Arriving to visit his son Ala in the heavily Palestinian neighborhood of Bay Ridge, Brooklyn, Omar Yussef discovers the beheaded body of one of the boy’s roommates. When Ala is arrested as a suspect, Omar Yussef must investigate to prove his son’s innocence, uncovering a deadly conspiracy of international proportions.

A member of the tiny but ancient Samaritan community has been murdered. The dead man had controlled millions of dollars of government money. If the World Bank cannot locate it, all aid money to the Palestinians will be cut off. Omar Yussef must solve the murder and find the money, or all Palestinians will suffer.

For decades, Omar Yussef has taught history to the children of Bethlehem. When a favourite former pupil, George Saba, is arrested for collaborating with the Israelis in the killing of a Palestinian guerrilla, Yussef is convinced that he has been framed. With George facing imminent execution Yussef sets out to prove his innocence. As Yussef falls foul of his headmaster and the local police chief, time begins to run out for this teacher-turned-detective. His classroom is bombed and members of his family are threatened. But with no one else willing to stand up for the truth, it is up to Omar to act, even as bloodshed and heartbreak surround him.

'Outstanding... Dark, gripping and often moving.' Economist It is a blistering morning in Gaza, as Omar Yussef struggles along the uneven streets to carry out a school inspection. But when he learns that a fellow teacher has been accused of links to the CIA, and jailed, his suspicions are immediately aroused. And the more Yussef investigates the arrest, the more people seem to be implicated, and the murkier his search for the truth becomes. With the police force, the military and Gaza's most powerful gang all out to silence him, Yussef must face the terrifying realisation that he is no longer fighting to save his colleague - but himself.

Three acclaimed novels in the Omar Yussef series in one volume, from an award-winning author. The Bethlehem Murders For decades, Omar Yussef has taught history to the children of Bethlehem. When a favourite former pupil, George Saba, is arrested for collaborating with the Israelis in the killing of a Palestinian guerrilla, Yussef is convinced that he has been framed and sets out to prove his innocence. The Saladin Murders When Omar Yussef learns that a fellow teacher has been accused of links to the CIA, and jailed, his suspicions are immediately aroused. The more Yussef investigates the arrest, the more people seem to be implicated, and the murkier his search for the truth becomes. The Samaritan's Secret When Omar Yussef travels to Nablus, the West Bank's most violent town, to attend a wedding, he little expects the trouble that awaits him. An ancient Torah scroll belonging to the Samaritans, descendants of the biblical Joseph, has been stolen. But when the dead body of a young Samaritan is discovered, a seemingly straightforward theft inquiry takes an unexpected turn.

A groundbreaking work from "Time" magazine's Jerusalem bureau chief combines a dazzling narrative with a bold insight--that the deep divisions within both Israeli and Palestinian societies must be resolved before true peace can be achieved.

'Mozart, music, and murder seamlessly blend together in this fascinating historical mystery. A perfect read.' Tess Gerritsen

The murder of a leader of the Palestinian Martyrs Brigade leads to the arrest of George Saba, a Palestinian Christian accused of collaborating with the Israelis. Omar Yussef, a modest history teacher at a United Nations school in the West Bank, is impelled to investigate the murder to exonerate his former pupil, whom he knows is innocent. As he struggles to save George, Omar Yussef is drawn into a complex plot where it is impossible to tell friend from enemy.

Al Queda's war on America did not start on September 11, 2001. Just ask the Diplomatic Security Service. It was on February 6, 1993, that the United States was first attacked on its own soil by foreign terrorists. A zealous band of Middle Easterners, holy warriors determined to punish the U.S. for its supposed transgressions against Islam, packed over a ton of home made explosives into the back of a rented van. They drove their bomb across the Hudson from New Jersey, maneuvered it through downtown traffic and parked it in the underground garage at the Vista Hotel, beneath the twin towers of the World Trade Center. They lit a long fuse, which allowed them time to get back to New Jersey to watch the results of the explosion on CNN. They hoped to topple one mammoth tower into the other and kill ten thousand people or more. Miraculously, only six people were killed. Most of the group were captured within a week, but the mastermind behind the attack, Ramzi Ahmed Yousef, had immediately gone to JFK airport to fly to Pakistan. Before leaving, he phoned the Associated Press and claimed responsibility for the bombing in the name of the Arab Liberation Army, a terrorist group led by Saudi exile Osama bin Laden. A succession of such brazen crimes has revealed complex connections among terrorist groups with an implacable hostility toward Western civilization. Outrages such as the assassination of the Jewish Defense League founder Meier Kahane, a huge plot in the Philippines to plant bombs on intercontinental airlines and to assassinate the Pope, the bombing of U.S. embassies, culminating in the African embassy bombings of 1998, the attack on the USS Cole in 1999, and the devastating attack on the World Trade Center in 2001 have made it clear that a worldwide network of terrorists led by Osama bin Laden is making war on the United States. On the front lines combating these terrorists in 150 countries around the world have been the 1,200 agents of the U.S. Department of State's Diplomatic Security Service. A little-known but highly effective branch of the government, the DSS is the one arm of federal law enforcement with international powers of arrest. These agents maintain close ties to local police commanders in many countries and can entice informants with bounties of up to $4,000,000. After a challenging international search, it was DSS agents in Pakistan who captured Ramzi Yousef. DSS agents have been in the vanguard of the War on Terrorism long before it was declared. In Relentless Pursuit, Samuel Katz review the escalating series of terrorist attacks on the U.S. during the last decade, including those in many foreign countries and finally in New York and Washington. In the process, he tells the gripping story of the DSS and its agents protecting us and our representatives here and abroad. Katz's detailed, personal, on-the-ground anecdotes bring home the contexts and linkages of the War on Terrorism that has been fought on our behalf by the DSS since the 1980s. Relentless Pursuit is a stirring tribute to an unsung group of brave Americans. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.