Housed on the campus of the University of Michigan in Ann Arbor, the University Musical Society is one of the oldest performing arts presenters in the country. A past recipient of the National Medal of Arts, the nation’s highest public artistic honor, UMS connects audiences with wide-ranging performances in music, dance, and theater each season.Between 1987 and 2017, UMS was led by Ken Fischer, who over three decades pursued an ambitious campaign to expand and diversify the organization’s programming and audiences—initiatives inspired by Fischer’s overarching philosophy toward promoting the arts, “Everybody In, Nobody Out.” The approach not only deepened UMS’s engagement with the university and southeast Michigan communities, it led to exemplary partnerships with distinguished artists across the world. Under Fischer’s leadership, UMS hosted numerous breakthrough performances, including the Vienna Philharmonic’s final tour with Leonard Bernstein, appearances by then relatively unknown opera singer Cecilia Bartoli, a multiyear partnership with the Royal Shakespeare Company, and artists as diverse as Yo-Yo Ma, Jawole Willa Jo Zollar, Elizabeth Streb, and Nusrat Fateh Ali Khan. Though peppered with colorful anecdotes of how these successes came to be, this book is neither a history of UMS nor a memoir of Fischer’s significant accomplishments with the organization. Rather it is a reflection on the power of the performing arts to engage and enrich communities—not by handing down cultural enrichment from on high, but by meeting communities where they live and helping them preserve cultural heritage, incubate talent, and find ways to make community voices heard.

This book may look like it's about health care. But it's so much more than that and Quentin Young is so much more than a doctor who cares. Social justice is about education, housing, and the solidarity with workers, with organizers, with activists, needed to get things done. You will read about how Quentin mobilized people in the professional world to go south, you'll appreciate what it's like for people to work together for social justice, and you'll come away realizing how critical it is to be generous of time and spirit.

In this unique and engaging book, Everybody Wants to Go to Heaven, but Nobody Wants to Die, musicians David Crowder and Mike Hogan remind readers that a life lived to the fullest inevitably includes pain and grief. Even more, that kind of life requires dying to self---which then frees us to experience a greater joy: living as part of a community of faith.

NOW FEATURING A NEW AFTERWORD, "PANDEMIC ETHICS" From two eminent scholars comes a provocative examination of bioethics and our culture’s obsession with having it all without paying the price. Shockingly, the United States has among the lowest life expectancies and highest infant mortality rates of any high-income nation, yet, as Amy Gutmann and Jonathan D. Moreno show, we spend twice as much per capita on medical care without insuring everyone. A “remarkable, highly readable journey” (Judy Woodruff ) sure to become a classic on bioethics, Everybody Wants to Go to Heaven but Nobody Wants to Die explores the troubling contradictions between expanding medical research and neglecting human rights, from testing anthrax vaccines on children to using brain science for marketing campaigns. Providing “a clear and compassionate presentation” (Library Journal) of such complex topics as radical changes in doctor-patient relations, legal controversies over in vitro babies, experiments on humans, unaffordable new drugs, and limited access to hospice care, this urgent and incisive history is “required reading for anyone with a heartbeat” (Andrea Mitchell).

Here is Jim Morrison in all his complexity-singer, philosopher, poet, delinquent-the brilliant, charismatic, and obsessed seeker who rejected authority in any form, the explorer who probed "the bounds of reality to see what would happen..." Seven years in the writing, this definitive biography is the work of two men whose empathy and experience with Jim Morrison uniquely prepared them to recount this modern tragedy: Jerry Hopkins, whose famous Presley biography, Elvis, was inspired by Morrison's suggestion, and Danny Sugerman, confidant of and aide to the Doors. With an afterword by Michael McClure.

Frances Freeborn Pauley, a white woman who grew up in the segregated South, has devoted most of her ninety-four years to the battle against discrimination and prejudice. A champion of civil rights and racial justice and an advocate for the poor and disenfranchised, Pauley's tenacity as an activist and the length of her career are remarkable. She is also a consummate storyteller; for decades, she has shared her words with activists, students, and scholars who have found their way to her door. Kathryn L. Nasstrom uses rich oral history material, recorded by herself and others, to present Frances Pauley in her own words. Pauley's life has encompassed much of the last century of extraordinary social change in the South, a life touching and touched by famous figures from southern politics and the civil rights movement. Highlights of Pauley's career in the public eye include a friendship with Reverend Martin Luther King, Jr. and Coretta Scott King, encounters with several of Georgia's civil-rights-era governors, and a meeting with Eleanor Roosevelt. A skillful political organizer, Pauley was involved in decades of community mobilization, repeated efforts to educate politicians and the public about the origins and nature of poverty, and lobbying for unpopular causes. "People are born into a certain way of living," she says. "It takes a jolt to get out of it. It doesn't really mean that they're all that mean and bad, but it takes a jolt to make them see that maybe they could make a change." In a deft blend of biography and memoir, Nasstrom explains Pauley's historical significance and places her story in the context of developments in Georgia politics and the civil rights movement. Even as it contributes to the political history of Georgia and the South, affording insight of unusual depth on familiar issues and events, the book preserves one woman's story in the still largely undocumented history of southern women's social and political activism in the twentieth century. Pauley's experiences serve as a window on the lives of all those women and men who, town by town and state by state, made momentous change not only possible but also inescapable.

A haunting memoir of multicultural identity, "Nobody's Son" tells the author's story of a childhood divided. Born in Tijuana to a Mexican father and an Anglo mother from Staten Island, Urrea moved to San Diego, hoping for the American Dream--only to suffer a clash of cultures and languages that left him in turmoil.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Ed Griffin-Nolan's Nobody Hitchhikes Anymore is an "act of loving rebellion" (Sean Kirst, Buffalo News) and a travelogue about a changing society and the people who lifted him up.

NATIONAL BESTSELLER • The Pulitzer Prize–winning author of Empire Falls returns to North Bath, the Rust Belt town first brought to unforgettable life in Nobody’s Fool. Now, ten years later, Doug Raymer has become the chief of police and is tormented by the improbable death of his wife—not to mention his suspicion that he was a failure of a husband. Meanwhile, the irrepressible Sully has come into a small fortune, but is suddenly faced with a VA cardiologist’s estimate that he only has a year or two left to live. As Sully frantically works to keep the bad news from the important people in his life, we are reunited with his son and grandson . . . with Ruth, the married woman with whom he carried on for years . . . and with the hapless Rub Squeers, who worries that he and Sully aren’t still best friends. Filled with humor, heart, and hard-luck characters you can’t help but love, Everybody’s Fool is a crowning achievement from one of the great storytellers of our time. Look for Everybody’s Fool, available now, and Somebody’s Fool, coming soon.