In The Black List, twenty-five prominent African-Americans of various professions, disciplines, and backgrounds offer their own stories and insights on the struggles, triumphs, and joys of black life in America and, in the process, redefine "black list" for a new century. As seen in original portraits by renowned photographer Timothy Greenfield-Sanders and in a series of incisive interviews conducted by award-winning journalist, critic, academic, and radio host Elvis Mitchell, this group exemplifies today's most accomplished, determined African-Americans, whose lives and careers form a trail of inspiration and example for people of all races. Spanning the arts, sports, politics, and business, the diverse accomplishments and lives of these remarkable individuals create a kaleidoscope of ideas and experiences, and provide the framework for a singular conver-sation about the influence of African-Americans on this country and on our world. The Black List is: Slash - Toni Morrison - Keenen Ivory Wayans - Vernon Jordan - Faye Wattleton - Marc Morial - Serena Williams - Lou Gossett Jr. - Russell Simmons - Lorna Simpson - Mahlon Duckett - Zane - Al Sharpton - Kareem Abdul-Jabbar - William Rice - Thelma Golden - Sean Combs - Susan Rice - Chris Rock - Suzan-Lori Parks - Steve Stoute - Richard Parsons - Dawn Staley - Colin Powell - Bill T. Jones

Revealing the formative influence of 1950s leftist radicalism on African American literature and culture.

When his name is added to a top-secret government list of individuals slated for assassination, counterterrorism operative Scot Harvath engages in a high-stakes cat-and-mouse game of survival while struggling to prevent a cataclysmic terrorist attack and learn who has framed him for treason.

A definitive guide to the directors, actors and actresses, writers, producers, designers, films, and more who were blacklisted in Hollywood during the McCarthy era encompasses more than two thousand entries that provide a fascinating glimpse of the entertainment industry during one of its darkest periods in history. Original. 10,000 first printing.

Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.

From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.

V. I. Warshawski explores secrets and betrayals that stretch across four generations in this New York Times bestselling novel from one of the most compelling writers in American crime fiction... “A thoughtful, high-tension mystery.”—The Washington Post Book World “A genuinely exciting and disturbing thriller.”—Chicago Tribune As a favor to her most important client, V. I. agrees to check up on an empty mansion. But instead of a mysterious intruder she discovers a dead man in the ornamental pond—a reporter for an African-American publication whom the suburban cops are quick to dismiss as a suicide. When the man’s shattered family hires V. I. to investigate, she is sucked into a Gothic tale of sex, money, and power, leading her back to McCarthy-era blacklists and forward to some of the darker aspects of the Patriot Act. As V. I. finds herself penned in to a smaller and smaller space by an array of people trying to silence her, and before she can untangled the sordid truth, two more people will die—and V.I.’s own life will hang in the balance.

Raymond “Red” Reddington voluntarily surrenders to the FBI after eluding capture for decades. He has a list of the most dangerous criminals in the world and is willing to guide FBI operations in exchange for immunity. However, he insists on exclusively working with a rookie profiler by the name of Elizabeth Keen. A tragic warehouse fire in Turkey, a mine collapse in South Africa, a capsized ferry disaster in Indonesia: devastating mishaps, or something more sinister? Red knows these were collateral damage in a highly lucrative and deadly game known as the Dead Ring–anything but accidental. The only way to stop the ring is to destroy it from within. Keen must go undercover and play the game, knowing that in the Dead Ring there can only be one survivor.

From the No 1 Sunday Times bestselling author of the Crossfire saga comes the beginning of a twisty tale of obsession and fury, as a trinity of women protect what they covet at any cost. THE SUNDAY TIMES BESTSELLER 'Dangerous and sultry . . . domestic suspense at its sexiest' SAMANTHA DOWNING 'A gripping pageturner' GLAMOUR UK 'Absolutely cannot wait for the next one in the series. So many twists and turns . . . I was constantly delighted by each chapter' 5* READER REVIEW 'Powerful . . . I'm obsessed! Why can't the rest of the series be available immediately?' 5* READER REVIEW You can't believe all of them . . . But can you trust any of them? ___________ Widower Kane Black has been hollowed by grief. Until he sees a woman with his wife Lily's inimitable beauty on Manhattan's streets. He whisks her up to his towering penthouse, nestling her in dark opulence. Aliyah, Kane's mother, sees a threat. "Lily" has dangerous control over Kane and there can be only one queen on this throne. Amy, Kane's sister-in-law, has been bloodied by betrayal. She's paid too high a price and now intends to claim what she's owed. Three women, linked by buried secrets, circle the man who unquestioningly accepts the return of his beloved long-dead wife. But Kane is happier than he's ever been, and he'll do anything to stay that way . . . ___________ A lushly gothic novel of domestic suspense, So Close is an emotionally intense and addictive story of love, greed and ambition from multimillion-copy international bestseller Sylvia Day. 'You will GOBBLE IT up . . . Take the plunge into the rip current because it is about consume you and leave you gasping till October 2023 for the next instalment' 5***** READER REVIEW 'This instantly had me intrigued. You can't stop reading. That ending!! My goodness, I'm so ready for the next book' 5***** READER REVIEW

In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces. In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.