Getting yourself a girlfriend is easy, according to Richard. All you need is papier mache, string, soft material, a balloon, some old fashioned bellows, and a good pair of scissors. The difficult bit is keeping her secret. Set in an English suburb in the early 1990s, this is the story of Richard's all-consuming passion for creating 'girls' from household objects. But as his hobby begins to flourish, his real life friendships and family relationships deteriorate.

In Project Management: The Black Experience, Eric presents his direct and honest experience as an African-American Project Manager in a white-dominated corporate world. He shares his 14+ years of experience and insights in the IT Project Management space of surviving as a black Project Manager. This journey begins with a small town kid from Bluefield, West Virginia seeking to achieve his dreams but faced with the reality of his "good enough, isn't good enough" as his parents taught him at an early age.Project Management: The Black Experience serves as the survival guide for experienced and aspiring black Project Managers. Eric shares the tactical principles to immediate add to your daily working experience to not only survive but excel as a black Project Manager. These life-learned principles include:*You must be two (sometimes 10) times better than you fellow white colleagues*Your good enough isn't enough as a black Project Manager*Break the cycle by helping other minority Project Managers*Learn your voice and be you (professionally)*How to adapt, survive, and excel in a white dominated corporate cultureBy combining his personal experiences and knowledge from his personal mentors, Eric hopes Project Management: The Black experience will shed more light on the diversity gap in Project Management and empower us all (blacks and whites) to make a difference.

Combat Black Dog Syndrome worldwide; a portion of all proceeds from Black Dog Project will be donated to black dog rescue. One of Tumblr's most viral blogs of 2014, the Black Dogs Project is a stunning photo series by animal photographer Fred Levy. Known as "Black Dog Syndrome" in animal shelters and rescues, it refers to the unfortunate phenomenon that black dogs are frequently the LAST dogs to be adopted and the FIRST dogs to be euthanized in rescue shelters. Animal photographer Fred Levy couldn't believe that it was true, so he began talking with shelters. Not only does the phenomen exist, but he discovered it's an epidemic. Levy decided to turn his camera lens to black dogs, showing the world how beautiful they truly are. He called the photo series, The Black Dogs Project, and the stunning photographs have been shared worldwide, spreading awareness and attention to the problem. A portion of all proceeds for Black Dogs Project will be donated to black dog rescue.

"Dan Sherman, [a 12-year, decorated veteran of the US Air Force], spent almost three years as an intuitive communicator while serving in the USAF. In Above black, te tells of his training, things he learned from his alien contacts and the events that led him to seek a discharge from the US Air Force"--adapted from page [4] of cover.

Hundreds of ordinary citizens appear to be under the watchful eye of black helicopters said to be among the surveillance tools of the New World Order -- a secret society of high powered individuals who are working behind the scenes to control global destiny. The author maintains that there are now all kinds of strange aircraft flying overhead which may -- or may not -- be based on alien technology. Reports of unusual activity around Area 51 are now ignored heavily because of the 'kook factor' associated with UFOs. But for misinformation to be effective, it must contain some elements of truth. These secret, black budgeted aircraft continue to be developed using technologies -- including anti-gravity -- that are so highly sophisticated that the possibility exists the science used could be the result of an exchange between secret earthly forces with some unknown intelligence. Includes information on many of these secret black projects; including a series of 129 underground military bases in the US which are connected by magneto-leviton trains that have speeds up to Mach 2 that are solely under the command of the New World Order.

Coretta Scott King Award–winning creator Ashley Bryan’s adaptation of a tale from the Ila-speaking people of Zambia is now available in board book format, featuring Bryan’s cut-paper artwork. We’ll see the difference a touch of black can make. Just remember, whatever I do, I’ll be me and you’ll be you. Explore the appreciation of one’s own heritage and beauty. In this story, the colorful birds of Africa ask Blackbird, who they think is the most beautiful of birds, to color them black so they can be beautiful too, though Blackbird reminds them that true beauty comes from the inside.

"This book argues that, since transatlantic slavery, patience has been used as a tool of anti-black violence and political exclusion, but shows how during the Civil Rights Movement black artists and activists used theatre to demand "freedom now," staging a radical challenge to this deferral of black freedom and citizenship"--

#1 NEW YORK TIMES BESTSELLER • NAACP IMAGE AWARD WINNER • A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present. “[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling.”—Esquire NOW AN EMMY-NOMINATED HULU ORIGINAL DOCUSERIES • FINALIST FOR THE KIRKUS PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The New York Times Magazine’s award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. Featuring contributions from: Leslie Alexander • Michelle Alexander • Carol Anderson • Joshua Bennett • Reginald Dwayne Betts • Jamelle Bouie • Anthea Butler • Matthew Desmond • Rita Dove • Camille T. Dungy • Cornelius Eady • Eve L. Ewing • Nikky Finney • Vievee Francis • Yaa Gyasi • Forrest Hamer • Terrance Hayes • Kimberly Annece Henderson • Jeneen Interlandi • Honorée Fanonne Jeffers • Barry Jenkins • Tyehimba Jess • Martha S. Jones • Robert Jones, Jr. • A. Van Jordan • Ibram X. Kendi • Eddie Kendricks • Yusef Komunyakaa • Kevin M. Kruse • Kiese Laymon • Trymaine Lee • Jasmine Mans • Terry McMillan • Tiya Miles • Wesley Morris • Khalil Gibran Muhammad • Lynn Nottage • ZZ Packer • Gregory Pardlo • Darryl Pinckney • Claudia Rankine • Jason Reynolds • Dorothy Roberts • Sonia Sanchez • Tim Seibles • Evie Shockley • Clint Smith • Danez Smith • Patricia Smith • Tracy K. Smith • Bryan Stevenson • Nafissa Thompson-Spires • Natasha Trethewey • Linda Villarosa • Jesmyn Ward

It's the ultimate battle of good versus good. They were best friends at an elite academy for superheroes in training, but now Callie Bradford, code name Iridium, and Joannie Greene, code name Jet, are mortal enemies. Jet is a by-the-book hero, using her Shadow power to protect the citizens of New Chicago. Iridium, with her mastery of light, runs the city’s underworld. For the past five years the two have played an elaborate, and frustrating, game of cat and mouse. But now playtime’s over. Separately Jet and Iridium uncover clues that point to a looming evil, one that is entwined within the Academy. As Jet works with Bruce Hunter—a normal man with an extraordinary ability to make her weak in the knees—she becomes convinced that Iridium is involved in a scheme that will level the power structure of America itself. And Iridium, teaming with the mysterious vigilante called Taser, uncovers an insidious plot that’s been a decade in the making…a plot in which Jet is key. They’re both right. And they’re both wrong. Because nothing is as simple as Black and White.