Do newborns think? Do they know that "three" is greater than "two"? Do they prefer "right" to "wrong"? Laypeople hold strong beliefs on such topics. These beliefs are stories we tell ourselves about what we know and who we are. They reflect our understanding of ourselves and others, and shape our thinking about topics such as mental disorders, free will, and the afterlife. But many of these stories are misguided. We, the storytellers, are blind. How could we get it so wrong? In a novel provocative theory, Berent proposes that our errors emanate from the very principles that make our minds tick. Our blindness to human nature is rooted in human nature itself.

Do newborns think? Do they know that "three" is greater than "two"? Do they prefer "right" to "wrong"? What about emotions--can newborns recognize happiness or anger? If the answer to these questions is yes, then how are our inborn thoughts and feelings encoded in our bodies? Could they persist after we die? Going all the way back to ancient Greece, human nature and the mind-body problem have been the topics of fierce scholarly debates. But laypeople also have strong opinions about such matters. Most people believe, for example, that newborn babies don't know the difference between right and wrong--such knowledge, they insist, can only be learned. For emotions, they presume the opposite--that our capacity to feel fear, for example, is both inborn and embodied. These beliefs are stories we tell ourselves about what we know and who we are. They reflect and influence our understanding of ourselves and others and they guide every aspect of our lives. In The Blind Storyteller, the cognitive psychologist Iris Berent exposes a chasm between our intuitive understanding of human nature and the conclusions emerging from science. Her conclusions show that many of our stories are misguided. Just like Homer, we, the storyteller, are blind. How could we get it so wrong? In a twist that could have come out of a Greek tragedy, Berent proposes that our errors are our fate. These mistakes emanate from the very principles that make our minds tick: Our blindness to human nature is rooted in human nature itself. An intellectual journey that draws on philosophy, anthropology, linguistics, cognitive science, and Berent's own cutting-edge research, The Blind Storyteller grapples with a host of provocative questions, from why we are so afraid of zombies, to whether dyslexia is "just in our heads," from what happens to us when we die, to why we are so infatuated with our brains. The end result is a startling new perspective on the age-old nature/nurture debate--and on what it means to be human.

“Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale.

Broken in body and spirit, she secludes herself in the mystical wilderness of a Georgia island. Can she find herself in the sweetness of old songs, old ways, and the gentle magic of the river people? "Kimberly Brock has an amazing voice and a huge heart; The River Witch welcomes the reader to a haunted landscape, authentically Southern, where the tragedies of the past and the most fragile, gorgeous kind of love-soaked hope are equally alive. This is one debut that you absolutely should not miss."-Joshilyn Jackson, New York Times Bestselling Author of Gods in Alabama "Kimberly Brock's The River Witch achieves what splendid writing ought to achieve-story and character that linger in the reader's consciousness. Such is the power of Roslyn Byrne, who retreats to Manny's Island, Georgia, in search of herself, only to discover her great need of others. Tender and intriguing, often dazzling in its prose, this is a mature work of fiction worthy of the celebration of praise."-Terry Kay, internationally known author of the classic novel, To Dance With The White Dog "There is magic and wonder in The River Witch, but the real enchantment here is the strength of the characters Roslyn and Damascus. Their voices are the current that carries the reader along in this compelling tale of healing and discovery."- Sharyn McCrumb, New York Times Bestselling Author, The Ballad of Tom Dooley "With lyrical prose, Kimberly Brock explores the hidden places of the heart. The River Witch is a magical and bewitching story that, like a river, winds its way through the soul. In the voices of her wounded characters, Brock takes us through both the breaking and the healing of a life." -Patti Callahan Henry, New York Times Bestselling Author of The Perfect Love Song Kimberly Brock is a native Southerner, a former actor and special needs educator. Her work has appeared in anthologies and magazines. She lives with her husband and three children north of Atlanta, Georgia. The River Witch is her first novel. Visit her at KimberlyBrockBooks.com.

The same story that captivated readers in 1977 is back in a stunning new edition! Hwei Min, the only daughter of the emperor of China, has been blind since birth. Her father offers a reward to anyone who can find a cure for the little girl. It seems that no one from magicians to physicians can help her. Then, one day a wise old man with a mysterious seeing stick visits the princess. Will he be able to teach Hwei Min that there is more than one way to see the world?

Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Richard Hamilton has witnessed at first hand the death throes of this rich and captivating tradition and, in the labyrinth of the Marrakech medina, has tracked down the last few remaining storytellers, recording stories that are replete with the mysteries and beauty of the Maghreb.

While it is widely acknowledged that Jesus told stories, there has not been much focus on why he did so and how these stories contributed to his ministry. Stephen Wright approaches this topic afresh to analyze how considering the parables as "stories" can help our understanding of Jesus and his mission. Wright begins by looking for insights in scholarship from recent decades on the parables and the historical Jesus. He goes on to imagine how these stories would have resonated with hearers in each of the Synoptic Gospels and considers the dynamics between Jesus and his hearers in different locations like Galilee and Jerusalem. Finally, Wright considers the purpose of these parables as an element of Jesus' ministry and looks at Jesus himself as a storyteller. This book will provide a solid basis for understanding why Jesus spoke in parables and how this distinctive style of speech functioned in his ministry.

An astonishing novel about redemption and forgiveness from the “amazingly talented writer” (HuffPost) and #1 New York Times bestselling author Jodi Picoult. Some stories live forever... Sage Singer is a baker. She works through the night, preparing the day’s breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother’s death. When Josef Weber, an elderly man in Sage’s grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can’t. Everything changes on the day that Josef confesses a long-buried and shame­ful secret and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With the integrity of the closest friend she’s ever had clouded, Sage begins to question the assumptions and expectations she’s made about her life and her family. In this searingly honest novel, Jodi Picoult gracefully explores the lengths to which we will go in order to keep the past from dictating the future.

Blind Pony is a story of healing and hope, a coming of age narrative intersecting themes of recovery, redemption, forgiveness, and the struggle it takes to define life on your terms.

What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers? Elizabeth Lesser believes that if women’s voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories—stories that value caretaking, champion compassion, and elevate communication over vengeance and violence. Cassandra Speaks is about the stories we tell and how those stories become the culture. It’s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We have outgrown so many of them, and still they endure. This book is about what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human. Lesser has walked two main paths in her life—the spiritual path and the feminist one—paths that sometimes cross but sometimes feel at cross-purposes. Cassandra Speaks is her extraordinary merging of the two. The bestselling author of Broken Open and Marrow, Lesser is a beloved spiritual writer, as well as a leading feminist thinker. In this book she gives equal voice to the cool water of her meditative self and the fire of her feminist self. With her trademark gifts of both humor and insight, she offers a vision that transcends the either/or ideologies on both sides of the gender debate. Brilliantly structured into three distinct parts, Part One explores how history is carried forward through the stories a culture tells and values, and what we can do to balance the scales. Part Two looks at women and power and expands what it means to be courageous, daring, and strong. And Part Three offers “A Toolbox for Inner Strength.” Lesser argues that change in the culture starts with inner change, and that no one—woman or man—is immune to the corrupting influence of power. She provides inner tools to help us be both strong-willed and kind-hearted. Cassandra Speaks is a beautifully balanced synthesis of storytelling, memoir, and cultural observation. Women, men and all people will find themselves in the pages of this book, and will come away strengthened, opened, and ready to work together to create a better world for all people.