Photographs Now reflects the avant-garde spirit of the city’s hippest borough, containing previously unpublished work by well-known and emerging contemporary artists. The book presents 250 images by more than seventy-five established and new artists, including Mark Seliger, Jamel Shabazz, Ryan McGinley, Mathieu Bitton, and Michael Eastman, among many others. The book documents the physical and architectural landscape and reflects and explores an off-centered—and therefore a less-seen and more innovative—perspective of how artists view this borough in the twenty-first century. This is the “now” Brooklyn that we have yet to see in pictures: what might seem to be an alternative city but is actually the crux of how it visually functions in the present day. This unique collection of images is the perfect book for the photo lover and sophisticated tourist alike.