After he shoots a man, the stakes for gambler Logan Devereaux have never been higher. On trial for his life, he’s offered a shocking alternative form of restitution... marriage to his victim’s pregnant sweetheart!

"Hugh is a shadow of the warrior he was, but when he learns that the Iron Dogs, soldiers who would follow him anywhere, are being hunted down and murdered, he must make a choice: to fade away or to be the leader he was born to be ... Elara Harper is a creature who should not exist. Her enemies call her Abomination; her people call her White Lady. Tasked with their protection, she's trapped between the magical heavyweights about to collide and plunge the state of Kentucky into a war that humans have no power to stop. Desperate to shield her people and their simple way of life, she would accept help from the devil himself--and Hugh d'Ambray might qualify"--Back cover.

From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil war For more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age.

For three years Angie Montoya hid her son from her late fiancé's family...until his brother tracked them down. Now Jordan Cooper demands she move to his ranch. But how can Angie live with the man who called her a gold-digger...the man whose kiss she's never forgotten?

"I too am not a bit tamed—I too am untranslatable / I sound my barbaric yawp over the roofs of the world."—Walt Whitman, "Song of Myself," Leaves of Grass The American Yawp is a free, online, collaboratively built American history textbook. Over 300 historians joined together to create the book they wanted for their own students—an accessible, synthetic narrative that reflects the best of recent historical scholarship and provides a jumping-off point for discussions in the U.S. history classroom and beyond. Long before Whitman and long after, Americans have sung something collectively amid the deafening roar of their many individual voices. The Yawp highlights the dynamism and conflict inherent in the history of the United States, while also looking for the common threads that help us make sense of the past. Without losing sight of politics and power, The American Yawp incorporates transnational perspectives, integrates diverse voices, recovers narratives of resistance, and explores the complex process of cultural creation. It looks for America in crowded slave cabins, bustling markets, congested tenements, and marbled halls. It navigates between maternity wards, prisons, streets, bars, and boardrooms. The fully peer-reviewed edition of The American Yawp will be available in two print volumes designed for the U.S. history survey. Volume II opens in the Gilded Age, before moving through the twentieth century as the country reckoned with economic crises, world wars, and social, cultural, and political upheaval at home. Bringing the narrative up to the present,The American Yawp enables students to ask their own questions about how the past informs the problems and opportunities we confront today.

"I too am not a bit tamed—I too am untranslatable / I sound my barbaric yawp over the roofs of the world."—Walt Whitman, "Song of Myself," Leaves of Grass The American Yawp is a free, online, collaboratively built American history textbook. Over 300 historians joined together to create the book they wanted for their own students—an accessible, synthetic narrative that reflects the best of recent historical scholarship and provides a jumping-off point for discussions in the U.S. history classroom and beyond. Long before Whitman and long after, Americans have sung something collectively amid the deafening roar of their many individual voices. The Yawp highlights the dynamism and conflict inherent in the history of the United States, while also looking for the common threads that help us make sense of the past. Without losing sight of politics and power, The American Yawp incorporates transnational perspectives, integrates diverse voices, recovers narratives of resistance, and explores the complex process of cultural creation. It looks for America in crowded slave cabins, bustling markets, congested tenements, and marbled halls. It navigates between maternity wards, prisons, streets, bars, and boardrooms. The fully peer-reviewed edition of The American Yawp will be available in two print volumes designed for the U.S. history survey. Volume I begins with the indigenous people who called the Americas home before chronicling the collision of Native Americans, Europeans, and Africans.The American Yawp traces the development of colonial society in the context of the larger Atlantic World and investigates the origins and ruptures of slavery, the American Revolution, and the new nation's development and rebirth through the Civil War and Reconstruction. Rather than asserting a fixed narrative of American progress, The American Yawp gives students a starting point for asking their own questions about how the past informs the problems and opportunities that we confront today.

When a Botswana mine is robbed of 100,000 carats of diamonds and the thieves are murdered execution-style, Botswana's Detective Kubu's first case becomes a terrifying international investigation … The stunning, chilling PREQUEL to the award-winning Detective Kubu series. 'A wonderful, original voice – McCall Smith with a dark edge and even darker underbelly' Peter James 'My favourite writing duo since Ellery Queen' Ragnar Jonasson 'A thrilling and intriguing ride-along with Botswana's Number 1 good-guy detective' Tony Park _______________ Detective Kubu's first case may also be his last… Recruited straight from university to Botswana's CID, David 'Kubu' Bengu has raised his colleagues' suspicions with his meteoric rise within the department, and he has a lot to prove… When the richest diamond mine in the world is robbed of 100,000 carats worth of gems, and then the thieves are killed, execution-style, Kubu leaps at the chance to prove himself. But where are the diamonds? And what role does a witch doctor and his son play? Does this young detective have the skill – and integrity – to engineer an international trap? Or could it cost him everything, including his life…? A riveting, chilling prequel to the award-winning Detective Kubu series, Facets of Death introduces the beloved Kubu and his richly described native Botswana, in a dark, sophisticated thriller that will leave you breathless. _______________ 'Great African crime fiction' Deon Meyer 'Easily one of the best heist novels I've read since Gerald Browne's classic 11 Harrowhouse' Bookpage 'A natural for fans of the No. 1 Ladies' Detective Agency' Booklist 'The series you didn't know you needed in your life … an absolute joy' Grab this Book 'Original, mind-bending and twisty … it's impossible to tell the innocent from the guilty until the grand finale' Loarn Paterson 'Twists a classic heist story with local legends and beliefs in a believable and entertaining way … thoroughly intriguing' Jen Med's Book Reviews 'You will be captivated by the chilling, snappy chapters and the exquisite, atmospheric writing' The Reading Closet 'Under the African sun, Michael Stanley's Detective Kubu investigates crimes as dark as the darkest of Nordic Noir. Call it Sunshine Noir, if you will – a must read' Yrsa Sigurðardóttir 'Detective David "Kubu" Bengu is a wonderful creation, complex and beguiling. The exotic smells and sounds of Botswana fill the pages as well as the changes and struggles of a country brimming with modern technology yet fiercely clinging to old traditions. Compelling and deceptively written...' New York Journal of Books 'Impossible to put down' Library Journal 'Richly atmospheric … a gritty depiction of corruption and deception' Publishers Weekly

This study proposes that – rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics – Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, Making Black History looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism. Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. Please read our interview with Dominique Haensell here: https://blog.degruyter.com/de-gruyters-10th-open-access-book-anniversary-dominique-haensell-and-her-winning-title-making-black-history/