Seven illustrated essays by a noted American builder of the early 20th century examine ancient and modern structures, offering a master class in the architectural union of art, beauty, and science.

"The Beautiful Necessity" by Claude Fayette Bragdon. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Written in 1910, The Beautiful Necessity discusses architectural theory by American architect and writer, Claude Fayette Bragdon.

Turner presents a collection of collages of statues, flowers, pictures, photographs, drawings, amulets, pieces of shell, and bits of earth in 100 illustrations, 80 of which are in color.

Though the functional beauty of the Arts and Crafts movement has long been a part of American culture, it is now revitalized by simplicity seekers trying to counteract the fast pace of contemporary living. The elegant simplicity of Craftsman ideals is time defying, as the rooms and furnishings of The Beautiful Necessity: Decorting With Arts and Crafts will reveal. From the traditional--Greene and Greene, Gustav Stickley, Frank Lloyd Wright, and others--to the contemporary--Berkely Mills, Warren Hiles, East/West Furniture Design, and more--the Arts and Crafts movement is represented. All 140 exquisite photographs demonstrate how the Craftsman style has brought stunning warmth yet utilitarian ease to homes past and present.

A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and the Sunday Times (London). A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and the reader’s delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.

When the Duke of Lexington meets the mysterious Baroness von Seidlitz-Hardenberg on a transatlantic liner, he is fascinated. She’s exactly what he’s been searching for—a beautiful woman who interests and entices him. He falls hard and fast—and soon proposes marriage. And then she disappears without a trace… For in reality, the “baroness” is Venetia Easterbrook—a proper young widow who had her own vengeful reasons for instigating an affair with the duke. But the plan has backfired. Venetia has fallen in love with the man she despised—and there’s no telling what might happen when she is finally unmasked…

A “refreshing,” (Kirkus Reviews) unpretentious, and uplifting story about a father and son reconnecting and finding happiness in the most unlikely circumstances—for fans of Nick Hornby and The Rosie Project. Danny’s life is falling apart. His eleven-year-old son, Will, hasn’t spoken since the death of his mother in a car crash a year earlier, and Danny has just been fired from his construction job. He’s behind on the rent and his nasty landlord is threatening to break his legs if he doesn’t pay soon. Danny needs money, and fast. After observing street performers in a local park, Danny spends his last few dollars on a tattered panda costume, impulsively deciding to become a dancing bear. While performing one day, Danny spots his son being taunted by a group of older boys. Danny chases them off, and Will opens up for the first time since his mom died, unaware that the man in the panda costume is his father. Afraid of disclosing his true identity, Danny comforts his son. But will Danny lose Will’s trust once he reveals who he is? And will he be able to dance his way out of despair? Filled with a delightful cast of characters, Bear Necessity is “a moving, sensitive story that is also very funny, and a perfect literary antidote to anxious, troubled times” (Shelf Awareness).

Brooklyn-based design studio Workstead masterfully combines traditional inspiration with contemporary elegance. Workstead designs one-of-a-kind interiors and pieces that balance beauty with necessity, and this book presents a special blend of their tour-de-force historic renovations and innovative yet elegant new constructions. Over the past decade, the multidisciplinary design firm has earned rapid and wide acclaim for both their residential interiors as well as for larger-scale projects, such as the Wythe Hotel in Brooklyn and the Rivertown Lodge in Hudson, New York. In all their projects, Workstead considers both clients and community, working with local artisans to create meticulously crafted modern interiors, architecture, and furniture designs inflected by history. As T: The New York Times Style Magazine put it, Workstead “are known as sophisticated pack rats who surround themselves with objects that have a story to tell,” and described their collective design philosophy as “a cozy, updated version of early Americana, with wood plank floors and a mix of vintage and refined custom-built furniture pieces that are almost Scandinavian in their restraint.”