A true life story of tears and tantrums, as an ordinary wife and Mother treads a precarious pathway through a 'minefield' called marriage. Married to someone with a 'split personality' meant no two days were the same. Ecstatically happy one moment, she and her children could be running for their lives the next. How does she cope under such pressure when business economics are thrown into the equation? She steps away and finds a humorous take on the situation - the only way she can survive.

The New York Times bestselling collection of humorous autobiographical essays by the Academy Award nominated actress and star of Up in the Air and Pitch Perfect. Even before she made a name for herself on the silver screen starring in films like Pitch Perfect, Up in the Air, Twilight, and Into the Woods, Anna Kendrick was unusually small, weird, and “10 percent defiant.” At the ripe age of thirteen, she had already resolved to “keep the crazy inside my head where it belonged. Forever. But here’s the thing about crazy: It. Wants. Out.” In Scrappy Little Nobody, she invites readers inside her brain, sharing extraordinary and charmingly ordinary stories with candor and winningly wry observations. With her razor-sharp wit, Anna recounts the absurdities she’s experienced on her way to and from the heart of pop culture as only she can—from her unusual path to the performing arts (Vanilla Ice and baggy neon pants may have played a role) to her double life as a middle-school student who also starred on Broadway to her initial “dating experiments” (including only liking boys who didn’t like her back) to reviewing a binder full of butt doubles to her struggle to live like an adult woman instead of a perpetual “man-child.” Enter Anna’s world and follow her rise from “scrappy little nobody” to somebody who dazzles on the stage, the screen, and now the page—with an electric, singular voice, at once familiar and surprising, sharp and sweet, funny and serious (well, not that serious).

If you are reading this some time in the future, my hope would be that this book will give you a small insight into life in Britain in the last half of the twentieth century. I was born in 1950 and this is the story of my adventures over the following 60 years. This is a nobody in particular's account of a 1950s childhood, the so-called Swinging Sixties, the hippy era, the first and second Glastonbury Festivals, the hippy trail to India, gurus and self-discovery, marriage, being a dad, divorce, marriage again, training horses, organic farming, getting a glimpse of old age, and a few other things along the way. When it comes to how to live your life, I'd say use it for what you enjoy doing, and definitely don't sell it down the river in exchange for a few quid an hour! Actually, add in a bit of love and peace and that's a pretty good description of the hippy philosophy that we have there.

Having been introduced to each other by Groucho Marx in the mid-1970s, Charlotte Chandler became the biographer of this legendary screenwriter/director. Charlotte made frequent trips to Hollywood to spend time with Wilder and his wife, Audrey. At every visit the tape-recorder was left on, and their conversations were preserved. Over time, Wilder introduced her to his friends, who also were taped for inclusion in the book. The result is an amazing wealth of riches, conversations that are as fresh and vital now as when they were recorded. Included are such greats as Gloria Swanson, William Holden, Ginger Rogers, Kirk Douglas, Audrey Hepburn, Jimmy Stewart, Tony Curtis, Jack Lemmon, Shirley MacLaine and Henry Fonda. The portrait they present of Wilder is both loving and complex, an amalgam of adoration and respect. For Wilder, these were actors, and as long as they did their job well, he wanted to be with them. A case in point is Marilyn Monroe. Wilder made two films with her, SEVEN YEAR ITCH and SOME LIKE IT HOT, and both times he spoke openly about the difficulty working with the emotionally unstable star, 'Marilyn was like smoking,' Wilder revealed. 'I knew she was bad for my health, but I couldn't give her up.'

Biography of Nicholas Montoya

SUPPORT YOUR STARVING AUTHOR Here I am A Nobody and I’m expecting you to buy another book. Why on earth would you buy a book from someone you have never heard of before? Because I can give you 3 good reasons why you should invest in my book. Has any other author ever done that? I don’t think so. Let me show you just why my book is worth your hard-earned money. 1.) At least one character in my book will remind you of: Yourself An In-Law An Ex-In-Law A Best Friend An Ex-Friend A Stranger you met once in your lifetime. 2.) If you will read just one chapter of my book I guarantee that you will Laugh Cry Reminisce or simply Curse yourself for spending money on another book. 3.) My final guarantee is that I can give you a practical reason to buy my book. You can add it to your Emergency Kit It will might come in handy. You can use it as a splint for a broken leg, If none of these strike a fancy then you can strike it with a match and use it as kindling. Do you need a reminder of the outhouses and used catalogs? Well my book will come in handy if you ever run out of toilet paper. Let’s face it with the way the economy is today my book might come in real handy. So Pull up a comfy chair ,grab your favorite drink, and journey with me to the hills of West Virginia where we will Laugh a while, or Cry a little bit, but rest assured we will enjoy our time together. Thanks Friend.

For the first time—and in the best translation ever—the complete Book of Disquiet, a masterpiece beyond comparison The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.