“Bacharach has a great comic voice— shrewd, deadpan, and dirty—and The Bend of the World fears no weirdness.”—Sam Lipsyte “Mighty strange doings” mark the Pittsburgh of Jacob Bacharach’s audacious and hilarious debut novel, a town where “yeti, UFOs, rumors of orgiastic rites, intimations of the Mayan apocalypse and ‘psycho-temporal distortions’ add that extra zing to the bustling night life” (James Wolcott). On the edge of thirty, and comfortably adrift in life, Peter Morrison finds his personal and professional life taking a turn for the weird as his attempts to transition into adulthood are thwarted by conspiracies both real and imagined. In this madcap coming-of-age novel, where no one quite comes of age, Bacharach brings an “immensely entertaining” and “Vonnegut-like sensibility” (Library Journal ) to the “aptly surreal satire” (Dan Chaon) of hipsters, corporations, and American life in the adolescent years of the twenty-first century. “A disarming, intelligent and seriously funny debut,” The Bend of the World “marks the arrival of Jacob Bacharach as a writer to watch” (Bob Hoover, Pittsburgh Post-Gazette).

“Bacharach has a great comic voice— shrewd, deadpan, and dirty—and The Bend of the World fears no weirdness.”—Sam Lipsyte “Mighty strange doings” mark the Pittsburgh of Jacob Bacharach’s audacious and hilarious debut novel, a town where “yeti, UFOs, rumors of orgiastic rites, intimations of the Mayan apocalypse and ‘psycho-temporal distortions’ add that extra zing to the bustling night life” (James Wolcott). On the edge of thirty, and comfortably adrift in life, Peter Morrison finds his personal and professional life taking a turn for the weird as his attempts to transition into adulthood are thwarted by conspiracies both real and imagined. In this madcap coming-of-age novel, where no one quite comes of age, Bacharach brings an “immensely entertaining” and “Vonnegut-like sensibility” (Library Journal ) to the “aptly surreal satire” (Dan Chaon) of hipsters, corporations, and American life in the adolescent years of the twenty-first century. “A disarming, intelligent and seriously funny debut,” The Bend of the World “marks the arrival of Jacob Bacharach as a writer to watch” (Bob Hoover, Pittsburgh Post-Gazette).

Born on the eve of China’s Cultural Revolution, Ping Fu was separated from her family at the age of eight. She grew up fighting hunger and humiliation and shielding her younger sister from the teenagers in Mao’s Red Guard. At twenty-five, she found her way to the United States; her only resources were $80 and a few phrases of English. Yet Ping persevered, and the hard-won lessons of her childhood guided her to success in her new homeland. Aided by her well-honed survival instincts, a few good friends, and the kindness of strangers, she grew into someone she never thought she’d be—a strong, independent, entrepreneurial leader. “She tells her story with intelligence, verve and a candor that is often heart-rending.” —The Wall Street Journal “This well-written tale of courage, compassion, and undaunted curiosity reveals the life of a genuine hero.” —Booklist (starred review) “Her success at the American Dream is a real triumph.” —The New York Post

In the "brilliant novel" (The New York Times) V.S. Naipaul takes us deeply into the life of one man — an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

All the Light We Cannot See meets The Nightingale in this literary WWI-era novel and epic love story of a brilliant young doctor who races against Einstein to solve one of the universe's great mysteries. In Russia, in the summer of 1914, as war with Germany looms and the Czar's army tightens its grip on the local Jewish community, Miri Abramov and her brilliant physicist brother, Vanya, are facing an impossible decision. Since their parents drowned fleeing to America, Miri and Vanya have been raised by their babushka, a famous matchmaker who has taught them to protect themselves at all costs: to fight, to kill if necessary, and always to have an escape plan. But now, with fierce, headstrong Miri on the verge of becoming one of Russia's only female surgeons, and Vanya hoping to solve the final puzzles of Einstein's elusive theory of relativity, can they bear to leave the homeland that has given them so much? Before they have time to make their choice, war is declared and Vanya goes missing, along with Miri's fiancé. Miri braves the firing squad to go looking for them both. As the eclipse that will change history darkens skies across Russia, not only the safety of Miri's own family but the future of science itself hangs in the balance. Grounded in real history -- and inspired by the solar eclipse of 1914 -- A Bend in the Stars offers a heart-stopping account of modern science's greatest race amidst the chaos of World War I, and a love story as epic as the railways crossing Russia.

Round the Bend follows the life of Tom Cutter, an Englishman who becomes a pilot and settles in the Middle East after World War II. Tom starts an air freight business and becomes fascinated by the spiritual beliefs of the local Muslim population, which leads him to start his own religion called "The Way." Through his travels and teachings, Tom attracts a group of devoted followers and becomes a spiritual leader. However, his unconventional beliefs and practices lead to conflict with some of the more traditional religious and political authorities in the region. Despite the challenges he faces, Tom remains committed to his beliefs and the pursuit of a more peaceful and harmonious world. The novel explores themes of religion, spirituality, cultural differences, and the clash between tradition and modernity.

The first novel Nabokov wrote while living in America and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man. In a folly of bureaucratic bungling and ineptitude, the government attempts to co-opt Krug's support in order to validate the new regime.

