"The Banquet (Il Convito)" by Dante Alighieri is an unfinished work which consists of four books, or, "tratatti": a prefatory one, plus three books that each include a canzone and a prose allegorical interpretation or commentary of the poem. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, astronomy, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular

This Is A New Release Of The Original 1887 Edition.

Dante has been called "the Father of the Italian language". In Italy, Dante is often referred to as il Sommo Poeta ("the Supreme Poet") and il Poeta; he, Petrarch, and Boccaccio are also called "the three fountains" or "the three crowns". Let those come to us -- whosoever they be -- who, pressed by the management of civil and domestic life, have felt the human hunger for True Knowledge . . . and let all of us sit together at one table -- for the Banquet! Written in his final days, after the completion of his masterful Divine Comedy, Dante Alighieri's The Banquet presents many of his most compelling thoughts as to how a life of maturity and civility should be conducted.

This Is A New Release Of The Original 1889 Edition.

Dante's Convivio, written 1304-07, is the first major prose document in the Italian language. This new translation is based on the recent Italian critical edition of Maria Simonelli and includes as well the text of the three Italian canzoni. Annotation copyrighted by Book News, Inc., Portland, OR

An uncompleted manuscript that combines lyric poetry and prose commentary, the Banquet (or Convivio) is one of Dante Alighieri’s most important and least understood philosophical texts. As Maria Luisa Ardizzone shows, its language and logic are deeply connected to medieval culture and the philosophical debates of the thirteenth and early fourteenth centuries. In Reading as the Angels Read, Ardizzone reconstructs the cultural and socio-political background that provided the motivation for the Banquet and offers a bold new reading of this ambitious work. Drawing on a deep knowledge of Dante’s engagement with biblical, Augustinian, Neoplatonic, and Aristotelian philosophy, she suggests that the Banquet is not an encyclopedia of learning as many have claimed, but Dante’s attempt to articulate a theory of human happiness in which perfect knowledge is the natural basis for a well-organized political community.

Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books" a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a major stage of development for Dante, very different from the visionary world of the Vita nuova (although like the earlier work it too is a medium for the author's evolving sense of artistic vocation and philosophical-spiritual quest).

The book analyses the medieval vision of the world as depicted in Dante Alighieri's poetic works. In detail it discusses two works, The Banquet and The Divine Comedy, and offers a view on politics, faith and the universe of the medieval period. For modern people that period with its debates, polemics and visions represents something exceedingly remote, obscure and unknown. While admiring Dante's poetic artistry, we often fail to recognize the inspirations that permeated the works of medieval scholars and poets. Although times are constantly changing, every generation has to face the same fundamental questions of meaning, purpose and value of human existence: Dante's cosmological and poetical picture turns out to be surprisingly universal.