Retellings of seven of the world's greatest ballet stories.

Say it with dance! This gorgeous collection will enchant young dancers with stories from eight cultures, including the Polka in the Czech Republic, Limbo in the West Indies and the Waltz in Germany.

Say it with dance! This gorgeous collection will enchant young dancers with stories from eight cultures, including the Polka in the Czech Republic, Limbo in the West Indies and the Waltz in Germany.

Surveying the state of American ballet in a 1913 issue of McClure's Magazine, author Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. One hundred years later, ballet is everywhere. There are ballet companies large and small across the United States; ballet is commonly featured in film, television, literature, and on social media; professional ballet dancers are spokespeople for all kinds of products; nail polish companies market colors like "Ballet Slippers" and "Prima Ballerina;" and, most importantly, millions of American children have taken ballet class. Beginning with the arrival of Russian dancers like Anna Pavlova, who first toured the United States on the eve of World War I, Ballet Class: An American History explores the growth of ballet from an ancillary part of nineteenth-century musical theater, opera, and vaudeville to the quintessential extracurricular activity it is today, pursued by countless children nationwide and an integral part of twentieth-century American childhood across borders of gender, class, race, and sexuality. A social history, Ballet Class takes a new approach to the very popular subject of ballet and helps ground an art form often perceived to be elite in the experiences of regular, everyday people who spent time in barre-lined studios across the United States. Drawing on a wide variety of materials, including children's books, memoirs by professional dancers and choreographers, pedagogy manuals, and dance periodicals, in addition to archival collections and oral histories, this pathbreaking study provides a deeply-researched national perspective on the history and significance of recreational ballet class in the United States and its influence on many facets of children's lives, including gender norms, consumerism, body image, children's literature, extracurricular activities, and popular culture.

Six scintillating stories from the world of ballet are collected in this beautiful gift book. Prize-winning artist Rebecca Guay brings the drama of each ballet vividly to life, and acclaimed author Jane Yolen complements the stories with fascinating details about each dance's competition, choreography and early performances. With captivating narration by Juliet Stevenson.

The author of;Owl Moon, ;Devil's Arithmetic, and;How Do Dinosaur's Say Good Night?, ;Jane Yolen has been called the "Hans Christian Andersen of America" and the "Aesop of the 20th century."In Jane Yolen, fans of this award-winnin.

Masters of Science Fiction and Fantasy Art profiles and celebrates the work of today’s leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing.Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Award–winning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here. Featured artists include: —Brom —Jim Burns —Kinuko Y. Craft —Dan Dos Santos —Bob Eggleton —Donato Giancola —Rebecca Guay —James Gurney —Gregory Manchess —Stephan Martiniere —Terese Nielsen —John Picacio —Greg Spalenka —Shaun Tan —Charles Vess

Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Every December, The Nutcracker comes to life in theaters all across the United States. But how did this 19th-century Russian ballet become such a big part of the holidays in 21st-century America? Meet Willam, Harold, and Lew Christensen, three small-town Utah boys who caught the ballet bug from an uncle in the early 1900s. They performed alongside elephants and clowns on vaudeville, immersed themselves in the New York City dance scene, and even put on a ballet featuring gangsters at a gas station. Russian immigrants shared the story of The Nutcracker with them, and during World War II—on a shoestring budget and in need of a hit—they staged their own Christmastime production in San Francisco. It was America's first full-length version and the beginning of a delightful holiday tradition. Follow along and learn how The Nutcracker came to be performed all across the United States from these truly humble beginnings.