Welcome to the seedy underbelly of nursery crime. From the New York Times bestselling author of the Thursday Next series comes a rollicking novel—“as if the Marx brothers were let loose in the children’s section of a strange bookstore” (USA Today). “A wonderfully readable riot . . . cleverly plotted, magically overstuffed yet amazingly digestible . . . [for] anyone who wants the thrill of a good crime novel larded with highly literate humor.”—The Wall Street Journal Meet Inspector Jack Spratt, family man and head of Reading’s Nursery Crime division. He’s investigating the murder of ovoid D-class nursery celebrity Humpty Dumpty, ex-convict and lover of women, found shattered to death beneath a wall in a shabby area of town. Yes, the big egg is down, and all those brittle pieces sitting in the morgue point to foul play. Spratt and his new partner, Sergeant Mary Mary, search through Humpty’s sordid past in hopes of finding the key to his death. Before long, Jack and Mary find themselves immersed in a bizarre case that reaches into the highest echelons of Reading society and business.

The Gingerbreadman: Psychopath, sadist, genius, convicted murderer and biscuit is loose in the streets of Reading. It isn't Jack Spratt's case. He and Mary Mary have been reassigned due to falling levels of nursery crime, and The NCD is once more in jeopardy. That is, until a chance encounter during the Armitage Shanks literary awards at the oddly familiar Deja-Vu Club lead Jack and Mary on the hunt for missing journalist Henrietta 'Goldilocks' Hatchett, star reporter for The Daily Toad. She had been about to break a story involving unexplained explosions in Herefordshire, Pasadena and the Nullabor Plain; The last witnesses to see her alive were The Three Bears, comfortably living out a life of rural solitude in Andersen's wood. But all is not what it seems. How could the bear's porridge be at such disparate temperatures when they were poured at the same time? Was Goldy's death in the nearby 1st World War themepark of Sommeworld a freak accident? And is it merely chance that the Gingerbreadman pops up at awkward moments? But there's more. What does a missing scientist with a terrifying discovery in subatomic physics, a secret weapon of devastating power, a reclusive industrialist known only as the Quangle Wangle and Colonel Danvers of the National Security all have in common?

NEW YORK TIMES BESTSELLER • From the author of The Constant Rabbit comes “Harry Potter just for adults . . . [an] immensely enjoyable, almost compulsive experience” (The New York Times Book Review)—the second novel in the renowned Thursday Next series. “[Lost in a Good Book] is satire, fantasy, literary criticism, thriller, whodunit, game, puzzle, joke, postmodern prank, and tilt-a-whirl.”—The Washington Post If resourceful, fearless literary detective Thursday Next thought she could avoid the spotlight after her heroic escapades in the pages of Jane Eyre, she was sorely mistaken. Her adventures as a renowned Special Operative in literary detection have left Thursday Next yearning for a rest. But when the love of her life is eradicated by the corrupt multinational Goliath Corporation, Thursday must bite the bullet and moonlight as a Prose Resource Operative in the secret world of Jurisfiction, the police force inside the books. There she is apprenticed to Miss Havisham, the famous man-hater from Dickens’s Great Expectations, who teaches her to book-jump like a pro. If Thursday retrieves a supposedly vanquished enemy from the pages of Poe’s “The Raven,” she thinks Goliath might return her lost love, Landen. But her latest mission is endlessly complicated. Not only are there side trips into the works of Kafka and Austen, and even Beatrix Potter’s The Tale of Flopsy Bunnies, Thursday finds herself the target of a series of potentially lethal coincidences, the authenticator of a newly discovered play by the Bard himself, and the only one who can prevent an unidentifiable pink sludge from engulfing all life on Earth. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT

NEW YORK TIMES BESTSELLER • Ex-detective Thursday Next faces her trickiest assignment yet in the seventh novel of this renowned series, “[a] bibliophile’s Wonderland” (The Plain Dealer). “It’s safe to say that if you enjoy that particularly British, Douglas Adams–style absurd delivery of wry observations, you’ll get a kick out of [The Woman Who Died a Lot].”—New York Journal of Books Thursday Next, the Bookworld’s leading enforcement officer, has been forced into semiretirement following an assassination attempt. When her former SpecOps division is reinstated, she assumes she’s the obvious choice to lead the Literary Detectives. Sadly, our banged-up heroine is no spring chicken, and her old boss has a cushier job in mind: Chief Librarian of the Swindon All-You-Can-Eat-at-Fatso’s Drink Not Included Library. But where Thursday goes, trouble follows. As the new Chief Librarian faces 100 percent budget cuts and trouble from the ever-evil Jack Schitt, the Next children face their own career hiccups—and possible nonexistence. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT

The Big Book of Holiday Paper Crafts, -Life's fun days are the focus of more than 450 cards, gift bags, boxes, albums, frames, party accents, and more from Paper Crafts magazine.

NEW YORK TIMES BESTSELLER • The first novel in the renowned Thursday Next series, which “combines elements of Monty Python, Harry Potter, Stephen Hawking, and Buffy the Vampire Slayer” (The Wall Street Journal). “A literary wonderland [that] recalls Douglas Adams’ Hitchhiker series [and] the works of Lewis Carroll.”—USA Today Meet Thursday Next, “part Bridget Jones, part Nancy Drew, and part Dirty Harry” (Michiko Kakutani, The New York Times), a literary detective without equal, fear, or boyfriend—and welcome to a surreal version of Great Britain, circa 1985, where time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously. England is a virtual police state where an aunt can get lost (literally) in a Wadsworth poem, militant Baconians heckle performances of Hamlet, and forging Byronic verse is a punishable offense. All this is business as usual for Thursday, renowned Special Operative in literary detection, until someone begins kidnapping characters from works of literature. When Jane Eyre is plucked from the pages of Brontë’s novel, Thursday must track down the villain and enter a novel herself to avert a heinous act of literary homicide. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT

As magic fades from the world, 15-year-old Jennifer Strange is having trouble keeping her magician employment agency business afloat, until she begins having visions that foretell the death of the last dragon and the coming of Big Magic.

From the New York Times bestselling author of the Thursday Next series comes a “laugh-out-loud funny” (Los Angeles Times) and “brilliantly original” (Booklist, starred review) novel of a man attempting to navigate a color-coded world. “A rich brew of dystopic fantasy and deadpan goofiness.”—The Washington Post Welcome to Chromatacia, where the Colortocracy rules society through a social hierarchy based on one’s limited color perception. In this world, you are what you can see. Eddie Russet wants to move up. When he and his father relocate to the backwater village of East Carmine, his carefully cultivated plans to leverage his better-than-average red perception and marry into a powerful family are quickly upended. Eddie must content with lethal swans, sneaky Yellows, inviolable rules, an enforced marriage to the hideous Violet deMauve, and a risky friendship with an intriguing Grey named Jane who shows Eddie that the apparent peace of his world is as much an illusion as color itself. Will Eddie be able to tread the fine line between total conformity—accepting the path, partner, and career delineated by his hue—and his instinctive curiosity that is bound to get him into trouble?

International bestselling author Fforde invites fans to return to the witty, wizardly world of the Chronicles of Kazam with the fabulous follow-up to "The Last Dragonslayer."

Between the World Wars, New Orleans transformed its image from that of a corrupt and sullied port of call into that of a national tourist destination. Anthony J. Stanonis tells how boosters and politicians reinvented the city to build a modern mass tourism industry and, along the way, fundamentally changed the city's cultural, economic, racial, and gender structure. Stanonis looks at the importance of urban development, historic preservation, taxation strategies, and convention marketing to New Orleans' makeover and chronicles the city's efforts to domesticate its jazz scene, "democratize" Mardi Gras, and stereotype local blacks into docile, servile roles. He also looks at depictions of the city in literature and film and gauges the impact on New Orleans of white middle-class America's growing prosperity, mobility, leisure time, and tolerance of women in public spaces once considered off-limits. Visitors go to New Orleans with expectations rooted in the city's "past": to revel with Mardi Gras maskers, soak up the romance of the French Quarter, and indulge in rich cuisine and hot music. Such a past has a basis in history, says Stanonis, but it has been carefully excised from its gritty context and scrubbed clean for mass consumption.