Love, as a force in human affairs, is still not given much attention or credency by social scientists. With Notes on Love in a Tamil Family, Margaret Trawick places the notion of love prominently in social scientific discourse. Her unforgettable and profusely illustrated study is a significant contribution to anthropology and to South Asian studies. Trawick lived for a time in the midst of one large South Indian family and sought to understand the multiple and mutually shared expressions of anpu--what in English we call love. Often enveloping the author herself, changing her as she inevitably changed her hosts, this family performed before the young anthropologist's eyes the meaning of anpu: through poetry and conversation, through the not always gentle raising of children, through the weaving of kinship tapestries, through erotic exchanges among women, among men, and across the great sexual boundary. She communicates with grace and insight what she learned from this Tamil family, and we discover that love is no less universal than selfishness and individualism.

Colloquial Tamil is easy to use and completely up to date! Specially written by experienced teachers for self-study or class use, the course offers a step-by-step approach to spoken Tamil. While emphasis is placed on colloquial spoken Tamil, you are given a useful introduction to formal speech and the written language as well. What makes Colloquial Tamil your best choice in personal language learning? Emphasis on authentic conversational language Clear explanations on how to pronounce and write the language Helpful grammar notes and reference grammar Comprehensive vocabulary lists (Tamil-English and English-Tamil) Lively illustrations and fascinating cultural insights throughout By the end of this rewarding course, you will be able to communicate confidently and effectively in Tamil in a broad range of everyday situations. Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills.

Winner of the Silver Nautilus Award for Journalism & Investigative Reporting "A book that truly is impossible to put down.”—Washington Post "This remarkable debut is so deeply reported, elegantly written, and profoundly transporting that it reads like a novel you can’t put down. It’s both a nuanced and intimate evocation of Indian culture, and a provocative and exciting meditation on marriage itself."—Katie Roiphe, author of The Violet Hour In the vein of Behind the Beautiful Forevers, an intimate, deeply reported and revelatory examination of love, marriage, and the state of modern India—as witnessed through the lives of three very different couples in today’s Mumbai. In twenty-first-century India, tradition is colliding with Western culture, a clash that touches the lives of everyday Indians from the wealthiest to the poorest. While ethnicity, class, and religion are influencing the nation’s development, so too are pop culture and technology—an uneasy fusion whose impact is most evident in the institution of marriage. The Heart Is a Shifting Sea introduces three couples whose relationships illuminate these sweeping cultural shifts in dramatic ways: Veer and Maya, a forward-thinking professional couple whose union is tested by Maya’s desire for independence; Shahzad and Sabeena, whose desperation for a child becomes entwined with the changing face of Islam; and Ashok and Parvati, whose arranged marriage, made possible by an online matchmaker, blossoms into true love. Though these three middle-class couples are at different stages in their lives and come from diverse religious backgrounds, their stories build on one another to present a layered, nuanced, and fascinating mosaic of the universal challenges, possibilities, and promise of matrimony in its present state. Elizabeth Flock has observed the evolving state of India from inside Mumbai, its largest metropolis. She spent close to a decade getting to know these couples—listening to their stories and living in their homes, where she was privy to countless moments of marital joy, inevitable frustration, dramatic upheaval, and whispered confessions and secrets. The result is a phenomenal feat of reportage that is both an enthralling portrait of a nation in the midst of transition and an unforgettable look at the universal mysteries of love and marriage that connect us all.

“What a gorgeous, heartbreaking novel.”—Roxane Gay ​​ A necessary and exciting addition to both the Sri Lankan-American and LGBTQ canons, SJ Sindu's debut novel offers a moving and sharply rendered​ exploration of friendship, family, love, and loss. Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met. As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.

