'Before there was James Bond, there was Gregory Sallust.' Tina Rosenberg, Salon.com The Black Baroness is the fourth in Dennis Wheatley's bestselling Gregory Sallust series featuring the debonair spy Gregory Sallust, a forerunner to Ian Fleming's James Bond. During the seventy terrific days from Hitler's invasion of Norway in April to the surrender of the French in June, British Secret Agent Gregory Sallust infiltrates enemy lines to foil the Führer's plans for domination. While in Oslo, Sallust uncovers Hitler's secret weapon: young, beautiful and respectable Nazi women who use their charms to seduce neutral politicians and turn them pro-German. These women are led by the Black Baroness, a French Nazi whose powers of persuasion overcome even Mussolini. Sallust tracks the Baroness across France and Italy trying to stop her before it's too late. "An exciting tale of espionage and counterespionage...Thrills, intrigue and action from the invasion of Norway to the fall of France." - Los Angeles Times

Beautiful, romantic and spirited, Pannonica, known as Nica, named after her father’s favorite moth, was born in 1913 to extraordinary, eccentric privilege and a storied history. The Rothschild family had, in only five generations, risen from the ghetto in Frankfurt to stately homes in England. As a child, Nica took her daily walks, dressed in white, with her two sisters and governess around the parkland of the vast house at Tring, Hertfordshire, among kangaroos, giant tortoises, emus and zebras, all part of the exotic menagerie collected by her uncle Walter. As a debutante, she was taught to fly by a saxophonist and introduced to jazz by her brother Victor; she married Baron Jules de Koenigswarter, settled in a château in France and had five children. When World War II broke out, Nica and her five children narrowly escaped back to England, but soon after, she set out to find her husband who was fighting with the Free French Army in Africa, where she helped the war effort by being a decoder, a driver and organizing supplies and equipment. In the early 1950s Nica heard “’Round Midnight” by the jazz pianist and composer Thelonious Monk and, as if under a powerful spell, abandoned her marriage and moved to New York to find him. She devoted herself to helping Monk and other musicians: she bailed them out of jail, paid their bills, took them to the hospital, even drove them to their gigs, and her convertible Bentley could always be seen parked outside downtown clubs or up in Harlem. Charlie Parker would notoriously die in her apartment in the Stanhope Hotel. But it was Monk who was the love of her life and whom she cared for until his death in 1982. Hannah Rothschild has drawn on archival material and her own interviews in this quest to find out who her great-aunt really was and how she fit into a family that, although passionate about music and entomology, was reactionary in always favoring men over women. Part musical odyssey, part love story, The Baroness is a fascinating portrait of a modern figure ahead of her time who dared to live as she wanted, finally, at the very center of New York’s jazz scene.

The first biography of the enigmatic dadaist known as "the Baroness"—Elsa von Freytag-Loringhoven. Elsa von Freytag-Loringhoven (1874–1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars. In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.

'Before there was James Bond, there was Gregory Sallust.' Tina Rosenberg, Salon.com Dennis Wheatley's complete, bestselling Gregory Sallust series featuring the debonair spy Gregory Sallust, a forerunner to Ian Fleming's James Bond. During WWII, Dennis Wheatley was hired by Winston Churchill to be a part of a highly confidential group of strategists. He was one of the only civilians to be recruited, on the strength that he had shown a flair for deception and cover stories in his novels, particularly through his incarnation of Gregory Sallust - widely regarded as the inspiration for Ian Fleming's James Bond. This complete collection includes the following titles in chronological order of events as they occur within the novels: CONTRABAND THE SCARLET IMPOSTOR FAKED PASSPORT THE BLACK BARONESS V FOR VENGEANCE COME INTO MY PARLOUR TRAITORS' GATE THEY USED DARK FORCES THE ISLAND WHERE TIME STANDS STILL BLACK AUGUST THE WHITE WITCH OF THE SOUTH SEAS

Eve Was Framed offers an impassioned, personal critique of the British legal system. Helena Kennedy focuses on the treatment of women in our courts - at the prejudices of judges, the misconceptions of jurors, the labyrinths of court procedures and the influence of the media. But the inequities she uncovers could apply equally to any disadvantaged group - to those whose cases are subtly affected by race, class poverty or politics, or who are burdened, even before they appear in court, by misleading stereotypes.

Born into wealth in New Orleans in 1795, Micaela Almonester was married into misery in France sixteen years later. Against a richly woven historical background of two centuries and two vivid societies. Christina Vella unfolds the amazing true account of this resilient woman's life - and the three men who most affected its course: her father, Andres, an illustrious New Orleans builder in whose footsteps she eventually followed with great distinction; her father-in-law, Xavier, who for more than twenty years tried to destroy her marriage and seize control of her fortune, eventually shooting Mica.