When it comes to football chants, British fans surely must be top of the league. Throughout the country every weekend, football stadiums ring with the sound of hundred of thousands of supporters singing the praises of their favourite players, rubbishing the opposition, having a go at the ref and waxing lyrical about past legends. Chants can spring from deep-rooted rivalries or simply from the fact that a player has a funny name. Plundering the pop charts for tunes to set their ditties too, fans have come up with hundreds of hilarious, moving, clever and often downright scandalous songs...all brought together here! From close-to-the-knuckle terrace favourites to brilliantly witty off-the-cuff chants and the classics heard in nearly every stadium in the land, Shall We Sing a Song For You? is the perfect collection of the good, the bad and the downright offensive.

Lee Howey was inspired to write this book after reading the autobiographies of other footballers. These were household names with glory-laden careers whose exploits on the pitch will never be forgotten. Yet, despite access to such fabulous raw material, they have mostly produced bloody awful books – predictable, plodding, repetitive, self-important and just plain boring. They may have been better footballers than Howey, but he has written the most entertaining football memoir you are ever likely to read. Not that Lee Howey's football career is in any way undistinguished. He won the First Division Championship with his beloved Sunderland in 1995 and played in the Premier League against some of the most celebrated names in English football, including Jürgen Klinsmann, Ryan Giggs, Eric Cantona, Gianfranco Zola, Peter Schmeichel, Ian Wright, Alan Shearer and Fabrizio Ravanelli – and not always unsuccessfully. It wasn't all assaults upon the kneecaps on wet Tuesday nights in Hartlepool (though there is plenty of that too). This honest, thoughtful and hilarious book may not end with an unforgettable game at Wembley, or a 100th England cap. However, it will amuse and delight fans of all teams in its portrait of the game of football before it disappeared up its own backside.

Manners has been suspended from duty for the murder of a local hood. He breaks down and starts wandering the streets in uniform. Tapping local calls, he hears a murder being plotted, what he doesn't realise is that it is his own.

In December 2007, Stephen Grey, a Sunday Times reporter, was under fire in Afghanistan as British and US forces struggled to liberate the Taliban stronghold of Musa Qala. Taking shelter behind an American armoured Humvee, Grey turned his head to witness scenes of carnage. A car and a truck were riddled with gunfire. Their occupants, including several children, had died. Taliban positions were pounded by bullets and bombs dropped on their compounds. A day later, as the operation continued, a mine exploded just yards from Grey, killing a British soldier. Who, he wondered in the days that followed, was responsible for the bloodshed? And what purpose did it serve? A compelling story of one military venture that lasted several days, Operation Snakebite draws on Grey's exclusive interviews with everyone from private soldiers to NATO commanders. The result is a thrilling and at times horrifying story of a war which has gone largely unnoticed back home.

Making a smile on our face, isn’t it easy? Probably possible. But making someone laugh is not so trivial. How many people are trying to do that? Very few will be seen. How many of those few will succeed in that endeavor when it comes to making all laugh? Most of those who came forward may have returned with their heads. So what if two friends go out for it together? Trapped! Has anyone ever come forward with such a career! But there are two friends with such intent. Bob Mortimer & Vic Reeves. Bob Mortimer and Vic Reeves are two comedians who have appeared in several series based on their friendship to entertain people with the element of comedy. Their triumphant journey proved that comedy can yield not only to the clowns that everyone mocks, but also to themselves. The life of Bob Mortimer shows that friendship can be maintained not only in success but also in sorrow. Not all friendships are like that. Apart from that, there are those who move when disaster strikes, and those who experience it do not bring it into light. It’s a short journey through their double act series and their lives by two friends, Bob Mortimer and Vic Reeves, who combine humor and friendship.

The humourous history of entertaining on the North of England Workingmen's club circuit.The first rung on the ladder of dreams and aspirations, and it sure as hell isn't Vegas or Madison Square Garden. And if you have never visited a Workingmen's club before, I'm sure the next 170-plus pages are going to be bloody confusing!Realistically speaking, it is the alternative to stretch limos, drugs and lines of enthusiastic groupies. This is the real world. More like a knackered old transit van, a couple of pints of non-fizzy lager, and a kiss off an 'old slapper' who has slipped off the ball and chain, out for a night without the 'old fella'.

Volume 4: Two distinct parts of the story. Book 1 - 'The Longest Night' is set between 8pm and 8am, the critical night battle in Germany between NATO and the New Red Army. The war in Europe has reached critical mass and it is a race between the Red Army and the newly arrived US and Canadian 4 Corps. The winner owns Europe. Just one last push by the New Warsaw Pact will clear away SACEUR's gambit and the last division standing between the Red Army and the Channel Ports. It is the Longest Night for everyone, and the last night for many. Book 2 - 'Crossing the Rubicon' The war in Europe has reached its bloody end and the troops came home to less than gratitude from the politicians. In the Pacific all eyes are on the Spratly Islands as the Allies combat the Chinese 3rd and 6th Armies, but the aftermath in Europe may have left the US and the ANZACs standing alone, or has it? Soldiers have more honour than politicians at the end of the day.

This collection, which is a companion volume to Young People and Stories for the Anthropocene (Kelly et al., 2022), aims to find, to explore, and to co-produce ways of ‘staying with the trouble’ (Haraway 2016) that are disruptive of orthodoxies in childhood and youth studies, and productive of new ways of thinking, and of being and becoming, in the circumstances that we (young and old) find ourselves in. Circumstances that have, problematically, been identified as the Anthropocene, and which have been characterised as being situated at the convergence of the climate crisis, the 6th mass extinction, and the ongoing crises of global capitalism as ‘earth system’ (Braidotti 2019, Moore 2015). The collection emerges, in part, and among other things, around three key challenges. First, how can childhood and youth studies tell stories about the less obviously-bounded, obviously-crafted, obviously-engineered material stuff that humans create and that circulates – stuff like plastics, chemicals, and the scattered remnants of past industrial endeavour. Second, the need to experiment with diverse modes of representation: with differently-mediated technologies and modes of telling that, from digital film platforms to children’s non-fiction writing, expand our lexicon in terms of how it might become possible to narrate young people in/and the Anthropocene. Third, the need to articulate different ‘tools’ for working with young people in the Anthropocene. ‘Tools’ and ‘technologies’, understood in this manner, are modes of becoming-attuned to, and of making, new configurations of human and non-human, new and pressing threats that weigh upon young people in visceral, affective ways, and new modes of speculating about and becoming-responsible for futures – human and more-than-human. In this sense, the contributions to the collection, from scholars from the Anglo and non-Anglosphere, are framed by an urgency to develop and deploy innovative, critical and disruptive theoretical and methodological tools and technologies to identify and explore the material, temporal and conceptual challenges for children and young people, and those who research in childhood and youth studies, at this convergence.