First published in 1912, “The Bird of Time - Songs of Life, Death & The Spring” is a fantastic collection of beautiful poetry by Indian poet and activist Sarojini Naidu (1879–1949). Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. This vintage book is highly recommended for fans of Indic literature and is not to be missed by lovers of Naidu's unforgettable work. Other notable works by this author include: “The Broken Wing - Songs of Love, Death & Destiny" (1917) and “Muhammad Jinnah: An Ambassador of Unity” (1919). This classic work is being republished now in a new edition complete with an introductory chapter from 'Studies of Contemporary Poets' by Mary C. Sturgeon.

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“Songs of Nature” is a wonderful collection of poetry by Sarojini Naidu. Contents include: “To My Fairy Fancies”, “Leili”, “In The Forest”, “In A Time Of Flowers”, “Nasturtiums”, “Golden Cassia”, “Champak Blossoms”, “Ecstasy”, “Slumber Song For Sunalini”, etc. A fantastic collection of beautiful Indic poetry not to be missed by fans and collectors. Naidu (1879–1949) was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Other notable works by this author include: “The Bird of Time: Songs of Life, Death & the Spring” (1912) and “Muhammad Jinnah: An Ambassador of Unity” (1919). Read & Co. is publishing this brand new poetry collection complete with an introduction by Edmund Gosse.

“Songs of Life & Death” is a collection of poetry written by Indian poet and activist Sarojini Naidu. Contents include: “The Poet To Death”, “Corn-Grinders”, “Suttee”, “Life”, “To The God Of Pain”, “My Dead Dream”, “Dirge: In Sorrow Of Her Bereavement”, “In Remembrance: Violet Clarke”, etc. A moving collection not to be missed by fans and collectors of Nairu's wonderful work. Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Other notable works by this author include: “The Bird of Time: Songs of Life, Death & the Spring” (1912), “The Broken Wing - Songs of Love, Death & Destiny" (1917), and “Muhammad Jinnah: An Ambassador of Unity” (1919). Read & Co. is publishing this brand new poetry collection complete with an introduction by Edmund Gosse.

A wonderful collection of poetry, written by Indian poet and activist Sarojini Naidu, connected through the single theme of India. Highly recommended for poetry loves with an interest in the subcontinent. Contents include: “Palanquin Bearers”, “Indian Weavers”, “Coromandel Fishers”, “The Snake-Charmer”, “Village-Song”, “In Praise Of Henna”, “Harvest Hymn”, “Indian Love-Song”, “Cradle-Song”, “Alabaster”, etc. Sarojini Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Other notable works by this author include: “The Bird of Time: Songs of Life, Death & the Spring” (1912), “The Broken Wing - Songs of Love, Death & Destiny" (1917), and “Muhammad Jinnah: An Ambassador of Unity” (1919). Read & Co. is publishing this brand new poetry collection complete with an introduction by Edmund Gosse.

It is at my persuasion that these poems are now published. The earliest of them were read to me in London in 1896, when the writer was seventeen; the later ones were sent to me from India in 1904, when she was twenty-five; and they belong, I think, almost wholly to those two periods. As they seemed to me to have an individual beauty of their own, I thought they ought to be published. The writer hesitated. "Your letter made me very proud and very sad," she wrote. "Is it possible that I have written verses that are 'filled with beauty,' and is it possible that you really think them worthy of being given to the world? You know how high my ideal of Art is; and to me my poor casual little poems seem to be less than beautiful—I mean with that final enduring beauty that I desire." And, in another letter, she writes: "I am not a poet really. I have the vision and the desire, but not the voice. If I could write just one poem full of beauty and the spirit of greatness, I should be exultantly silent for ever; but I sing just as the birds do, and my songs are as ephemeral." It is for this bird-like quality of song, it seems to me, that they are to be valued. They hint, in a sort of delicately evasive way, at a rare temperament, the temperament of a woman of the East, finding expression through a Western language and under partly Western influences. They do not express the whole of that temperament; but they express, I think, its essence; and there is an Eastern magic in them. Sarojini Chattopadhyay was born at Hyderabad on February 13, 1879. Her father, Dr. Aghorenath Chattopadhyay, is descended from the ancient family of Chattorajes of Bhramangram, who were noted throughout Eastern Bengal as patrons of Sanskrit learning, and for their practice of Yoga. He took his degree of Doctor of Science at the University of Edinburgh in 1877, and afterwards studied brilliantly at Bonn. On his return to India he founded the Nizam College at Hyderabad, and has since laboured incessantly, and at great personal sacrifice, in the cause of education.

The Bird of Time (1912) is a poetry collection by Sarojini Naidu. Naidu’s second book of English verse is steeped in the Romantic tradition while entirely conscious of the present political strife of her native India. From songs of love to portraits of urban life, Naidu’s poems reflect her commitment to feeling, both for herself and for others. Traditional and modern, The Bird of Time is a powerful collection from a young poet on the brink of an impassioned life in politics. “O Bird of Time on your fruitful bough / What are the songs you sing? . . . / Songs of the glory and gladness of life, / Of poignant sorrow and passionate strife, / And the lilting joy of the spring...” In this mysterious ode, Naidu addresses the themes of her own multitudinous poems—life, love, grief, and nature, among countless others. Is the Bird of Time her muse, or a symbol for poetry itself? How can a poem express “the pride of a soul that has conquered fate?” As in much of Naidu’s poetry, the symbolic maintains its distance in order to reflect a deeper, perhaps even personal truth. To describe the poem, to assign it meaning, would ultimately negate the need for poetry itself, whose powers must remain at least partially veiled. Elsewhere in the collection, “In the Bazaars of Hyderabad” reflects her commitment to the struggle for Indian independence as it celebrates the homegrown produce and handmade wares of a proud and lively people. Moving along the street, she sings to vendors, goldsmiths, and musicians alike, concluding before a group of flower-girls, whose work serves weddings and funerals. Beneath this vibrant imagery is a call to action for the Swadeshi movement, a boycott of foreign goods designed to strike a blow against British commerce. With a beautifully designed cover and professionally typeset manuscript, this edition of Sarojini Naidu’s The Bird of Time is a classic work of Indian literature reimagined for modern readers.