Book Five in the harrowing and heartwarming Supper Club Mystery series by New York Times bestselling author Ellery Adams! “Sprinkled with delightful characters and topped off with a dash of suspense.” —Romantic Times Book Reviews Librarian James Henry and the supper club will have more than enough food for thought trying to count calories and catch a killer . . . Reluctantly visiting humble Quincy’s Gap to create a special wedding cake, celebrity chef the “Diva of Dough” is not nearly as sweet as her delectable confections, and it’s just a matter of time before she alienates everyone she meets. When her corpse is discovered, covered in cake batter no less, there are more than a few locals who think she got her just desserts. And despite their own distaste for the woman, James and his friends know they have to rise to the occasion and solve the murder. With clues and suspects few and far between, the supper club members realize that catching the culprit will be anything but a cake walk. And when a second victim turns up dead, they’ll have to quickly discard any half-baked notions about the killer . . . before they all get iced. Includes mouthwatering recipes! This is a brand-new, fully revised edition of a book originally published under the name J. B. Stanley. Praise for the Supper Club Mystery Series: “Heavy on fun, light on gore, this savory mystery comes complete with yummy recipes.” ―Publishers Weekly “Foodies will love the recipes and fans the new adventures of the five friends.” —Kirkus Reviews

'Ghoulishly entertaining' Jacqueline Banerjee, Times Literary Supplement 'This is a great book for dipping into . . . the cases themselves are written engagingly and with appealing dramatisation of key events.' Kim Fleet, Crime Review A grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era. The tales include murders and violent crimes, but also feature scandals that merely amused the Victorians. These include the story of a teenage man who married an actress, only to be shipped off to Australia by his disgusted parents; and the Italian ice-cream man who only meant to buy his sweetheart a hat but ended up proposing marriage instead. When he broke it off, his fiancée's father sued him and the story was dubbed the 'Amusing Aberdeen Breach of Promise Case'. Also present is the gruesome story of the murder of Patrick O Connor who was shot in the head and buried under the kitchen flagstones by his lover Maria Manning and her husband, Frederick. The couple's subsequent trial caused a sensation and even author Charles Dickens attended the grisly public hanging. Drawing on a range of sources from university records and Old Bailey transcripts to national and regional newspaper archives, Michelle Morgan's research sheds new light on well-known stories as well as unearthing previously unknown incidents.

Body horror, biological horror, organic horror or visceral horror is horror fiction in which the horror is principally derived from the unnatural graphic transformation, degeneration or destruction of the physical body. Such works may deal with decay, disease, deformity, parasitism, mutation or mutilation - Wikipedia's definition. Matt Shaw has compiled a "must read" for all fans of horror, featuring some of the biggest names currently working in the horror genre. The authors were given one instruction: The story must be based around BODY HORROR. When the authors asked what the limits were, Matt Shaw simply said, "No limits."

A constellation of short stories illustrate the intersecting lives of women on various peripheries of society in and around Bogotá, Colombia. In six subtly connected stories, Variations on the Body explores the obsessions, desires, and idiosyncrasies of women and girls from different strata of Colombian society. A former FARC guerilla fighter adjusts to urban life and faces the new violence of an editor co-opting her experiences. A woman adrift in the city she left as a child looks for someone to care for, even if it has to be by force, while another documents a flea infestation with a catalog of the marks on her flesh. A little girl copes with her anxiety about the adult world by exacting revenge on her nanny, who she thinks belongs to her. Combining humor, heartbreak, and unexpected violence, Ospina constructs a keen reflection on the body as a simultaneous vehicle of connection and alienation in vibrant, gleaming prose.

