The Avelinos is a true story about a "Small Town High Time " Musician. Avelino Avalos played the guitar and sang in different bands in Safford, Arizona for over four decades. He raised his eleven children in South Eastern Arizona. Daughters memories about her dad included him gathering his instruments together getting them ready for playing, by tuning his smoke green Anniversary Gretchen Electric Guitar. Avelino played a variety of music, Flamenco, Country, Corridos, Rancheras and Rock. His bands included "The Lucky Four" Charlie Hemphill (Bass Guitar), his brother Bill on (Lead Guitar), Brooks Nutell on (Drums). "The Lucky Four had no problems getting gigs, putting a variety of music together as an excellent form of entertainment" as told by Hemphill. "The Mixers", another band included Doughnut Delgado Jr.,Frank Shelton,Charlie Hemphill,George Reyes,and Tom Guerena. "The Mixers" traveled to Buffalo, New York to audition on "The Johnny Carson Show" in the early 1960s, reaching for a spotlight on National TV. However, that dream was short lived when one of the band members got cold feet and thus the band opted not to play for the audition. Avelino had been practicing for a funeral he was to attend,on that very night May 20, 1985 he passed away at 59. His music was silenced for the first time in our entire life. Jimmy Delgado Sr. and Bobby Merino Sr. dads best friends were in shock when their music companion suddenly died. Music was Avelino he left a legacy behind and his daughter Frances Diane has given others the opportunity to learn about the extraordinary man who never left his love of music behind. "For every photo there is a story", as told by Frances Frances Avalos. "Music was everything for dad its how he lived we could not separate that from him if mother would have tried it never would have happened it would have been unsuccessful for her, he lived with music he died that way. In behalf of our Avalos family we wish to dedicated my book "The Avelinos to him. May his love of music and his memories continue to be told. We wish to thank Dennis Landberg KJZZ Radio Station for the opportunity to air our story, and special thanks to Paul Atkinson (Producer/Reporter).

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A picture book story about the triumph of hope, love, and determination, Coming to England is the inspiring true story of Baroness Floella Benjamin: from Trinidad, to London as part of the Windrush generation, to the House of Lords. When she was ten years old, Floella Benjamin, along with her older sister and two younger brothers, set sail from Trinidad to London, to be reunited with the rest of their family. Alone on a huge ship for two weeks, then tumbled into a cold and unfriendly London, coming to England wasn't at all what Floella had expected. Coming to England is both deeply personal and universally relevant – Floella's experiences of moving home and making friends will resonate with young children, who will be inspired by her trademark optimism and joy. This is a true story with a powerful message: that courage and determination can always overcome adversity.

Peasant and Nation offers a major new statement on the making of national politics. Comparing the popular political cultures and discourses of postcolonial Mexico and Peru, Florencia Mallon provides a groundbreaking analysis of their effect on the evolution of these nation states. As political history from a variety of subaltern perspectives, the book takes seriously the history of peasant thought and action and the complexity of community politics. It reveals the hierarchy and the heroism, the solidarity and the surveillance, the exploitation and the reciprocity, that coexist in popular political struggle. With this book Mallon not only forges a new path for Latin American history but challenges the very concept of nationalism. Placing it squarely within the struggles for power between colonized and colonizing peoples, she argues that nationalism must be seen not as an integrated ideology that puts the interest of the nation above all other loyalties, but as a project for collective identity over which many political groups and coalitions have struggled. Ambitious and bold, Peasant and Nation both draws on monumental archival research in two countries and enters into spirited dialogue with the literatures of post-colonial studies, gender studies, and peasant studies.

The edited volume discusses the role of textile heritage in relation to the dynamics of nation building, cultural identity, politics, economy and the globalization of markets. It was sparked by a research project investigating the role of textiles, textile design and contemporary fashion in the post-Soviet societies of Central Asia and also includes perspectives on similar developments in Algeria and Peru in order to question dichotomous narrations of modernity relations between textile cultures and heritage building, cultural property, and the concept of cultural heritage. Thus, this book intends to stimulate the ongoing debate about textile culture as national heritage or as means of nation branding.

This book seeks to fill a double lacuna in Borges scholarship. For one, this scholarship has been largely developed through the lens of literary and cultural studies, and not by political theorists who bring a distinct disciplinary perspective into the reading of literary works. Secondly, mainstream interpreters have overlooked or have not analyzed enough Borges’s political sympathies. This book doesnot evaluate if these sympathies are truthful to political and historical facts or philosophical theories; rather, she shows in which aspects and around which topics Borges finds inspiration and gives literary form to the political. His texts abound with concepts and events such as liberty, individuality, war, and revolution, and they deal with topics such as the legitimacy of authority, the limits of reason, and the principle of representation, among others. This book also addresses Borges’s democratic sensitivity and his critique of populism and militarism as related to salient national and global historical events that inspired his works. Above all, it calls attention to Borges’s belief in the pre-eminence of individual liberty, his rejection of political oppression, and his warning against civic indifference brought about by an isolated individualism. This book may be of interest to students and professors of politics, philosophy and literature. It may also interest literary critics and readers who want to approach Borges’s works with a political rather than a literary or a cultural lens.