Following on from the 9/11 World Trade Center terrorist attacks, the author covers the ordeal of the massive number of funerals, the importance of recovering bodies in Irish American culture and the bagpiping ritual, both traditional and modern.

Like so many people who live south of the border in England, Helen thought that she knew all about Scotland. It was a part of Britain after all, a place that was surely more the same than it was different. But then she actually went there – and everything changed...

(Instructional). The Hal Leonard Bagpipe Method is designed for anyone just learning to play the Great Highland bagpipes. This comprehensive and easy-to-use beginner's guide serves as an introduction to the bagpipe chanter. Video lessons of demonstrations of all the examples in the book are included! Lessons include: the practice chanter, the Great Highland Bagpipe scale, bagpipe notation, proper technique, grace-noting, embellishments, playing and practice tips, traditional tunes, buying a bagpipe, and much more!

An easy-to-read, non-statistical guide to “Delivering Your Own Awesome” in music, sport and other competitive aspects of life, this book provides an understanding of what performance actually is by outlining four key steps: practice, rehearsal, performance and, finally, moving forward. Bruce Gandy’s experiences as a music performer, competitor and, more importantly, a coach have helped developed the advice in this book. He has played in hundreds of performances and competitions around the world and coached musicians at all levels and ages for forty years. With all of this experience, Bruce understands that conquering the fear of failure is perhaps the biggest challenge people face. Using his clearly outlined steps, readers will elevate their own performance level.

The definitive history of traditional Scottish Gaelic bagpiping.

What country is made up of 95 islands, invented the game of golf, and raised a warrior worthy of the name "Braveheart"? Welcome to Scotland! In B is for Bagpipes: A Scotland Alphabet, Scottish native Eve Begley Kiehm gives an A-Z tour of the country that may be small in size but a giant in history and rich in tradition. Kick up your heels at a Highland dance, visit the statue of Greyfriar's Bobby as he stands guard near his master's grave, and finally dig into a dish of haggis with a side helping of "tatties and neeps." From the splendors of capital city Edinburgh to the stories of Robert Louis Stevenson to the gloomy waters of Loch Ness and its lonely "Nessie," the treasures of Scotland are revealed. Colorful artwork captures the proud spirit of its landscape and culture.Eve Begley Kiehm was born in Bridge of Allan, Scotland. She has a master's degree in Scottish History and Literature from Glasgow University and an early childhood education certification from the University of Toronto. Her books about Scotland include a YA historical adventure novel. Eve lives in the San Diego area. Alexa Rutherford lives in Edinburgh, Scotland. She has illustrated many books for UK publishers and a handful of US publishers, as well as US children's magazines.

Publisher Description

Piping brings happiness and undeniable positive value to our lives... or at least it should. Pipers of every level of experience and ability can feel incredibly frustrated and lost in the dark about an instrument they want to play well, but can't. It doesn't have to be this way. Join me as I guide you through a commonsense approach, which I call the Five Phases of Bagpipe Freedom, to liberate every aspect of your musicianship and rediscover your joy of playing the bagpipes.

The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of traditional pipe music and there are almost no Gaelic-speaking pipers of the old school left. Recording an important aspect of Gaelic culture before it disappears, John Gibson chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the New World. Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies.