Faiz Ahmed Faiz’s poetry continues to inspire and enthral contemporary readers. The Best of Faiz consists of Shiv K. Kumar’s translations of Faiz’s most popular Urdu poems into English. The collected poems include ‘Mujh Se Pehli Si’, ‘Subhe Azadi’, ‘Sochne Do’ and ‘Bol’. This edition also includes a translator’s foreword and the original poems in nastaliq and devanagari scripts.

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES AND NPR WINNER OF THE 2023 L.A. TIMES BOOK PRIZE, ART SEIDENBAUM AWARD FOR FIRST FICTION “Stunning not only on account of the author’s talent, of which there is clearly plenty, but also in its humanity.” —New York Times Book Review (cover) Sent back to his birthplace—Lahore’s notorious red-light district—to hush up the murder of a girl, a man finds himself in an unexpected reckoning with his past. Not since childhood has Faraz returned to the Mohalla, in Lahore’s walled inner city, where women continue to pass down the art of courtesan from mother to daughter. But he still remembers the day he was abducted from the home he shared with his mother and sister there, at the direction of his powerful father, who wanted to give him a chance at a respectable life. Now Wajid, once more dictating his fate from afar, has sent Faraz back to Lahore, installing him as head of the Mohalla police station and charging him with a mission: to cover up the violent death of a young girl. It should be a simple assignment to carry out in a marginalized community, but for the first time in his career, Faraz finds himself unable to follow orders. As the city assails him with a jumble of memories, he cannot stop asking questions or winding through the walled city’s labyrinthine alleyways chasing the secrets—his family’s and his own—that risk shattering his precariously constructed existence. Profoundly intimate and propulsive, The Return of Faraz Ali is a spellbindingly assured first novel that poses a timeless question: Whom do we choose to protect, and at what price?

Maangey Allah se bas itni dua hai Rashid Main jo Urdu mein vaseeyat likhoon beta parh ley All Rashid asks of Allah is just one small gift: If I write my will in Urdu, may my son be able to read it. Urdu, one of the most widely used languages in the subcontinent, is, sadly, dying a slow death in the land where it was born and where it flourished. This definitive collection spans over 200 years of Urdu poetry, celebrating well-known and relatively unknown poets alike. It is essential reading for all who love Urdu verse and for all looking for the ideal introduction.

Faiz Ahmen Faiz is looked on as the most important Urdu poet in both India and Pakistan. This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.

Dr. Yasin Aatir (Full Name: Muhammad Yasin Sheikh) is a medical graduate from Dow Medical College Karachi, Pakistan. Besides being an internationally renowned Gastroenterologist and Hepatologist, he is a well-known poet of Urdu Language. This book, entitled "Ishq Waseelah" is Dr. Yasin Aatir's first collection of poetry. The book has about 100 ghazals selected from his literary work over the last thirty years.Dr. Yasin Aatir has enjoyed the company of many renowned poets, such as John Ailia, Ahmed Faraz, Parveen Shakir, Mohsin Bhopali, Obaidullah Aleem, Saleem Kausar and Jamal Ahsani. He participated in several local and international Mushaera held over time in various cities in the United States.

One of the most important voices in contemporary Indian poetry, Shahryar (1936-2012) casts a mesmeric spell since the publication of his very first collection, Ism-e Azam, in 1965. In a career spanning five decades, it is interesting how Shahryar always managed to remain topical and his poetry could always be called 'the call of the time'. This ability to remain relevant and to always have something to say consistently over a period of time is a singular quality.This book locates Shahryar's considerable body of work in the trajectory of contemporary Indian writings and evaluates his extraordinary contribution to not merely modern Urdu poetry but, more significantly, modern Indian poetry.

"For twenty-three years a myth has been perpetuated that former Prime Minisiter Rajiv Gandhi was assassinated by the LTTE because it feared his return to power in 1991. But if this basic premise is disputed and the alternate scenario is shown, that the Congress which returned to power in 1991, fell short of a simple majority, even after Rajiv's death, then the entire bottom of this thesis is knocked off and the theory falls flat on its nose. This book is also about conspiracies and intrigue, but it also has attempted to explode this myth and seeks to find why Rajiv was killed if he was not likely to return to power in the 1991 mid-term elections?"--Back cover.