Brandon is back with a vengeance in a bolder, sexier story, filled with dark secrets and passion for Alayna that you’ll never forget… I died a long time ago. I was broken, lost, and damaged by my past. That is until I met Alayna—the most determined, impossibly passionate woman alive. She plucked me out of the dark, unbound me from my worst fears, and showed me that life is more than just surviving. She is my saving grace. But I destroyed that too by abandoning her when she needed me the most. Now she can’t bring herself to look at me, even without the mask I hid behind. I am the reason why we fell apart. Nevertheless, my plans to destroy my enemies will save us both. In the search for the truth about our intertwined pasts, we will find a way back to each other. What Alayna and I had shouldn’t have ended this way. But since it did, my revenge begins…

“I am a monster, Miss Hart. You wouldn’t want nor wish to see me...” He is mysterious and brilliant, wealthy and prominent, but no single person has seen him in person. Well, no one should see him—that's one of his many rules. No one can touch him either; that's also another rule. Except for me because I have broken every rule. Now I'm extremely drawn to him. His peculiarity is out of this world, and his beauty is beyond physical. But the Master has demons of his own and is being chased by his brutal past. Suddenly, we've become the reflection of each other's nightmares. I realize that the Master and I are not so different. Is this newly found bond just another uncertain fate that could deepen our wounds, or is it finally going to be our redemption?

Long-lost lovers reunite in this powerful marriage of convenience and second chance romance. Their connection was irresistible, but she was forced to walk away. Now the billionaire is back, and he has a proposal for her . . . Innocent socialite Marnie Kenington was devastated when her parents forced her to spurn Nikos Kyriazis. She’s never forgotten him, nor his raw sensuality. So, years later, when Nikos insists on a meeting, Marnie’s heart leaps. . . . Seeing him again, it’s clear the chemistry between them has never stopped burning. But when Nikos offers to save Marnie’s family from bankruptcy if she agrees to marry him, Marnie is torn—saying “yes” is a risk to her heart, but with her family at stake, how can she refuse? Marnie’s rejection drove self-made billionaire Nikos to unimaginable success. Now, by meeting her at the altar, he can finally show her what she’s been missing out on all these years! Marnie’s poise is legendary, but he knows in the bedroom, their passion will unravel her completely! But he doesn’t bargain on their wedding night being the start of his own undoing . . .

When the Greek Claims his heir...

Abby Abernathy is re-inventing herself as the good girl as she begins her freshman year at college, which is why she must resist lean, cut, and tattooed Travis Maddox, a classic bad boy.

Henry Cavendish is my ideal man.He's a compassionate lover and definitely a husband material.Almost everything about him is right.However, Adam Cavendish is stirring up my hormones.He is an ultimate womanizer and an expert kisser.Everything about him is wrong.I am torn between two hot lovers.There shouldn't be a choice. Sharing is a great sin.But I want them both.

Dominic Elizabeth Pryce-Reed. An angel. A virgin. My first love. I fell for her hard and fast ten years ago...and paid the price on a night of shattering betrayal. So I built a billion-dollar empire out of vengeance... And now I'm coming for her. Elizabeth Dominic King. A maverick. A self-made billionaire. My soul mate. Ten years ago, he shredded my heart, even as he vowed he'd take what matters most to me. I know he's coming, and I welcome it. I need closure for what happened that night. But the more time I spend with him, the more I wonder... Can I ever move on...' Note: This is the first book in The Billionaire's Claim duet.

Delivered, Book 2 of The Devil's Duet, is not a standalone. It should be read after reading Depraved.Gabrielle Duval belongs to me. I've made sure of that. Now it's time to eliminate the man who kept us apart. My father. The devil himself. His reign of terror ends here. On my terms. Those who are triggered by dark storylines, please proceed cautiously!

This in-depth study of one of the twenty-first century’s most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin’s film to the understanding of ‘youth’ in a contemporary, digital age. The book starts by situating The Social Network within the contexts of ‘youth film’, arguing that it challenges and reshapes the boundaries of this genre by rethinking the notion of ‘youth’ itself in the present century. It goes on to consider in detail the aesthetics at work in the film, arguing for its critical and reflexive use of an ‘accelerated’ audio-visual style, in order to capture both the new visual regimes of the personal computer era, and the ethical and intellectual ambiguities of Facebook itself as a creation. Finally, it locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook’s emerging, paradoxical identity as at once the epitome of ‘hacker’ culture and also a multi-billion-dollar global company. Reframing the meaning of youth cinema, this volume in the Cinema and Youth Culture series is ideal for students, researchers and scholars of cinema studies, youth culture and digital cultures.

Connoisseurs of fantasy, science fiction, and horror have long recognized the important contributions of thousands of French authors, filmmakers, and artists. The volume is divided into two parts. Part I gives historical overviews, complete lists, descriptions, and summaries for works in film, television, radio, animation, comic books, and graphic novels. This section also includes interviews with animation director Rene Laloux and comic book artist Moebius, as well as comments from filmmaker Luc Besson. Biographies are provided for over 200 important contributors to television and graphic arts. Part II covers the major authors and literary trends of French science fiction, fantasy, and horror from the Middle Ages to the present day. (French-Canadians and Belgians are also examined.) There is a biographical dictionary of over 3,000 authors, a section on major French awards, and a complete bibliography. Many illustrations (!) illuminate this thorough presentation.