The annual collection celebrating the finest Australian science writing of the year. How does dust connect the cosmos with our bed sheets? Why do lobsters do the Mexican Wave backwards? And what makes us feel ‘wetness’ when there’s no such thing as ‘wet’ nerve receptors? Now in its fifth year, The Best Australian Science Writing 2015 draws on the knowledge and insight of Australia’s brightest thinkers in examining the world around us. From our obsession with Mars to the mating habits of fish, this lively collection covers a range of topics and delights in challenging our perceptions of the planet we think we know.

'The essay creates a place for slow thought on hectic subjects, and that is what the best of this year's crop manage to do.' GEORDIE WILLIAMSON In The Best Australian Essays 2016, Geordie Williamson curates the year's best non-fiction writing from Australia's finest writers. The result is a collection that reads as a wake-up call- from Jo Chandler on the devastating bleaching of the Great Barrier Reef and Richard Flanagan on the Syrian exodus to Kurdish-Iranian journalist Behrouz Boochani's inside account of life on Manus Island. There is also space for Bowie, TV box-sets and Aussie rules. Spanning politics, music, literature, art, ecology, linguistics and more, this anthology showcases the nation's most eloquent and insightful writing. Maggie Mackellar In Sympathy- A Fugue * Ashley Hay The Bus Stop * Rebecca Giggs Whale Fall * Anwen Crawford The Noise Made By People * Melinda Harvey She Thinks She Is The Boss * Mireille Juchau The Most Holy Object in the House * Fiona Wright A World of Bald White Days * Vicki Hastrich Things Seen * Helen Garner This Old Self * Tegan Bennett Daylight Vagina * Jennifer Mills Detroit, I Do Mind * Fiona McGregor The Experience Machine * Michelle de Kretser Like a Thief in the Night * Jo Chandler Grave Barrier Reef * Anna Spargo-Ryan How to Love Football * Peter Goldsworthy Review of Chorale at the Crossing by Peter Porter * Gregory Day Review of John Kinsella's 'Drowning in Wheat' * J.M. Coetzee Introduction to Ford Madox Ford's The Good Soldier * James Bradley David Bowie- Loving the Alien * Galarrwuy Yunupingu Rom Watangu * Richard Flanagan Notes on the Syrian Exodus * Adam Rivett 35,000 Pieces of Converted Culture * Michael Winkler The Great Red Whale * Behrouz Boochani Life on Manus- The Island of the Damned * Martin McKenzie-Murray On Mass Shootings * Guy Rundle On Modern Terrorism * Clive James Play All * Julian Burnside What Sort of Country Are We? * Kim Scott Both Hands Full

The annual collection celebrating the finest Australian science writing of the year. Why are Sydney’s golden orb weaver spiders getting fatter and fitter? Could sociology explain the recent upsurge in prostate cancer diagnoses? Why were Darwinites craving a good storm during ‘The Angry Summer’? Is it true that tuberculosis has become deadlier over time? And are jellyfish really taking over the world? Now in its fourth year, this popular and acclaimed anthology steps inside the nation’s laboratories and its finest scientific and literary minds. Featuring prominent authors such as Tim Flannery, Jo Chandler, Frank Bowden and Iain McCalman, as well as many new voices, it covers topics as diverse and wondrous as our ‘lumpy’ universe, the creation of dragons and the frontiers of climate science.

The annual collection – now in its tenth year – celebrating the finest voices in Australian science writing. Can fish feel pain? Does it matter if a dingo is different from a dog? Is there life in a glob of subterranean snot? Science tackles some unexpected questions. At a time when the world is buffeted by the effects of a pandemic, climate change and accelerating technology, the fruits of scientific labour and enquiry have never been more in demand. Who better to navigate us through these unprecedented days than Australia's best science writers? Now in its tenth year, this much-loved anthology selects the most riveting, poignant and entertaining science stories and essays from Australian writers, poets and scientists. In their expert hands such ordinary objects as milk and sticky tape become imbued with new meaning, while the furthest reaches of our universe are made more familiar and comprehensible. With a foreword from Nobel laureate and immunologist Peter C Doherty, this collection brings fresh perspective to the world you thought you knew.

