When Johnny's underpants are stolen, such is his outrage that he takes a solemn vow: Until the day he tracks down the underpants thief and brings him to justice, he will 'go commando.' Deprived of his jocks and driven by a relentless desire for justice, he investigates not only the theft of his undergarment but also the circumstances surrounding a trail of bodies left in south London by the 'underpants killer.' Could the underpants thief and the underpants killer be the same person? Is the serial killer a 'trophy hunter'? With no jocks on, will Johnny get a chill in his kidneys? These are the questions Johnny must answer as he 'rides bareback' in his quest to find the culprit.

When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.

In this powerful memoir about three generations of New York City policemen, Brian McDonald chronicles a hundred years of dedication, disillusion, heroism, and tragedy behind the blue wall of silence that separates a cop from the rest of the world. His grandfather, Thomas Skelly, entered the department in 1893, when the NYPD was little more than a brutal gang of organized enforcers and Tammany Hall a corrupt political machine that could make or break an honest cop's career. His father Frank's career would span World War II through the 1960s, taking him from street cop to squad commander of the Forty-first Precinct. Better known as "Fort Apache", it was a place from which few cops emerged whole. His brother Frank McDonald, Jr., went on to become a decorated officer, waging an undercover war on drugs and crime. From turn-of-the-century Brooklyn to the South Bronx in the 1970s to the bedroom communities of upstate New York, My Father's Gun combines a rare and intimate family story with turbulent social history.

The author describes in vivid detail his experiences in various assignments during his thirty year career from vice squad to uniform patrol, detective and patrol supervisor.

During his 25 years with the Los Angeles County Sheriff's Department, Dean Scoville advanced from nervous recruit to silver-tongued spokesperson to seasoned patrol sergeant. His candid memoir chronicles the personal experiences of police work--the tedium of guarding jail inmates, the consternation of shoot/don't-shoot scenarios, the trauma of being wounded in the line of duty--and offers an insider's view of iconic moments in law enforcement, including the capture of "Night Stalker" Richard Ramirez and the 1992 L.A. Riots. Along the way he examines a profession increasingly beleaguered by inimical agendas, administrative cowardice and fiscal restraints.

From the Cold War through today, the U.S. has quietly assisted dozens of regimes around the world in suppressing civil unrest and securing the conditions for the smooth operation of capitalism. Casting a new light on American empire, Badges Without Borders shows, for the first time, that the very same people charged with global counterinsurgency also militarized American policing at home. In this groundbreaking exposé, Stuart Schrader shows how the United States projected imperial power overseas through police training and technical assistance—and how this effort reverberated to shape the policing of city streets at home. Examining diverse records, from recently declassified national security and intelligence materials to police textbooks and professional magazines, Schrader reveals how U.S. police leaders envisioned the beat to be as wide as the globe and worked to put everyday policing at the core of the Cold War project of counterinsurgency. A “smoking gun” book, Badges without Borders offers a new account of the War on Crime, “law and order” politics, and global counterinsurgency, revealing the connections between foreign and domestic racial control.

Lt. Patrick J. Ciser (Ret.) of the City of Clifton Police Department, in New Jersey, is also known to his many karate students as Sensei (Teacher). Ciser achieved national and international fame by representing the United States in five international karate tournaments, winning gold medals in South America and Europe. Pat Ciser, as he is known in North Jersey, grew up and became a police officer in Clifton in 1977. Growing as a police officer, he started to realize that with his martial arts skills, he could save lives, surprisingly, on both sides of the law. Newspaper accounts of Cisers exploits over the years bear witness to the true stories recounted in this book. Headlines and quotes give a glimpse of his illustrious career as he was continually called upon, in life and death situations. The Clifton Journal read, Pat Ciser, Cliftons answer to Superman New Jerseys Record wrote, Veteran officer compared to Chuck Norris; while the Heard News read, Action hero calling it quits, when announcing his retirement in 2008. Join Ciser as he recalls mastering karate, kicking in doors, and dodging bullets and blades. The only difference between the stories in Budo and the Badge, and the ones on the big screen, are that these stories are real.

In Who I Am: The Man Behind the Badge, I'm going to describe all the gore, all the horrors and all the emotions I felt, not to gross you out but to let you know what I experienced.

In this suspenseful romance by a USA Today–bestselling author, a sexy cop must protect his neighbor from a deadly threat. When girl next door Beth Rogers pounded on Detective Kevin Grove’s door in the middle of the night, she awakened not only the cop, but also the die-hard protector. His spunky neighbor had uncovered scandalous secrets about a murder, and someone was threatening to silence her . . . permanently. After one heartbreak too many, Kevin was ready to call it quits. With his brawn and tough-guy looks, no woman had been able to see the caring soul that lurked beneath. But with one look into Beth’s frightened eyes, the true-blue hero couldn’t turn her away. Now, with every step leading them closer to danger, the safest place was in each other’s arms.

A killer is threatening the life of rookie cop Sydney Tucker's sister–unless Sydney turns over evidence from a drug bust. But she doesn't have the evidence. Not that the thug believes her. Now she and the sibling in her care are under the watchful eye of Logan Lake police chief Russ Morgan...