Derided as one-hit wonders, estranged from their original producer and record label, and in self-imposed exile in Los Angeles, the Beastie Boys were written off by most observers before even beginning to record their second album-an embarrassing commercial flop that should have ruined the group's career. But not only did Paul's Boutique eventually transform the Beasties from a frat-boy novelty to hiphop giants, its sample-happy, retro aesthetic changed popular culture forever.

"The follow-up to LeRoy's acclaimed 33 1/3 series volume about 'Paul's Boutique', this all-new book is crammed with information and deep research that might just startle the Beasties themselves. Learn about the freshly unearthed outtakes from 'Paul's Boutique' - including the album's great lost single. Get a rare, behind-the-scenes look at Capitol Records' fateful decision to sign the Beasties and its aftermath. And dig into the 'Boutique Bouillabaisse, ' a multi-part tribute to the album's famous closing medley, jam-packed with inside information and funky exclusives ..."--Back cover.

THE #1 NEW YORK TIMES, GRAMMY-NOMINATED BESTSELLER A SUNDAY TIMES, GUARDIAN, OBSERVER, ROLLING STONE, AND ROUGH TRADE BOOK OF THE YEAR A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself-by band members AD-ROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more. THE INSPIRATION FOR THE 5-TIME EMMY NOMINATED, SPIKE JONZE-DIRECTED BEASTIE BOYS STORY 'One of the greatest music books ever published.' MAX PORTER Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. Here is their story, told for the first time in the words of the band. Adam "AD-ROCK" Horovitz and Michael "Mike D" Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the almost impossible-to-fathom overnight success of their debut studio album Licensed to Ill; that album's messy fallout; their break with Def Jam, move to Los Angeles, and rebirth as musicians and social activists, with the genre-defying masterpiece Paul's Boutique. For more than twenty years, this band has had a wide-ranging and lasting influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys' New York, mixtape playlists, pieces by guest contributors, and many more surprises. 'Memoir, graphic novel, cookbook, photo-journal, love letter, elegy: this vast, unwieldy, marvellous book, narrated, like the band's songs, scatter-gun style by the two surviving Beastie Boys, is as original, uncategorisable and attention-grabbing as their music.' SUNDAY TIMES (BOOK OF THE YEAR) 'Wide-ranging and unorthodox . . . [a] treat . . . insightful about the group's shifting music and are expert yarn-spinners, homing in on telling vignettes rather than doling out a straightforward history . . . shot through with yearning and melanchonly.' GUARDIAN (BOOK OF THE YEAR) 'Here is their story, told for the first time in the words of the ban With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir . . . Our clear winner for Book of the Year.' ROUGH TRADE (BOOK OF THE YEAR) 'The Beasties didn't play by the rules during their career, and this memoir by surviving members Michael Diamond and Adam Horovitz doesn't either . . . hiliarious, at times heartwarming.' ROLLING STONE (BOOK OF THE YEAR)

The Greatest Music Never Sold is a never-before-attempted look at the legendary lost recordings of the pop music world. It reveals the secrets of 20 albums — works by superstars and supergroups such as Mick Jagger, Seal, Chicago, David Bowie, Prince, Cheryl Crow, the Beastie Boys, U2, and 50 Cent — that have never been officially released. New interviews with artists, band members, producers, engineers, and label executives shine a light into the darkened studio vaults, revealing the ego battles, politics, and career confusion that have buried work by these pop music greats. Certain to apeal to record collectors, bootleggers, and ardent music fans everywhere, The Greatest Music Never Sold is a rare look into one of pop music's hidden corners.

Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industrys approach to digital sampling.

What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the mooring of the known and sails off into an uncharted territory that seems to exist both in and out of time. Josh Davis is not only a master sampler and turntablist supreme, he is also a serious archeologist with a world-thirsty passion (what Cut Chemist refers to as Josh's "spidey sense") for seeking out, uncovering and then ripping apart the discarded graces of some other generation - that "pile of broken dreams" - and weaving them back together into a tapestry of chronic bleakness and beauty. Over the course of several long conversations with Josh Davis (DJ Shadow), we learn about his early years in California, the friends and mentors who helped him along the way, his relationship with Mo'Wax and James Lavelle, and the genesis and creation of his widely acknowledged masterpiece, Endtroducing.

Lyle is perfectly happy living with the Primms on East 88th St. until irritable Mr. Grumps next door changes all that.

Publisher Description

In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Hell of a Hat dives deep into this unique musical moment. Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary. An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.

Dancing to the Drum Machine is a never-before-attempted history of what is perhaps the most controversial musical instrument ever invented: the drum machine. Here, author Dan LeRoy reveals the untold story of how their mechanical pulse became the new heartbeat of popular music. The pristine snap of the LinnDrum. The bottom-heavy beats of the Roland 808. The groundbreaking samples of the E-MUSP-1200. All these machines-and their weirder, wilder-sounding cousins-changed composition, recording, and performance habits forever. Their distinctive sounds and styles helped create new genres of music, like hip hop and EDM. But they altered every musical style, from mainstream pop to heavy metal to jazz. Dan LeRoy traces the drum machine from its low-tech beginnings in the Fifties and Sixties to its evolution in the Seventies and its ubiquity in the Eighties, when seemingly overnight, it infiltrated every genre of music. Drum machines put some drummers out of work, while keeping others on their toes. They anticipated virtually every musical trend of the last five decades: sequencing, looping, sampling, and all forms of digital music creation. But the personalities beneath those perfect beats make the story of drum machines a surprisingly human one-told here for the very first time.