The Beautiful and Damned, first published by Scribner's in 1922, is F. Scott Fitzgerald's second novel. It explores and portrays New York café society and the American Eastern elite during the Jazz Age before and after the Great War and in the early 1920s.[1][2] As in his other novels, Fitzgerald's characters in this novel are complex, especially with respect to marriage and intimacy. The work generally is considered to be based on Fitzgerald's relationship and marriage with his wife Zelda Fitzgerald

Feel the swing and sway of the Jazz Age in this collection of stories by F. Scott Fitzgerald. F. Scott Fitzgerald’s The Beautiful and Damned explores the world of America’s upper class during World War I and the beginning of the Jazz Age. Loosely based on Fitzgerald’s relationship with his wife, Zelda, the novel centers around Anthony Patch, a young East Coast socialite who is heir to his grandfather’s fortune and lacks motivation to pursue a meaningful career. In his attempt to find his place in society while waiting for his inheritance, Anthony loses himself to alcoholism; neglects his wife, Gloria; and struggles with the realities of everyday life. This volume also includes seven short stories by Fitzgerald published in the early 1920s, including “The Curious Case of Benjamin Button.”

The Great Gatsby, set in the town of West Egg on prosperous Long Island in the summer of 1922, concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession for the beautiful former debutante Daisy Buchanan. The novel explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age or the Roaring Twenties that has been described as a cautionary tale regarding the American Dream._x000D_ The Beautiful and Damned tells the story of Anthony Patch, a 1910s socialite and presumptive heir to a tycoon's fortune, and his courtship and relationship with his wife Gloria Gilbert. It describes his brief service in the Army during World War I, and the couple's post-war partying life in New York, and his later alcoholism. The novel explores and portrays New York café society and the American Eastern elite during the Jazz Age before and after "the Great War" and in the early 1920s.

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York - from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages, rich, ludicrous, exact, and also American, in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

The complete collection of available poems and writing from Aaron Everingham.

Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, `an abiding distrust, an animosity, toward the leisure class -- not the conviction of a revolutionist but the smouldering hatred of a peasant'.

The Beautiful and Damned, first published by Scribner's in 1922, is F. Scott Fitzgerald's second novel. It explores and portrays New York caf� society and the American Eastern elite during the Jazz Age before and after "the Great War" and in the early 1920s. As in his other novels, Fitzgerald's characters in this novel are complex, especially with respect to marriage and intimacy. The work is generally considered to have drawn upon and be based on Fitzgerald's relationship and marriage with his wife Zelda Fitzgerald

"We know the old adage about judging books by their covers, but how could you not when the covers are as lovely as these?" —Vogue (U.K.) The jacket design by Coralie Bickford-Smith reflects the elegance and glamour of the Art Deco period paired with the modern aesthetic of mechanical repetition. Each jacket comes with a detachable bookmark. Anthony and Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony and Gloria must grow up and face reality; they may be beautiful but they are also damned.

Fitzgerald's second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of "This Side of Paradise," the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald's intense romantic imagination and demonstrates an increased technical and emotional maturity. "The Beautiful and Damned" is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, " Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe-- when he cuts himself, you will bleed."

"First published in 1922"--Copyright page.