A comprehensive biography of the late designer, Karl Lagerfeld, and his infamous rivalry with Yves Saint Laurent. In the 1970s, Paris fashion exploded like a champagne bottle left out in the sun. Amid sequins and longing, celebrities and aspirants flocked to the heart of chic, and Paris became a hothouse of revelry, intrigue, and searing ambition. At the center of it all were fashion's most beloved luminaries - Yves Saint Laurent, the reclusive enfant terrible, and Karl Lagerfeld, the flamboyant freelancer with a talent for reinvention - and they divided Paris into two fabulous halves. Their enduring rivalry is chronicled in this dazzling exposè of an era: of social ambitions, shared obsessions, and the mesmerizing quest for beauty. "Deliciously dramatic... The Beautiful Fall crackles with excitement."-New York Times Book Review "Fascinating." -New York Times "Addictive." -Philadelphia Inquirer "It's like US Weekly, 1970s style." -Gotham "A story constructed as exquisitely as a couture dress. . . . It moves stylishly forward, with frequent over-the-shoulder glances at some very dishy background." -Boston Globe

A TECHNOLOGY EXECUTIVE CHARTS A HIGH-RISK, UNCONVENTIONAL PATH WHILE GRIEVING THE LOSS OF HIS SON

When Lawrence Fox's teacher announces that students will be presenting their collections at show-and-tell, Lawrence realizes he doesn't have anything to share. Luckily, Papa knows just what to do to help! Together, they venture into the woods. Lawrence is scared at first, but as he grows comfortable in the forest, he starts to recognize its magic, and how beautiful and unique each tree and leaf is, allowing him to gather a splendid, one-of-a-kind collection of his own!

From plump orange pumpkins to crunchy leaves, readers will love all the textures fall has to offer in this delightful touch-and-feel board book. From woolly scarves and plump orange pumpkins to crunchy leaves and smooth wicker baskets, readers will delight in all the different textures fall has to offer. With simple, rhyming verses and sweet, vibrant illustrations, youngsters can celebrate the season with this touch-and-feel board book that's perfect for small hands.

"Simple text and photographs illustrate the colors of fall"--

Modern Beauty explores this shift from historical, scientific and journalistic perspectives, in a title that will not only appeal to industry insiders, but also to all those readers with an interest in feeling well in their own skin - and letting the world know.

School bells and apples and big ripe pumpkins-all the pleasures of fall come alive in this newly reissued classic by award winner Lois Lenski. First published in 1948, Now It's Fall is a timeless celebration of autumn that will enchant a whole new generation of young readers with its gently recolored illustrations.

"The philosophical and theological study of aesthetics has a long and rich history, stretching back to Platos identification of ultimate goodness and beauty, together representing the eternal form. Recent trends in aesthetic theory, however, characterised by a focus on the beautiful at the expense of the good, have made it an object of suspicion in the Orthodox Church. In its place, Greek theologians have sought to emphasise philokalia as a truer theological discipline. Seeking to reverse this trend, Chrysostomos Stamoulis brings into conversation a plethora of voices, from Church fathers to contemporary poets, and from a Marxist political theorist to a literary critic. Out of this dialogue, Stamoulis builds a model for the re-appropriation of Orthodoxys patristic and Byzantine past that is no longer defined in antithesis to the Western present. The openness he proposes allows us to perceive afresh the world shot through with divinity, if only we can lift our gaze to see it. Dismantling the false dichotomy, philokalia or aesthetics, is the first step."

Grow your faith daily. Transform your life. Experience God in deeper ways by spending time in God’s Word. Daily Bible Study is the perfect resource for individuals who want to grow in their relationship with God and enhance their engagement with lessons in Adult Bible Studies. Designed to meet the needs of busy people, each daily reading includes a Scripture reference, a personal faith-related question, an explanation and application of the biblical text, and a prayer, all on one page. Available in print, eBook, and as an app. Fall 2024 Theme: Claiming Identity This fall's series of readings supporting the theme “Claiming Identity.” These readings help us better understand how life circumstances and events and our responses to them help shape us and how we find and embrace our true identity as followers of Christ. The daily readings come from Old and New Testament texts, prepare us for the lessons in Adult Bible Studies, and are written by Betsy Haas, Taylor Mills, and Rhoda Preston.

“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.