This book is about a barber, Shihab al-Din Ahmad Ibn Budayr, who shaved and coiffed, and probably circumcised and healed, in Damascus in the 18th century. The barber may have been a "nobody," but he wrote a history book, a record of the events that took place in his city during his lifetime. Dana Sajdi investigates the significance of this book, and in examining the life and work of Ibn Budayr, uncovers the emergence of a larger trend of history writing by unusual authors—people outside the learned establishment—and a new phenomenon: nouveau literacy. The Barber of Damascus offers the first full-length microhistory of an individual commoner in Ottoman and Islamic history. Contributing to Ottoman popular history, Arabic historiography, and the little-studied cultural history of the 18th century Levant, the volume also examines the reception of the barber's book a century later to explore connections between the 18th and the late 19th centuries and illuminates new paths leading to the Nahda, the Arab Renaissance.

Rafik Schami's award-winning novel. In the classical Arab tradition of tale-telling, here is a magical book that celebrates the power of storytelling, delightfully transformed for modern sensibilities by an award-winning author. The time is present-day Damascus, and Salim the coachman, the city's most famous storyteller, is mysteriously struck dumb. To break the spell, seven friends gather for seven nights to present Salim with seven wondrous "gifts"—seven stories of their own design. Upon this enchanting frame of tales told in the fragrant Arabian night, the words of the past grow fainter, as ancient customs are yielding to modern turmoil. While the hairdresser, the teacher, the wife of the locksmith sip their tea and pass the water pipe, they swap stories about the magical and the mundane: about djinnis and princesses, about contemporary politics and the difficulties of bargaining in a New York department store. And as one tale leads to another... and another... all of Damascus appears before your eyes, along with a vision of storytelling—and talk—as the essence of friendship, of community, of life. A sly and graceful work, a delight to readers young and old, Damascus Nights is, according to Publishers Weekly, "a highly atmospheric, pungent narrative."

A Jewish delegation led by Sir Moses Montefiore and Adolphe Cremieux was sent to the Middle East in the hope of discovering the real murderers.

Amid the turmoil of modern Damascus, one teenage boy finds his political voice in a message of rebellion that echoes throughout Syria and as far away as Western Europe. Inspired by his dearest friend, old Uncle Salim, he begins a journal to record his thoughts and impressions of family, friends, life at school, and his growing feelings for his girlfriend, Nadia. Soon the hidden diary becomes more than just a way to remember his daily adventures; on its pages he explores his frustration with the government injustices he witnesses. His courage and ingenuity finally find an outlet when he and his friends begin a subversive underground newspaper. Warmed by a fine sense of humor, this novel is at once a moving love story and a passionate testimony to the difficult and committed actions being taken by young people around the world.

This outstanding work on the First Crusade was written by an Arab scholar from an old and respected family of Damascus. Well-educated in literature, theology and law, he was twice elected mayor of the city and died when he was over 90 years of age in 1160. His Chronicle, translated by H. A. R. Gibb, is of special interest because it presents a contemporary Arab account of how the Crusaders fared while in Damascus. Derived from oral and written reports, the information is remarkable for its documentation. An informative introduction sets the scene just prior to invasion by the Crusaders. Because this original work still retains much material unused by later compilers, it remains an indispensable resource for students of the early Crusades.

"Before prehistoric humans began to cultivate grain, they had three main methods of acquiring food: hunting, gathering, and fishing. Hunting and gathering are no longer economically important, having been replaced by their domesticated equivalents, ranching and farming. But fishing, humanity's last major source of food from the wild, has grown into a worldwide industry on which we have never been more dependent. In this history of fishing--not as sport but as sustenance--archaeologist and writer Brian Fagan argues that fishing rivaled agriculture in its importance to civilization. [He] tours archaeological sites worldwide to show ... how fishing fed the development of cities, empires, and ultimately the modern world"--Jacket flaps.

'Extraordinary' TONY BLAIR 'Riveting' - PHILIPPE SANDS 'Brutal, brilliant and scurrilously funny' - MISHA GLENNY The real scoop isn't on the front page 'As FT editor, I was a privileged interlocutor to people in power around the world, each offering unique insights into high-level decision-making and political calculation, often in moments of crisis. These diaries offer snapshots of leadership in an age of upheaval...' Lionel Barber was Editor of the Financial Times for the tech boom, the global financial crisis, the rise of China, Brexit, and mainstream media's fight for survival in the age of fake news. In this unparalleled, no-holds-barred diary of life behind the headlines, he reveals the private meetings and exchanges with political leaders on the eve of referendums, the conversations with billionaire bankers facing economic meltdown, exchanges with Silicon Valley tech gurus and pleas from foreign emissaries desperate for inside knowledge, all against the backdrop of a wildly shifting media landscape. The result is a fascinating - and at times scathing - portrait of power in our modern age; who has it, what it takes and what drives the men and women with the world at their feet. Featuring close encounters with Trump, Cameron, Blair, Putin, Merkel and Mohammed Bin Salman and many more, this is a rare portrait of the people who continue to shape our world and who quite literally, make the news.

How to be Good is Nick Hornby's hilarious bestselling novel on life, love and charity 'I am in a car park in Leeds when I tell my husband I don't want to be married to him any more. . . ' London GP Katie Carr always thought she was a good person. With her husband David making a living as 'The Angriest Man in Holloway', she figured she could put up with anything. Until, that is, David meets DJ Goodnews and becomes a good person too. A far-too-good person who starts committing crimes of charity like taking in the homeless and giving their kids' toys away. Suddenly Katie's feeling very bad about herself, and thinking that if charity begins at home, then maybe its time to move. . . This laugh-out-loud novel, from the bestselling author of About a Boy and High Fidelity, will have you gripped from start to finish and will appeal to fans of David Nicholls and Jonathan Coe, as well as readers in need of a moral compass everywhere. 'Pins you in your armchair ad won't let go . . . How to be Good? How to be bloody marvellous, more like' Mail on Sunday 'It does exactly what it says on the cover. Hornby's prose is artful and effortless, his spiky wit as razored as a number-two cut' Independent 'The writing is so funny, and the set-pieces so brilliant...Hornby's best book since Fever Pitch' Lynn Truss, The Times

Joel Beinin's book offers a survey of subaltern history in the Middle East.

In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.