One whirlwind week of love, blackmail, and betrayal follows three brothers through teeming prewar New York in this "entertaining . . . outsized . . . big, expressive debut" (Wall Street Journal). June 1939. Francis Dempsey and his shell-shocked brother, Michael, are on an ocean liner from Ireland bound for their brother Martin's home in New York City, having stolen a small fortune from the IRA. During the week that follows, the lives of these three brothers collide spectacularly with big-band jazz musicians, a talented but fragile heiress, a Jewish street photographer facing a return to Nazi-occupied Prague, a vengeful mob boss, and the ghosts of their own family's revolutionary past. When Tom Cronin, an erstwhile assassin forced into one last job, tracks the brothers down, their lives begin to fracture. Francis must surrender to blackmail or have his family suffer fatal consequences. Michael, lost and wandering alone, turns to Lilly Bloch, a heartsick artist, to recover his decimated memory. And Martin and his wife, Rosemary, try to salvage their marriage and, ultimately, the lives of the other Dempseys. Meanwhile, with the Depression receding, all of New York is suffused with an electric feeling of hope, caught up in the fervor of the World's Fair and eager for good times after a decade of deprivation. From the smoky jazz joints of Harlem to the opulent Plaza Hotel, from the garrets of vagabonds and artists in the Bowery to the backroom warrens and shadowy warehouses of mobsters in Hell's Kitchen, Brendan Mathews brings the prewar metropolis to vivid, pulsing life. The sweeping, intricate, and ambitious storytelling throughout this remarkable debut reveals an America that blithely hoped it could avoid another catastrophic war and focus instead on the promise of the World's Fair: a peaceful, prosperous "World of Tomorrow." One whirlwind week of love, blackmail, and betrayal following three brothers through teeming prewar New York in this "entertaining . . . outsized . . . big, expressive debut" (Wall Street Journal) "A masterfully crafted novel . . . Comic, violent, and moving in equal measure."-John Irving "As rich and raucous as the city it celebrates."-O., The Oprah Magazine "Admirably fearless . . . Mathews has talent in buckets."-New York Times Book Review

NATIONAL BESTSELLER • From the author of the widely acclaimed The Book of Ruth comes a harrowing, heartbreaking drama about a rural American family and a disastrous event that forever changes their lives. "It takes a writer of rare power and discipline to carry off an achievement like A Map of the World. Hamilton proves here that she is one of the best." —Newsweek The Goodwins, Howard, Alice, and their little girls, Emma and Claire, live on a dairy farm in Wisconsin. Although suspiciously regarded by their neighbors as "that hippie couple" because of their well-educated, urban background, Howard and Alice believe they have found a source of emotional strength in the farm, he tending the barn while Alice works as a nurse in the local elementary school. But their peaceful life is shattered one day when a neighbor's two-year-old daughter drowns in the Goodwins' pond while under Alice's care. Tormented by the accident, Alice descends even further into darkness when she is accused of sexually abusing a student at the elementary school. Soon, Alice is arrested, incarcerated, and as good as convicted in the eyes of a suspicious community. As a child, Alice designed her own map of the world to find her bearings. Now, as an adult, she must find her way again, through a maze of lies, doubt and ill will. A vivid human drama of guilt and betrayal, A Map of the World chronicles the intricate geographies of the human heart and all its mysterious, uncharted terrain. The result is a piercing drama about family bonds and a disappearing rural American life.

By the time of Barack Obama's inauguration as the 44th president of the United States, he had already developed an ambitious foreign policy vision. By his own account, he sought to bend the arc of history toward greater justice, freedom, and peace; within a year he was awarded the Nobel Peace Prize, largely for that promise. In Bending History, Martin Indyk, Kenneth Lieberthal, and Michael O’Hanlon measure Obama not only against the record of his predecessors and the immediate challenges of the day, but also against his own soaring rhetoric and inspiring goals. Bending History assesses the considerable accomplishments as well as the failures and seeks to explain what has happened. Obama's best work has been on major and pressing foreign policy challenges—counterterrorism policy, including the daring raid that eliminated Osama bin Laden; the "reset" with Russia; managing the increasingly significant relationship with China; and handling the rogue states of Iran and North Korea. Policy on resolving the Israeli-Palestinian conflict, however, has reflected serious flaws in both strategy and execution. Afghanistan policy has been plagued by inconsistent messaging and teamwork. On important "softer" security issues—from energy and climate policy to problems in Africa and Mexico—the record is mixed. As for his early aspiration to reshape the international order, according greater roles and responsibilities to rising powers, Obama's efforts have been well-conceived but of limited effectiveness. On issues of secondary importance, Obama has been disciplined in avoiding fruitless disputes (as with Chavez in Venezuela and Castro in Cuba) and insisting that others take the lead (as with Qaddafi in Libya). Notwithstanding several missteps, he has generally managed well the complex challenges of the Arab awakenings, striving to strike the right balance between U.S. values and interests. The authors see Obama's foreign policy to date as a triumph of discipline and realism over ideology. He has been neither the transformative beacon his devotees have wanted, nor the weak apologist for America that his critics allege. They conclude that his grand strategy for promoting American interests in a tumultuous world may only now be emerging, and may yet be curtailed by conflict with Iran. Most of all, they argue that he or his successor will have to embrace U.S. economic renewal as the core foreign policy and national security challenge of the future.