Something is coming … something big. May knows it, but no one will listen to her. She is an outcast due to her odd ways and freakish ability with animals. Andrew knows it, but he has his position as gang leader to maintain. Ewan knows it, but what can he do? The sea creature is the biggest living thing on the face of the earth. And it won't stop until it has destroyed Ballydog. Can three teenagers save the baddest town in the world from its fate? Is it even worth saving?

The Pathogenesis of Fear gathers together diverse conversations about cultural constructions of the monstrous. Interdisciplinary essays map the margins of monstrosity as follows: the cannibalistic paradox in Kleist’s late-Romantic Penthesilea; intersections of the monstrous-feminine and the new Victorian psycho-physiology of consciousness in George Eliot’s early novels; the monster-formed citizens of Dickensian and later dystopias; the killing of African Americans targeted as monstrous entities in US cities; the post-human anguish of a television zombie-world; the monstrous mutilations of a Spanish horror film; psychosocial aberration in Martin Millar’s werewolf fiction; the demonization of the Other on the war-torn streets of Ireland; Derridean devouring sovereignty. Discursively correlated with different categories of body and mind, monstrosity, these essays argue, persists in taking many forms. Contributors are Elizabeth Hollis Berry, Niculae Gheran, Sarah Harris, Fiona Harris-Ramsby and Mubarak Muhammad, Michaela Marková, Kimberley McMahon Coleman, Judith Rahn, Cindy Smith and Marita Vyrgioti.

These contributions offer fundamental insights into how literary works address and reconceptualize issues of nationalism, groupism, belonging and denationalization in selected European contexts. Various critical perspectives are employed here to highlight modern social and political processes as registered and, to a certain extent, also fashioned by contemporary literary discourses. 'Reimagined communities' emerge from literary redescriptions of existing or imaginary sociopolitical configurations in several European states or regions. All the contributions share a heightened sensitivity to the individual as enmeshed in oppressive geopolitical circumstances. Thereby, literary expressions of how individuality is constrained by social pressures may offer inspiring blueprints for emancipation.

Something is coming … something big. May knows it, but no one will listen to her. She is an outcast due to her odd ways and freakish ability with animals. Andrew knows it, but he has his position as gang leader to maintain. Ewan knows it, but what can he do? The sea creature is the biggest living thing on the face of the earth. And it won't stop until it has destroyed Ballydog. Can three teenagers save the baddest town in the world from its fate? Is it even worth saving?

At last there is peace in the city. A shipment of vicious creatures will be exported faraway. Their containers rattle, howl and smell of death. But not everyone is keen to see them leave. Shouldn't the place that makesthemonsters keep them?Ewan has returned to the city for his father's trial. May has joined a school for special talents. Andrew wants only to keep out of trouble. But trouble is sure to find them. It has their scent.

Around a hidden lake in the mountains is a perfect place. The people there live long and contented lives. But not for much longer... Andrew, May and Ewan will destroy everything. Unless the mystery that awaits deep, deep down destroys them first...

In the wake of the EU referendum, the United Kingdom's border with Ireland has gained greater significance: it is set to become the frontier with the European Union. Over the past year, Garrett Carr has travelled this border, on foot and by canoe, to uncover a landscape with a troubled past and an uncertain future. Across this thinly populated line, travelling down hidden pathways and among ancient monuments, Carr encounters a variety of characters who have made this liminal space their home. He reveals the turbulent history of this landscape and changes the way we look at nationhood, land and power. The book incorporates Carr's own maps and photographs.

In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ordinary life and the legacy of history in a bleak and desolate landscape. Tóibín describes the rituals – the marches, the funerals, the demonstrations – observed by both communities along the border, and listens to the stories which haunt both sides. With sympathy and insight Bad Blood captures the intimacy of life along one of the most contested strips of land in Western Europe.

All young dinosaurs are warned about the scary Gigantosaurus so Bonehead volunteers to be the dino-kids lookout. Unfortunately, he is the original boy-dinosaur who cried wolf, or in this case, GIGANTOSAURUS Finally, Bonehead's friends refuse to believe his warnings and the Gigantosaurus really turns up

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