In 1910 Toronto, while other bachelor girls perfect their domestic skills and find husbands, two friends perfect their sleuthing skills and find a murderer. Inspired by their fascination with all things Sherlock Holmes, best friends and flatmates Merinda and Jem launch a consulting detective business. The deaths of young Irish women lead Merinda and Jem deeper into the mire of the city's underbelly, where the high hopes of those dreaming to make a new life in Canada are met with prejudice and squalor. While searching for answers, donning disguises, and sneaking around where no proper ladies would ever go, they pair with Jasper Forth, a police constable, and Ray DeLuca, a reporter in whom Jem takes a more than professional interest. Merinda could well be Toronto's premiere consulting detective, and Jem may just find a way to put her bachelor girlhood behind her forever—if they can stay alive long enough to do so.

Almost three-quarters of a million British soldiers lost their lives during the First World War, and many more were incapacitated by their wounds, leaving behind a generation of women who, raised to see marriage as "the crown and joy of woman's life," suddenly discovered that they were left without an escort to life's great feast. Drawing upon a wealth of moving memoirs, Singled Out tells the inspiring stories of these women: the student weeping for a lost world as the Armistice bells pealed, the socialite who dedicated her life to resurrecting the ancient past after her soldier love was killed, the Bradford mill girl whose campaign to better the lot of the "War spinsters" was to make her a public figure--and many others who, deprived of their traditional roles, reinvented themselves into something better. Tracing their fates, Nicholson shows that these women did indeed harbor secret sadness, and many of them yearned for the comforts forever denied them--physical intimacy, the closeness of a loving relationship, and children. Some just endured, but others challenged the conventions, fought the system, and found fulfillment outside of marriage. From the mill-girl turned activist to the debutante turned archeologist, from the first woman stockbroker to the "business girls" and the Miss Jean Brodies, this book memorializes a generation of young women who were forced, by four of the bloodiest years in human history, to stop depending on men for their income, their identity, and their future happiness. Indeed, Singled Out pays homage to this remarkable generation of women who, changed by war, in turn would change society.

A saga of a British family and the Great War from “one of those writers who can see into the past and help us feel its texture” (Hilary Mantel). Growing up at Ellinghurst, their crumbling family estate, all three Melville children dream of escape. Headstrong Jessica yearns for the glitter and glamour of London, while Phyllis longs to attend university. The adored Theo, meanwhile, eclipses everyone around him. But none of the children take much notice of Oskar Grunewald, their mother’s science-obsessed godson, who seeks refuge in Ellinghurst’s enormous library. Then the cataclysm of the Great War devastates the Melvilles’ lives and reshapes their futures, and Jessica and Phyllis must forge new paths in a world that no longer plays by the old rules. As Oskar is drawn reluctantly back into the Melville family fold, his life entwines with theirs in ways that will transform them forever. One of the Washington Post’s Notable Fiction Books of 2015 and a New York Times Editor’s Choice, We That Are Left is “[a] lavishly detailed historical novel that doesn’t just recreate the past but alters your perception of it” (The New York Times Book Review).

NOW AN INTERNATIONAL BESTSELLER “Bachelor Girl plunges the reader deep into life during the Jazz Age…and the revealing of other secrets and confessions will keep readers up all night looking for answers.” —Booklist (starred review) From the New York Times bestselling author of Orphan #8 comes a fresh and intimate novel in the vein of Lilac Girls and The Alice Network about the destructive power of secrets and the redemptive power of love—inspired by the true story of Jacob Ruppert, the millionaire owner of the New York Yankees, and his mysterious bequest in 1939 to an unknown actress, Helen Winthrope Weyant. When the owner of the New York Yankees baseball team, Colonel Jacob Ruppert, takes Helen Winthrope, a young actress, under his wing, she thinks it’s because of his guilt over her father’s accidental death—and so does Albert Kramer, Ruppert’s handsome personal secretary. Helen and Albert develop a deepening bond the closer they become to Ruppert, an eccentric millionaire who demands their loyalty in return for his lavish generosity. New York in the Jazz Age is filled with possibilities, especially for the young and single. Yet even as Helen embraces being a “bachelor girl”—a working woman living on her own terms—she finds herself falling in love with Albert, even after he confesses his darkest secret. When Ruppert dies, rumors swirl about his connection to Helen after the stunning revelation that he has left her the bulk of his fortune, which includes Yankee Stadium. But it is only when Ruppert’s own secrets are finally revealed that Helen and Albert will be forced to confront the truth about their relationship to him—and to each other. Inspired by factual events that gripped New York City in its heyday, Bachelor Girl is a hidden history gem about family, identity, and love in all its shapes and colors.

National Book Critics Circle Award Winner. “With dazzling clarity, [Chocano’s] commentary exposes the subliminal sexism on our pages and screens.”—O, The Oprah Magazine As a kid in the 1970s and 80s, Carina Chocano was confused by the mixed messages all around her that told her who she could be—and who she couldn’t. She grappled with sexed up sidekicks, princesses waiting to be saved, and morally infallible angels who seemed to have no opinions of their own. It wasn’t until she spent five years as a movie critic, and was laid off just after her daughter was born, however, that she really came to understand how the stories the culture tells us about what it means to be a girl limit our lives and shape our destinies. In You Play the Girl, Chocano blends formative personal stories with insightful and emotionally powerful analysis. Moving from Bugs Bunny to Playboy Bunnies, from Flashdance to Frozen, from the progressive ’70s through the backlash ’80s, the glib ’90s, and the pornified aughts—and at stops in between—she explains how growing up in the shadow of “the girl” taught her to think about herself and the world and what it means to raise a daughter in the face of these contorted reflections. In the tradition of Roxane Gay, Rebecca Solnit, and Susan Sontag, Chocano brilliantly shows that our identities are more fluid than we think, and certainly more complex than anything we see on any kind of screen. “If Hollywood’s treatment of women leaves you wanting, you’ll find good, heady company in You Play the Girl.”—Elle