A brilliant, haunting, and profoundly original portrait of the defining tragedy of our time. In this epic history of extermination and survival, Timothy Snyder presents a new explanation of the great atrocity of the twentieth century, and reveals the risks that we face in the twenty-first. Based on new sources from eastern Europe and forgotten testimonies from Jewish survivors, Black Earth recounts the mass murder of the Jews as an event that is still close to us, more comprehensible than we would like to think, and thus all the more terrifying. The Holocaust began in a dark but accessible place, in Hitler's mind, with the thought that the elimination of Jews would restore balance to the planet and allow Germans to win the resources they desperately needed. Such a worldview could be realized only if Germany destroyed other states, so Hitler's aim was a colonial war in Europe itself. In the zones of statelessness, almost all Jews died. A few people, the righteous few, aided them, without support from institutions. Much of the new research in this book is devoted to understanding these extraordinary individuals. The almost insurmountable difficulties they faced only confirm the dangers of state destruction and ecological panic. These men and women should be emulated, but in similar circumstances few of us would do so. By overlooking the lessons of the Holocaust, Snyder concludes, we have misunderstood modernity and endangered the future. The early twenty-first century is coming to resemble the early twentieth, as growing preoccupations with food and water accompany ideological challenges to global order. Our world is closer to Hitler's than we like to admit, and saving it requires us to see the Holocaust as it was --and ourselves as we are. Groundbreaking, authoritative, and utterly absorbing, Black Earth reveals a Holocaust that is not only history but warning.

An in-depth exploration of Ukraine through encounters with the many different people who live there. “Will someone pay for the spilled blood? No. Nobody.” Mikhail Bulgakov composed this ominous and prophetic phrase in Kiev amid the turmoil of the Russian civil war. Since then, Ukrainian borders have shifted constantly, and its people have suffered numerous military foreign interventions. Ukraine has only existed as an independent state since 1991, and what exactly it was before then is controversial among its people as well as its European neighbors. In Black Earth: A Journey through the Ukraine, journalist and celebrated travel writer Jens Mühling takes readers across the country amid the ousting of former president Viktor Yanukovych and the Russian annexation of Crimea. Mühling delves deep into daily life in Ukraine, narrating his encounters with Ukrainian nationalists and old communists, Crimean Tatars and Cossacks, smugglers, and soldiers. Black Earth connects all these stories to convey an unconventional and unfiltered view of Ukraine, a country at the crossroads of Europe and Asia and the center of countless conflicts. In this paperback edition, a new preface is included that takes into account recent developments up to the 2022 war between Russia and Ukraine.

Russia’s foremost modernist master in a major new translation Osip Mandelstam has become an almost mythical figure of modern Russian poetry, his work treasured all over the world for its lyrical beauty and innovative, revolutionary engagement with the dark times of the Stalinist era. While he was exiled in the city of Voronezh, the black earth region of Russia, his work, as Joseph Brodsky wrote, developed into “a poetry of high velocity and exposed nerves, becoming more a song than ever before, not a bardlike but a birdlike song … something like a goldfinch tremolo.” Peter France—who has been brilliantly translating Mandelstam’s work for decades—draws heavily from Mandelstam’s later poetry written in Voronezh, while also including poems across the whole arc of the poet’s tragically short life, from his early, symbolist work to the haunting elegies of old Petersburg to his defiant “Stalin poem.” A selection of Mandelstam’s prose irradiates the poetry with warmth and insight as he thinks back on his Petersburg childhood and contemplates his Jewish heritage, the sunlit qualities of Hellenism, Dante’s Tuscany, and the centrality of poetry in society.

This book deals with the sustainability of agriculture on the Black Earth by drawing on data from long-term field experiments. It emphasises the opportunities for greater food and water security at local and regional levels. The Black Earth, Chernozem in Russian, is the best arable soil in the world and the breadbasket of Europe and North America. It was the focus of scientific study at the very beginnings of soil science in the late 19th century—as a world in itself, created by the roots of the steppe grasses building a water-stable granular structure that holds plentiful water, allows rapid infiltration of rain and snow melt, and free drainage of any surplus. Under the onslaught of industrial farming, Chernozem have undergone profound but largely unnoticed changes with far-reaching consequences—to the point that agriculture on Chernozem is no longer sustainable. The effects of agricultural practices on global warming, the diversion of rainfall away from replenishment of water resources to destructive runoff, and the pollution of streams and groundwater are all pressing issues. Sustainability absolutely requires that these consequences be arrested.

