Seven short stories about a college age young man experiencing his colorful life.

Stalked by a hitman for a heinous crime of which he was acquitted, a church pastor suffers waking nightmares about a dysfunctional divine family, a grim reaper which bears a striking resemblance to Johnny Cash, four riderless horses and a looming apocalypse. Meanwhile, society is in turmoil. Federal laws have disarmed honest citizens while freeing convicted murderers. Runaway taxation has driven the everyday economy underground. Congressional assent to a United Nations treaty facilitates the deadliest terrorist attack since 9/11/01. As the Presidential election nears, an irresistible urge to be truthful seizes the incumbent and her Republican opponent. The incumbent’s revelation about systemic voter fraud triggers reforms which result in a landslide victory for the third-party underdog. Ironically, not a single voter remembers selecting the spoiler at the ballot box. Predator and prey finally meet at a funeral, but the ceremony is hijacked by General George Patton. After performing a slapstick resurrection and setting humanity straight on a few things, Patton solves the political mystery by explaining the evolutionary leap which has begun to expand human consciousness. The newly aware congregants proceed to reinvent the United States of America envisioned by its founders.

When I started blogging almost 10 years ago, on the 4th of August 2016, my goal was to have a place where I could capture and express my thoughts and feelings about stuff, i.e., a place where I could digress about the things that interested me (Shakespeare, SF, Opera, Film, etc.) It also provided a kind of repository where my kids, say, could go to get glimpses of me that may go unexplored otherwise. For me, blogging was never about numbers, instead it was about meaning and sharing meaning with those who cared. I'm not a writer, not even an aspiring one. I am an Engineer with a lot going on in heart and mind that I'd like to build into a legacy of sorts. So I'm not into volume in terms of blog hits and the like. You won't find on my blog the answer why we go to Shake-speare's plays even when we know the outcome of everyone of them. Are there people interested in knowing this? I doubt it. I don't even know whether there are still people reading Shakespeare in Elizabethan English!

Compares and contrasts the transformative effects of both psychoanalysis and the Kabbalah along a number of therapeutic dimensions Explores the dimension of spiritual dimension of psychic change in the context of the psychoanalytic setting Provides a scholarly integration of kabbalistic and psychoanalytic themes leading to the unique exploration of the individual to the universal

Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840 provides the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction; poetry; drama) in the late eighteenth and early nineteenth centuries. Although the relationship between literature and architecture is a topic that has long preoccupied scholars of the literary Gothic, there remains, to date, no monograph-length study of the intriguing and complex interactions between these two aesthetic forms. Equally, Gothic literature has received only the most cursory of treatments in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. In addressing this gap in contemporary scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic-architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of canonical and lesser-known texts and writers. Correspondingly, it shows how these architectural debates responded to, and were to a certain extent shaped by, what we have since come to identify as the literary Gothic mode. In both its 'survivalist' and 'revivalist' forms, the architecture of the Middle Ages in the long eighteenth century was always much more than a matter of style. Incarnating, for better or for worse, the memory of a vanished 'Gothic' age in the modern, enlightened present, Gothic architecture, be it ruined or complete, prompted imaginative reconstructions of the nation's past--a notable 'visionary' turn, as the antiquary John Pinkerton put it in 1788, in which Gothic writers, architects, and antiquaries enthusiastically participated. The volume establishes a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, and argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.

For many years, I have proven that I am telling the truth... With this book I give you a summary of the Power Stories of Don Juan Matus and my story of a Toltec Warrior, with much more detail, much more precision and many more revelations, which will give you all the solutions to all the psychological problems that you will encounter in life, in the world, and even in the afterlife...

The “unrivaled” history of America’s divided politics, now in a fully updated edition that examines the rise of Trump—and what comes next (New Republic). When it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of how they came to define American politics at the close of the twentieth century. But it also garnered attention for Hartman’s declaration that the culture wars were over—and that the left had won. In the wake of Trump’s rise, driven by an aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled . . . . Incisive portraits of individual players in the culture wars dramas . . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.” —New Republic

Religion is a racialized category, even when race is not explicitly mentioned. In Modern Religion, Modern Race Theodore Vial argues that because the categories of religion and race are rooted in the post-Enlightenment project of reimagining what it means to be human, we cannot simply will ourselves to stop using them. Only by acknowledging that religion is already racialized can we begin to understand how the two concepts are intertwined and how they operate in our modern world. It has become common to argue that the category religion is not universal, or even very old, but is a product of Europe's Enlightenment modernization. Equally common is the argument that religion is not an innocent category of analysis, but is implicated in colonial regimes of control and as such plays a role in Europe's process of identity construction of itself and of non-European “others.” Current debates about race follow an eerily similar trajectory: race is not an ancient but a modern construction. It is part of the project of colonialism, and race discourse forms one of the cornerstones of modern European identity-making. Why can't we stop using them, or re-construct them in less toxic ways? By examining the theories of Kant, Herder, and Schleiermacher, among others, Vial uncovers co-constitutive nature of race and religion, describes how they became building blocks of the modern world, and shows how the two concepts continue to be used today to form identity and to make sense of the world. He shows that while we disdain the racist language of some of the founders of religious studies, the continued influence of the modern worldview they helped create leads us, often unwittingly, to reiterate many of the same distinctions and hierarchies. Although it may not be time to abandon the very category of religion, with all its attendant baggage, Modern Religion, Modern Race calls for us to examine that baggage critically, and to be fully conscious of the ways in which religion always carries with it dangerous ideas of race.

This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.