Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!

Winner of the 2014 Will Eisner Award for Best Scholarly/Academic Work. Bringing together contributors from a wide-range of critical perspectives, Black Comics: Politics of Race and Representation is an analytic history of the diverse contributions of Black artists to the medium of comics. Covering comic books, superhero comics, graphic novels and cartoon strips from the early 20th century to the present, the book explores the ways in which Black comic artists have grappled with such themes as the Black experience, gender identity, politics and social media. Black Comics: Politics of Race and Representation introduces students to such key texts as: The work of Jackie Ormes Black women superheroes from Vixen to Black Panther Aaron McGruder's strip The Boondocks

This is a reprint of the first comic book created by black artists, writers and publisher, jam-packed with fast action, African Adventure, good clean humor and fantasy. Every brush stroke and pen line in the drawings on these pages are by negro artists. This publication is another milestone in the splendid history of negro journalism. But in this first issue we meet Ace Harlem (a detective), the Dew Dillies (pixie-like children), Lion Man (jungle defender) and Sugarfoot (Amos and Andy type humor). There is also a two-page text story, a one page humor strip, and a quartet of funnies called Hep Chicks on Parade. I would have loved to see Ace Harlem continue and what the artwork would have developed as in Lion Man. And I think that Hep Chicks is funny, regardless of time period. These books are constantly updated with the best version Enjoy a nostalgic trip down memory lane with the best titles from the golden age of comics. Escamilla Comics has lovingly remastered these timeless classics with vivid color correction, image restoration and has also added an enhanced reading experience with Kindle Panel View The comic reprints from Calumet History and Hobby are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old.

The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry. The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics--as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture.

An Era of the Invincible The making of Marvel's household heroes It was an age of mighty heroes, misunderstood monsters, and complex villains. With the publication, in November 1961, of Fantastic Four No. 1, comics giant Marvel inaugurated a transformative era in pop culture. Through the next two decades, the iconic Hulk, Spider-Man, Iron Man, and the X-Men leapt, darted, and towered through its pages.

In this new universe, heroes and villains familiar yet startlingly different are the stars of the Amalgam Universe. They carry names like Dark Slaw, Siper-Boy and Doctor Strangefate. Countless others beings of power populate this reborn reality and one young new hero know only as Access holds the key to what once was, what now is, and what yet may be. Graphic novel format.

Get the ultimate insights on the heyday of DC Comics. Spanning from 1935 to 1956, more than 600 pages of covers and interiors, original illustrations, photographs, film stills, and ephemera chart the creators, the stories, and the game-changing super heroes Superman, Batman, and Wonder Woman.

The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry. The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics—as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture.