In the time between the 14th and 17th centuries, the mainland of Europe suffered numerous disasters, including those of biological origin. One of the most mysterious of those phenomena was dancing mania, also called the dancing plague. It involved groups of people dancing erratically until they collapsed from exhaustion and injuries. People often danced in significant numbers, sometimes including thousands of participants. The well-documented phenomenon doesn't have a clear explanation up to date. The 19th-century German physician Justus Hecker provided research on dancing mania and connected the phenomenon to the plague.

The Black Death and The Dancing Mania. The account of "The Black Death" here translated by Dr. Babington was Hecker's first important work of this kind. It was published in 1832, and was followed in the same year by his account of "The Dancing Mania." The books here given are the two that first gave Hecker a wide reputation. Many other such treatises followed, among them, in 1865, a treatise on the "Great Epidemics of the Middle Ages." Besides his "History of Medicine," which, in its second volume, reached into the fourteenth century, and all his smaller treatises, Hecker wrote a large number of articles in Encyclopædias and Medical Journals. Professor J.F.K. Hecker was, in a more interesting way, as busy as Professor A.F. Hecker, his father, had been. He transmitted the family energies to an only son, Karl von Hecker, born in 1827, who distinguished himself greatly as a Professor of Midwifery, and died in 1882.

From "choreomania" to coronavirus: an utterly original graphic novel about a newly urgent subject.

A gripping tale of one of history's most bizarre events, and what it reveals about the strange possibilities of human nature In the searing July heat of 1518, Frau Troffea stepped into the streets of Strasbourg and began to dance. Bathed in sweat, she continued to dance. Overcome with exhaustion, she stopped, and then resumed her solitary jig a few hours later. Over the next two months, roughly four hundred people succumbed to the same agonizing compulsion. At its peak, the epidemic claimed the lives of fifteen men, women, and children a day. Possibly 100 people danced to their deaths in one of the most bizarre and terrifying plagues in history. John Waller compellingly evokes the sights, sounds, and aromas; the diseases and hardships; the fervent supernaturalism and the desperate hedonism of the late medieval world. Based on new evidence, he explains why the plague occurred and how it came to an end. In doing so, he sheds light on the strangest capabilities of the human mind and on our own susceptibility to mass hysteria.

"In July 1518 a terrifying and mysterious plague struck the medieval city of Strasbourg. Hundreds of men and women danced wildly, day after day, in the punishing summer heat. Their feet blistered and bled, and their limbs ached with fatigue, but they simply could not stop. Throughout August and early September more and more were seized by the same terrible compulsion." "By the time the epidemic subsided, heat and exhaustion had claimed an untold number of lives, leaving thousands bewildered and bereaved, and an enduring enigma for future generations." "This book explains why Strasbourg's dancing plague took place. In doing so, it leads us into a largely vanished world, evoking the sights, sounds, aromas, diseases and hardships, the fervent supernaturalism and the desperate hedonism of the late-medieval world." "At the same time, it offers insights into how people behave when driven beyond the limits of endurance. Not only a historical detective story, A Time to Dance, A Time to Die is also an exploration of the strangest capabilities of the human mind and the extremes to which fear and irrationality can lead us."--BOOK JACKET.

A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.

Explore the Book is not a commentary with verse-by-verse annotations. Neither is it just a series of analyses and outlines. Rather, it is a complete Bible survey course. No one can finish this series of studies and remain unchanged. The reader will receive lifelong benefit and be enriched by these practical and understandable studies. Exposition, commentary, and practical application of the meaning and message of the Bible will be found throughout this giant volume. Bible students without any background in Bible study will find this book of immense help as will those who have spent much time studying the Scriptures, including pastors and teachers. Explore the Book is the result and culmination of a lifetime of dedicated Bible study and exposition on the part of Dr. Baxter. It shows throughout a deep awareness and appreciation of the grand themes of the gospel, as found from the opening book of the Bible through Revelation.

The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.