O could one write as one makes love when all is given and nothing kept, then language might put by at last its coy elisions and inept withdrawals, yield, and yielding cast aside like useless clothes the crust of worn and shabby use, and trust its candour to the urgent mind its beauty to the searching tongue. Gwen Harwood's work is defined by a moving sensuality, a twinkling irreverence and a sly wit. This anthology brings together the best 100 of her poems, as selected and compiled by her son, the writer John Harwood. “The outstanding Australian poet of the twentieth century” - Peter Porter “Gwen Harwood’s poetry is widely recognised for its stark intimacy and brilliant resonance” - The Sydney Morning Herald Gwen Harwood, one of Australia’s most celebrated poets and librettists, published over 420 works in her lifetime, many of which continue to be studied widely in schools and universities across Australia. She received numerous awards and prizes, including the Patrick White Award and the Victorian Premier’s Literary Award, and became an Officer of the Order of Australia (AO) in 1989. She died in 1995, aged seventy-five.

Gwen Harwood is celebrated as one of Australia's greatest poets. This is an all-encompassing collection of a lifetime of writing, including poems published just before her death.

A teeming mosaic of provocative one-liners and chewy ruminations on the art and practice of poetry.

A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.

This compact volume features the greatest hits collection of the 100 best poems ever written. The authors are each represented by one of his or her best-known and best-loved works. Each poem is introduced by a brief head note which details the poet's life history as well as the poem's significance.

Paul Kelly’s songs are steeped in poetry. And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between. Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

Stephen Edgar is acknowledged as one of the most elegant and technically astonishing poets currently writing. The poems in History of the Day have an imaginative reach, a grandeur and sweep which lead us through the transfiguring intensities of love to the burdens of loss, grief and horror. They contemplate the fragile nature of consciousness when measured against the immensities as time and space. He engages language at the highest, most sophisticated level. Edgar makes crystalline forms and patterns out of language so that every word glows, catches the light, and illuminates his vision. History of the Day is, quite simply, brilliant.