Nonfiction from Malcolm Gladwell, Francine Prose, Jonathan Franzen, and more: “There is not a dud in the bunch. [An] exhilarating collection.” —Publishers Weekly (starred review) Whether a personal reflection on a wife’s decline from Alzheimer’s, a critique of the overdiagnosis of mood disorders, a lighthearted look at menopause, a friend’s commentary on David Foster Wallace’s heartbreaking suicide, or a memoir of teaching underprivileged children, this collection highlights the best essays of the year with contributions from: Benjamin Anastas • Marcia Angell • Miah Arnold • Geoffrey Bent • Robert Boyers • Dudley Clendinen • Paul Collins • Mark Doty • Mark Edmundson • Joseph Epstein • Jonathan Franzen • Malcolm Gladwell • Peter Hessler • Ewa Hryniewicz-Yarbrough • Garret Keizer • David J. Lawless • Alan Lightman • Sandra Tsing Loh • Ken Murray • Francine Prose • Richard Sennett • Lauren Slater • Jose Antonio Vargas • Wesley Yang “A trove of fine writing on big issues.” —Kirkus Reviews

THE BEST AMERICAN ESSAYS, International Edition, presents highly regarded contemporary authors at their best. The essays are thematically arranged and selected from the popular trade series of the same name. They also cover common rhetorical modes, including narration and argumentation, providing instructors optimal flexibility with respect to course approach. In the introduction, Robert Atwan offers an overview of various types of essays to prepare students for the readings that follow. To further prepare students, "Essayists on the Essay" offers insightful commentaries about the genre from many of today's top writers.

The acclaimed author of Breath, Eyes, Memory presents an anthology of personal essays by Hilton Als, Christopher Hitchens, Zadie Smith and others. In her selection process for this sterling volume, Edwidge Danticat considers the inherent vulnerability of the essay form—a vulnerability that seems all the more present in today’s spotlighted public square. As she says in her introduction, “when we insert our ‘I’ (our eye) to search deeper into someone, something, or ourselves, we are always risking a yawn or a slap, indifference or disdain.” Here are intimate personal essays that examine a range of vital topics, from cancer diagnosis to police brutality, and from devastating natural disasters to the dilemmas of modern medicine. All in all, “the brave voices behind these experiences keep the pages turning” (Kirkus Reviews). The Best American Essays 2011 includes entries by Hilton Als, Katy Butler, Toi Derricotte, Christopher Hitchens, Pico Iyer, Charlie LeDuff, Chang-Rae Lee, Lia Purpura, Zadie Smith, Reshma Memon Yaqub, and others.

Presents an anthology of the best literary essays published in 2014, selected from American periodicals.

Curated by the #1 New York Times bestselling author of Wild, this volume shares intimate perspectives from some of today’s most acclaimed writers. As Cheryl Strayed explains in her introduction, “the invisible, unwritten last line of every essay should be and nothing was ever the same again.” The reader, in other words, should feel the ground shift, if even only a bit. In this edition of the acclaimed anthology series, Strayed has gathered twenty-six essays that each capture an inexorable, tectonic shift in life. Personal and deeply perceptive, this collection examines a broad range of life experiences—from a man’s relationship with Mormonism to a woman’s search for a serial killer; from listening to the music of Joni Mitchell to surviving five months at sea; from triaging injured soldiers to giving birth to a daughter; and much more. The Best American Essays 2013 includes entries by Alice Munro, Zadie Smith, John Jeremiah Sullivan, Dagoberto Gilb, Vicki Weiqi Yang, J.D. Daniels, Michelle Mirsky, and others.

A collection of nonfiction essays on such topics as culture, myth, history, romance, and sex includes contributions by such authors as Guy Davenport, Annie Dillard, Jamaica Kincaid, and Susan Sontag. In this singular collection, John D'Agata takes a literary tour of lyric essays written by the masters of the craft. Beginning with 1975 and John McPhee's ingenious piece, the Search for Marvin Gardens, D'Agata selects an example of creative nonfiction for each subsequent year. These essays are unrestrained, elusive, explosive, mysterious, a personal lingual playground. They encompass and illuminate culture, myth, history, romance, and sex. Each essay is a world of its own, a world so distinctive it resists definition.

In this important book, acclaimed author Mark Edmundson reconceives the value and promise of reading. He enjoins educators to stop offering up literature as facile entertainment and instead teach students to read in a way that can change their lives for the better. At once controversial and inspiring, this is a groundbreaking book written with the elegance and power to change the way we teach and read. Why Read was a PSLA Young Adult Top 40 non-fiction title 2004

A collection of the year's best essays selected by Robert Atwan and guest editor Rebecca Solnit. "Essays are restless literature, trying to find out how things fit together, how we can think about two things at once, how the personal and the public can inform each other, how two overtly dissimilar things share a secret kinship," contends Rebecca Solnit in her introduction. From lost languages and extinct species to life-affirming cosmologies and literary myths that offer cold comfort, the personal and the public collide in The Best American Essays 2019. This searching, necessary collection grapples with what has preoccupied us in the past year--sexual politics, race, violence, invasive technologies--and yet, in reading for the book, Solnit also found "how discovery can be a deep pleasure." The Best American Essays 2019 includes Michelle Alexander, Jabari Asim, Alexander Chee, Masha Gessen, Jean Guerrero, Elizabeth Kolbert, Terese Marie Mailhot, Jia Tolentino, and others.

The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).

Compiles the best literary essays of the year 2019 which were originally published in American periodicals.