American environmental literature has relied heavily on the perspectives of European Americans, often ignoring other groups. In Black on Earth, Kimberly Ruffin expands the reach of ecocriticism by analyzing the ecological experiences, conceptions, and desires seen in African American writing. Ruffin identifies a theory of "ecological burden and beauty" in which African American authors underscore the ecological burdens of living within human hierarchies in the social order just as they explore the ecological beauty of being a part of the natural order. Blacks were ecological agents before the emergence of American nature writing, argues Ruffin, and their perspectives are critical to understanding the full scope of ecological thought. Ruffin examines African American ecological insights from the antebellum era to the twenty-first century, considering WPA slave narratives, neo-slave poetry, novels, essays, and documentary films, by such artists as Octavia Butler, Alice Walker, Henry Dumas, Percival Everett, Spike Lee, and Jayne Cortez. Identifying themes of work, slavery, religion, mythology, music, and citizenship, Black on Earth highlights the ways in which African American writers are visionary ecological artists.

Introduction: setting the table -- Governance, or, How to solve the grain problem? -- Production -- Consumption, or, The Perestroika of the quotidian -- Nature -- Conclusion: vulnerabilities.

Charlotte Hobson spent her gap year as a student in Voronezh, in deepest provincial Russia. Her arrival coincided with the collapse of this society, as initial optimism about the fall of communism gave way to disillusionment and uncertainy. These feelings are mirrored in the doomed love affair she has with the vodka-swilling Mitya. They too started out in a mood of wild optimism, and felt that anything was possible. Until in the spring the snow thawed, and revealed the black earth beneath.

With the power of "Lenin's Tomb" and "Balkan Ghosts, " this is an illuminating portrait of contemporary Russia--a country in limbo, a land of vast potential struggling with an unfinished past. "Black Earth" is a penetrating view of the new Russia from a bold new voice in political journalism. 7 maps.

An empire at war. Three fates intertwined. The Magician. Horace has destroyed the Temple of the Sun, but now he finds his slave chains have been replaced by bonds of honor, duty, and love. Caught between two women and two cultures, he must contend with deadly forces from the unseen world. The Rebel. Jirom has thrown in his lot with the slave uprising, but his road to freedom becomes ever more dangerous as the rebels expand their campaign against the empire. Even worse, he feels his connection with Emanon slipping away with every blow they strike in the name of freedom. The Spy. Alyra has severed her ties to the underground network that brought her to Akeshia, but she continues the mission on her own. Yet, with Horace’s connection to the queen and the rebellion’s escalation of violence, she finds herself treading a knife’s edge between love and duty. Dark conspiracies bubble to the surface as war and zealotry spread across the empire. Old alliances are shattered, new vendettas are born, and all peoples—citizen and slave alike—must endure the ravages of storm and steel. From the Trade Paperback edition.

THE WAR CONTINUES, AND THE UNDEAD RAVAGE THE LAND. JIROM, HORACE, AND EMANON BEGIN TO HOPE THEY MIGHT FREE THE EMPIRE. BUT CAN THEY MANAGE TO DO SO BEFORE THE DARK KING CONQUERS THE WORLD? Horace has come a long way from his days of slavery. Now he, Jirom, and their companions think they just might glimpse victory ahead, and the triumphant end to what began as a mere slave rebellion. But first Horace must recover from the loss of his beloved Alyra. And Jirom finds himself asking if even victory will be worth the cost--how can he be sure he and the other winners of this war will rule more justly than the Akeshians did? Meanwhile, a mysterious mass murder-suicide in a temple in Thuum hints that they have more foes than they knew of. And as they advance upon the capital, they find strange obstacles barring their way. Obstacles that suggest the barriers between worlds are growing dangerously thin….