An “excellent” collection of case studies and stories from the forensic anthropologist who founded Tennessee’s “Body Farm” (Charleston Post & Courier). A pioneer in forensic anthropology, Bill Bass created the world’s first laboratory dedicated to the study of human decomposition—three acres on a Tennessee hillside where human bodies are left to the elements. His research at the Body Farm has revolutionized the field, helping crack cold cases and pinpoint time of death. But during a forensics career that spans half a century, Bass’s work has ranged far beyond the gates of the Body Farm. In this riveting book, the bone sleuth explores the rise of modern forensic science, using fascinating cases he’s worked on to take readers into the real world of C.S.I. Some cases rely on the simplest of tools and techniques, such as reassembling—from battered torsos and a stack of severed limbs—eleven people hurled skyward by an explosion at an illegal fireworks factory. Other cases hinge on sophisticated techniques Bass couldn’t have imagined when he began his career: harnessing scanning electron microscopy to detect trace elements in knife wounds, or extracting DNA from a long-buried corpse, only to find that the murder victim may have been mistakenly identified a quarter-century before. Beyond the Body Farm follows Bass as he explores the depths of a lake with a twenty-first-century sonar system in search of an airplane that vanished thirty-five years ago; exhumes a fifties pop star to determine what injuries he suffered in the plane crash that killed three rock and roll legends; and works to decipher an ancient Persian death scene. Witty and engaging, Bass dissects the methods used by homicide investigators every day on an extraordinary journey into the high-tech science that it takes to crack a case. “Case studies and anecdotes from the field of corpse identification [with] careful attention to detail and the occasional darkly humorous aside.” —Publishers Weekly “The real crimes and mysteries here are just as or more intriguing than any fictional crime drama . . . offers a real-life understanding of forensic anthropology and the science behind it.” —Knoxville News-Sentinel

In August, 1955 the body of Emmett Till was found floating in the Tallahatchie River. His mother Mamie, was determined that his death should not go unnoticed, and due to her persistence it became a national issue and the springboard for the Civil Rights Movement.

Images of suffering male bodies permeate Western culture, from Francis Bacon’s paintings and Robert Mapplethorpe’s photographs to the battered heroes of action movies. Drawing on perspectives from a range of disciplines—including religious studies, gender and queer studies, psychoanalysis, art history, and film theory—Ecce Homo explores the complex, ambiguous meanings of the enduring figure of the male-body-in-pain. Acknowledging that representations of men confronting violence and pain can reinforce ideas of manly tenacity, Kent L. Brintnall also argues that they reveal the vulnerability of men’s bodies and open them up to eroticization. Locating the roots of our cultural fascination with male pain in the crucifixion, he analyzes the way narratives of Christ’s death and resurrection both support and subvert cultural fantasies of masculine power and privilege. Through stimulating readings of works by Georges Bataille, Kaja Silverman, and more, Brintnall delineates the redemptive power of representations of male suffering and violence.

Discusses portrayals of domestic violence in six major works of mid-nineteenth-century literature.

A dark, glittering debut novel echoing Hitchcock's Vertigo, The Body Double is the suspenseful story of a young woman who is recruited by a stranger to give up her old life and identity to impersonate a reclusive Hollywood star. A strange man discovers our nameless narrator selling popcorn at a decrepit small-town movie theater and offers her an odd and lucrative position: she will forget her job, her acquaintances, even her name, and move to Los Angeles, where she will become the body double of the famous and troubled celebrity Rosanna Feld. A nervous breakdown has forced Rosanna out of the public eye, and she needs a look-alike to take her place in the tabloid media circus of Hollywood. Overseen by Max, who hired her for the job, our narrator spends her days locked up in a small apartment in the hills watching hidden camera footage of Rosanna, wearing Rosanna's clothes, eating the food Rosanna likes, practicing her mannerisms, learning to become Rosanna in every way. But as she makes her public debut as Rosanna, alarming questions begin to arise. What really caused Rosanna's mental collapse? Will she ever return? And is Max truly her ally, or something more sinister?

While walking her poodle, Olivia Limoges discovers a dead body buried in the sand. Could it be connected to the bizarre burglaries plaguing Oyster Bay, North Carolina? At every crime scene, the thieves set up odd tableaus: a stick of butter with a knife through it, dolls with silver spoons in their mouths, a deck of cards with a missing queen. Olivia realizes each setup represents a cliché. And who better to decode the cliché clues than her Bayside Book Writers group?