In this globe-scattered Sri Lankan family, we speak of only two kinds of marriage. The first is the Arranged Marriage. The second is the Love Marriage. In reality, there is a whole spectrum in between, but most of us spend years running away from the first toward the second. [p. 3] The daughter of Sri Lankan immigrants who left their collapsing country and married in America, Yalini finds herself caught between the traditions of her ancestors and the lure of her own modern world. But when she is summoned to Toronto to help care for her dying uncle, Kumaran, a former member of the militant Tamil Tigers, Yalini is forced to see that violence is not a relic of the Sri Lankan past, but very much a part of her Western present. While Kumaran’s loved ones gather around him to say goodbye, Yalini traces her family’s roots–and the conflicts facing them as ethnic Tamils–through a series of marriages. Now, as Kumaran’s death and his daughter’s politically motivated nuptials edge closer, Yalini must decide where she stands. Lyrical and innovative, V. V. Ganeshananthan’s novel brilliantly unfolds how generations of struggle both form and fractures families. Praise for Love Marriage “A beautiful first novel. This intricately woven tale, with its universal themes of love and estrangement, presents an exciting new voice in American literature.” –Yiyun Li, author of A Thousand Years of Good Prayers “Complex and moving . . . an impressive debut.” –Daniel Alarcón, author of Lost City Radio “V. V. Ganeshananthan has given us a riveting picture of the intersections of love and war that shape us all. A debut of incredible passion and wisdom.” –Rebecca Johns, author of Icebergs “At its best and simplest, Ganeshananthan can be profoundly moving. She captures the pain of exile poignantly.” --The San Francisco Chronicle “Ganeshananthan has created a slow-burning and beautifully written debut in Love Marriage. It is an evocative examination of Sri Lankan cultural mores, and the way one family is affected by love and war” — The Financial Times “Poignant and authentic…. Insight gained into Toronto's Tamil community is a welcome bonus in this gem of a book by a young writer who is sure to present more thought-provoking, entertaining prose in the future.” --The Toronto Star “The book is at times witty and always beautifully written” — The Irish Times "Innovative….this is an ambitious family drama about an underreported part of the world, filled with well-shaded characters [and] gorgeous flourish…Buy it." -- New York Magazine "As if she were stringing a necklace of bright beads, the author relates the stories of Yalini's Sri Lankan forebears in lapidary folkloric narratives…What she does here, she does quite affectingly." -- The Boston Globe "In spare, lyrical prose, V.V. Ganeshananthan's debut novel tells the story of two Sri Lankan Tamil families over four generations who, despite civil war and displacement, are irrevocably joined by marriage and tradition….Powerful." -- Ms. Magazine

The Right Spouse is an engaging investigation into Tamil (South Indian) preferential close kin marriages, so-called Dravidian Kinship. This book offers a description and an interpretation of preferential marriages with close kin in South India, as they used to be arranged and experienced in the recent past and as they are increasingly discontinued in the present. Clark-Decès presents readers with a focused anthropology of this waning marriage system: its past, present, and dwindling future. The book takes on the main pillars of Tamil social organization, considers the ways in which Tamil intermarriage establishes kinship and social rank, and argues that past scholars have improperly defined "Dravidian" kinship. Within her critique of past scholarship, Clark-Decès recasts a powerful and vivid image of preferential marriage in Tamil Nadu and how those preferences and marital rules play out in lived reality. What Clark-Decès discovers in her fieldwork are endogamous patterns and familial connections that sometimes result in flawed relationships, contradictory statuses, and confused roles. The book includes a fascinating narration of the complex terrain that Tamil youth currently navigate as they experience the complexities and changing nature of marriage practices and seek to reconcile their established kinship networks to more individually driven marriages and careers.

The civil war between the Sri Lankan state and Tamil militants, which ended in 2009, lasted more than three decades and led to mass migration, mainly to India, Canada, England, and continental Europe. In Marrying for a Future, Sidharthan Maunaguru argues that the social institution of marriage has emerged as a critical means of building alliances between dispersed segments of Tamil communities, allowing scattered groups to reunite across national borders. Maunaguru explores how these fragmented communities were rekindled by connections fostered by key participants in and elements of the marriage process, such as wedding photographers, marriage brokers, legal documents, and transit places. Marrying for a Future contributes to transnational and diaspora marriage studies by looking at the temporary spaces through which migrants and refugees travel in addition to their home and host countries. It provides a new conceptual framework for studies on kinship and marriage and addresses a community that has been separated across borders as a result of war.

The South Asian women’s diaspora engages in spatio-temporal interactions and power differentials in a variety of narratives, articulating agency, multiplicities of belonging and culturally integrative practices, highlighting homing paradigms. The sense of alienness in a new homeland, rather in worldwide home places, triggers rethinking of diasporic conceptions and epistemes of individual and group histories, personal and collective experiences. Some of the questions that this anthology seeks to consider are: How do women from the South Asian diaspora represent cultural negotiations and alienness of the adopted homeland in various narratives? What are the themes/issues they select to portray their perceptions of foreignness? How do culture, history and politics intervene in their portrayal of lived experiences? How do they locate themselves in the matrix of foreignness and diaspora? The contributors to this anthology examine narratives depicting South Asian women, their complexly positioned voices, gesturing at the proliferating challenges and reflecting the grim realities of a globalized world.

In this comprehensive analysis of South Indian village Hinduism, Isabelle Nabokov shows that a wide spectrum of Tamil rituals effects transformations of identity through similar processual and symbolic operations. She reveals that such operations may lead participants to adopt personalities which are at odds with themselves.