LONGLISTED FOR THE 2015 SAMUEL JOHNSON PRIZE We have come to see the Holocaust as a factory of death, organised by bureaucrats. Yet by the time the gas chambers became operation more than a million European Jews were already dead: shot at close range over pits and ravines. They had been murdered in the lawless killing zones created by the German colonial war in the East, many on the fertile black earth that the Nazis believed would feed the German people. It comforts us to believe that the Holocaust was a unique event. But as Timothy Snyder shows, we have missed basic lessons of the history of the Holocaust, and some of our beliefs are frighteningly close to the ecological panic that Hitler expressed in the 1920s. As ideological and environmental challenges to the world order mount, our societies might be more vulnerable than we would like to think. Timothy Snyder’s Bloodlands was an acclaimed exploration of what happened in eastern Europe between 1933 and 1945, when Nazi and Soviet policy brought death to some 14 million people. Black Earth is a deep exploration of the ideas and politics that enabled the worst of these policies, the Nazi extermination of the Jews. Its pioneering treatment of this unprecedented crime makes the Holocaust intelligible, and thus all the more terrifying.

American environmental literature has relied heavily on the perspectives of European Americans, often ignoring other groups. In Black on Earth, Kimberly Ruffin expands the reach of ecocriticism by analyzing the ecological experiences, conceptions, and desires seen in African American writing. Ruffin identifies a theory of "ecological burden and beauty" in which African American authors underscore the ecological burdens of living within human hierarchies in the social order just as they explore the ecological beauty of being a part of the natural order. Blacks were ecological agents before the emergence of American nature writing, argues Ruffin, and their perspectives are critical to understanding the full scope of ecological thought. Ruffin examines African American ecological insights from the antebellum era to the twenty-first century, considering WPA slave narratives, neo-slave poetry, novels, essays, and documentary films, by such artists as Octavia Butler, Alice Walker, Henry Dumas, Percival Everett, Spike Lee, and Jayne Cortez. Identifying themes of work, slavery, religion, mythology, music, and citizenship, Black on Earth highlights the ways in which African American writers are visionary ecological artists.

An in-depth exploration of Ukraine through encounters with the many different people who live there. “Will someone pay for the spilled blood? No. Nobody.” Mikhail Bulgakov composed this ominous and prophetic phrase in Kiev amid the turmoil of the Russian civil war. Since then, Ukrainian borders have shifted constantly, and its people have suffered numerous military foreign interventions. Ukraine has only existed as an independent state since 1991, and what exactly it was before then is controversial among its people as well as its European neighbors. In Black Earth: A Journey through the Ukraine, journalist and celebrated travel writer Jens Mühling takes readers across the country amid the ousting of former president Viktor Yanukovych and the Russian annexation of Crimea. Mühling delves deep into daily life in Ukraine, narrating his encounters with Ukrainian nationalists and old communists, Crimean Tatars and Cossacks, smugglers, and soldiers. Black Earth connects all these stories to convey an unconventional and unfiltered view of Ukraine, a country at the crossroads of Europe and Asia and the center of countless conflicts. In this paperback edition, a new preface is included that takes into account recent developments up to the 2022 war between Russia and Ukraine.

With the power of "Lenin's Tomb" and "Balkan Ghosts, " this is an illuminating portrait of contemporary Russia--a country in limbo, a land of vast potential struggling with an unfinished past. "Black Earth" is a penetrating view of the new Russia from a bold new voice in political journalism. 7 maps.

Introduction: setting the table -- Governance, or, How to solve the grain problem? -- Production -- Consumption, or, The Perestroika of the quotidian -- Nature -- Conclusion: vulnerabilities.

Russia’s foremost modernist master in a major new translation Osip Mandelstam has become an almost mythical figure of modern Russian poetry, his work treasured all over the world for its lyrical beauty and innovative, revolutionary engagement with the dark times of the Stalinist era. While he was exiled in the city of Voronezh, the black earth region of Russia, his work, as Joseph Brodsky wrote, developed into “a poetry of high velocity and exposed nerves, becoming more a song than ever before, not a bardlike but a birdlike song … something like a goldfinch tremolo.” Peter France—who has been brilliantly translating Mandelstam’s work for decades—draws heavily from Mandelstam’s later poetry written in Voronezh, while also including poems across the whole arc of the poet’s tragically short life, from his early, symbolist work to the haunting elegies of old Petersburg to his defiant “Stalin poem.” A selection of Mandelstam’s prose irradiates the poetry with warmth and insight as he thinks back on his Petersburg childhood and contemplates his Jewish heritage, the sunlit qualities of Hellenism, Dante’s Tuscany, and the centrality of poetry in society.

Charlotte Hobson spent her gap year as a student in Voronezh, in deepest provincial Russia. Her arrival coincided with the collapse of this society, as initial optimism about the fall of communism gave way to disillusionment and uncertainy. These feelings are mirrored in the doomed love affair she has with the vodka-swilling Mitya. They too started out in a mood of wild optimism, and felt that anything was possible. Until in the spring the snow thawed, and revealed the black earth beneath.

The land is contaminated, electronics are defunct, the ravenous undead remain, and life has fallen into a nasty and brutish state of nature. Welcome to Bridge City, in what was once Arkansas: part medieval fortress, part Western outpost, and the precarious last stand for civilization. A ten-year-old prodigy when the world ended, Gus is now a battle-hardened young man. He designed Bridge City to protect the living few from the shamblers eternally at the gates. Now he’s being groomed by his physician mother, Lucy, and the gentle giant Knock-Out to become the next leader of men. But an army of slavers is on its way, and the war they’ll wage for the city’s resources could mean the end of mankind as we know it. Can Gus become humanity’s savior? And if so, will it mean becoming a dictator, a martyr . . . or maybe something far worse than even the zombies that plague the land?

These fun-filled chapter books mix school, monsters, and common kid problems with hilarious results. You'll scream with laughter! Hubie's class is celebrating Earth Day with a project and a party. But when Hubie starts to do research on the environment, he gets his biggest scare yet! Can Hubie help to save the planet?

After losing his wife and son to a devastating plague, Horace becomes a soldier, sailing to battle for the Great Crusade against Akeshia. A shipwreck lands him on enemy shores, where he finds himself enslaved and on a brutal march across the desert to destinations unknown. When the caravan of slaves encounters a fierce storm, Horace discovers he possesses zoana, a mysterious gift of magic potent enough to instill fear in his captors and to earn him a place in Queen Byleth’s court. Horace quickly learns that life at court is a complex, treacherous prison of its own kind and he remains at the mercy of his foe. With help from Jirom, a gladiator and fellow captive, and Alyra, spy and handmaiden to the Queen, Horace must outwit his enemies and harness his powerful magic to liberate himself and the thousands who have lived in oppression for far too long. With fast-paced, breathtaking action, magical adventure, and an unforgettable story, Blood and Iron is the stunning first book in the epic Book of the Black Earth series by Jon Sprunk, Compton Crook Award finalist and author of the Shadow Saga.