Could the dodo make a comeback? What does science tell us about the sex in Fifty Shades of Grey? Is giving up meat really the greenest option? Can you use tweets to spot a psychopath? Do birds make art? What do the Cold War and climate science have in common? And can a psychologist interpret your farts? The Best Australian Science Writing 2013 brings together great writing about life and the universe, including contributions from poets and psychologists, comedians and climate commentators, neuroscientists and novelists, star-gazers and science journalists. With a foreword by superstar comedian, musician and self-confessed science-nerd, Tim Minchin, this provocative collection is chock-full of intrigue, curiosity and controversy. Read this. Your brain will love you for it.

Descendants of Vietnam veterans and refugees confront the aftermath of war and, in verse and prose, deliver another kind of war story. Fifty years after the Vietnam War, this anthology by descendants of Vietnam veterans and refugees—American, Vietnamese, Vietnamese Diaspora, Hmong, Australian, and others—confronts war and its aftermath. What emerges is an affecting portrait of the effects of war and family—an intercultural, generational dialogue on silence, memory, landscape, imagination, Agent Orange, displacement, postwar trauma, and the severe realities that are carried home. Including such acclaimed voices as Viet Thanh Nguyen, Karen Russell, Terrance Hayes, Suzan-Lori Parks, Nick Flynn, and Ocean Vuong, Inheriting the War enriches the discourse of the Vietnam War and provides a collective conversation that attempts to transcend the recursion of history. “Each unique work in Inheriting the War embraces a collective that aims to engage through some daring and passionate truths calibrated by bravery.” —Yusef Komunyakaa, from the foreword

In a world where seventy is the new fifty, old age isn't what it used to be. COVID-19 has changed fundamental concepts of ageing, maturity and mortality. And with the virus's particular impacts on the aged, it's time to challenge – and rectify – the exclusion of the elderly from our culture, and focus on people as people, not as problems to be solved. With exciting new work from Helen Garner, Charlotte Wood, Gabbie Stroud, David Sinclair, Vicki Laveau-Harvie, Samuel Wagan Watson, Andrew Stafford, Jay Phillips, Jane R Goodall, Glenn A Albrecht, Leah Kaminsky, Ailsa Piper and many more, Griffith Review 68: Getting On offers an insightful exploration of the changing truths of ageing – as well as celebrating the triumph of longevity. It's a timely look at the question of how we age successfully – as individuals, as a society, as a population.

The annual collection celebrating the finest Australian science writing of the year. How does dust connect the cosmos with our bed sheets? Why do lobsters do the Mexican Wave backwards? And what makes us feel 'wetness' when there's no such thing as 'wet' nerve receptors? Now in its fifth year, The Best Australian Science Writing 2015 draws on the knowledge and insight of Australia's brightest thinkers in examining the world around us. From our obsession with Mars to the mating habits of fish, this lively collection covers a range of topics and delights in challenging our perceptions of the planet we think we know.

The stories in this volume explore new frontiers in the way we do chores, eat takeout, order online, and dumpster-dive, showcasing business's rapid evolution under the influence of new technologies. Profiles include the amusing portrait of a young investor who made a fortune betting on penny stocks; the inspiring and cautionary story of an undocumented immigrant who became a star trader at Goldman Sachs; and the shocking account of a troubled financial prodigy who defrauded his inner circle of millions.

This year's Best American Magazine Writing features articles on politics, culture, sports, sex, race, celebrity, and more. Selections include Ta-Nehisi Coates's intensely debated "The Case For Reparations" (The Atlantic) and Monica Lewinsky's reflections on the public-humiliation complex and how the rules of the game have (and have not) changed (Vanity Fair). Amanda Hess recounts her chilling encounter with Internet sexual harassment (Pacific Standard) and John Jeremiah Sullivan shares his investigation into one of American music's greatest mysteries (New York Times Magazine). The anthology also presents Rebecca Traister's acerbic musings on gender politics (The New Republic) and Jerry Saltz's fearless art criticism (New York). James Verini reconstructs an eccentric love affair against the slow deterioration of Afghanistan in the twentieth century (The Atavist); Roger Angell offers affecting yet humorous reflections on life at ninety-three (The New Yorker); Tiffany Stanley recounts her poignant experience caring for a loved one with Alzheimer's (National Journal); and Jonathan Van Meter takes an entertaining look at fashion's obsession with being a social-media somebody (Vogue). Brian Phillips describes his surreal adventures in the world of Japanese ritual and culture (Grantland), and Emily Yoffe reveals the unforeseen casualties in the effort to address the college rape crisis (Slate). The collection concludes with a work of fiction by Donald Antrim, exploring the geography of loss. (The New Yorker).