A wonderful companion book for avid Left Behind( readers, this complete guide covers the events, people, technologies, and meanings of names and numbers that have driven speculation and conversation since 1995.

As the world's thousands of believers gather in Jerusalem for a stadium rally, the Tribulation Force struggles with their own personal crises. Newspaper reporter Buck Williams and his wife, Chloe, question whether or not they should have a child when the future of the world is so uncertain. Meanwhile, Rayford Steele discovers the shocking truth about his wife, Amanda. Nicolae Carpathia continues his rise to power, forcing believers underground. But Nicolae isn't prepared for a plague of scorpion-like locusts tormenting his followers—with a pain so horrible that men try to kill themselves but aren't allowed to die. A repackage of the fifth book in the New York Times best-selling Left Behind series.

The world is reeling from a great earthquake. As Nicolae Carpathia begins a worldwide rebuilding campaign, his rage is fueled by an evangelistic effort resulting in the greatest harvest of souls the world has ever seen. Meanwhile, Rayford Steele and Buck Williams search for their loved ones who haven’t been seen since before the earthquake. A repackage of the fourth book in the New York Times best-selling Left Behind series.

How do you decide what to read? Dan Gibson, Jordan Green and John Pattison have created this tool to make your choices easier. Besides the Bible is a guide to the wide array of great books that they believe every Christian should read—the ones that matter to the church and the world.

The popular Left Behind series by Tim LaHaye and Jerry Jenkins has sold more than 62 million copies since the first volume appeared in 1995. Jerry Falwell pronounced it the most important series of books in the history of modern Christianity. Many readers have assumed it gives the true facts about the way the world will end and what will happen to all the people in it. But according to real biblical scholarship, this series is seriously flawed. Based on a misreading of many scriptures, including Daniel and the Book of Revelation, it has fed a kind of hysteria in the Christian populace that has led many people to reorder their existence in expectation of an impending doom and the sudden, unexpected return of Jesus. In this book, William Powell Tuck carefully and authoritatively refutes the premises and faulty theology of the Left Behind books, critiquing them in the light of genuine biblical scholarship and common sense.

It has been nearly two years since the day of the mass disappearances. In one cataclysmic instant, millions all over the globe simply vanished, leaving everything but flesh and bone behind. Global war has erupted, and the Tribulation Force sets a suicidal course that places them in direct opposition to the rise of Antichrist. A repackage of the third book in the New York Times best-selling Left Behind series.

For the past twenty years, evangelical prophecy novels have been a powerful presence on American bestseller lists. Emerging from a growing conservative culture industry, the genre dramatizes events that many believers expect to occur at the end of the age - the rapture of the saved, the rise of the Antichrist, and the fearful tribulation faced by those who are "left behind." Seeking the forces that drove the unexpected success of the Left Behind novels, Crawford Gribben traces the gradual development of the prophecy fiction genre from its eclectic roots among early twentieth-century fundamentalists. The first rapture novels came onto the scene at the high water mark of Protestant America. From there, the genre would both witness the defeat of conservative Protestantism and participate in its eventual reconstruction and return, providing for the renaissance of the evangelical imagination that would culminate in the Left Behind novels. Yet, as Gribben shows, the rapture genre, while vividly expressing some prototypically American themes, also serves to greatly complicate the idea of American modernity-assaulting some of its most cherished tenets. Gribben concludes with a look at "post-Left Behind" rapture fiction, noting some works that were written specifically to counter the claims of the best-selling series. Along the way, he gives attention not just to literary fictions, but to rapture films and apocalyptic themes in Christian music. Writing the Rapture is an indispensable guide to this flourishing yet little understood body of literature.

A wide-ranging and impressive collection which illuminates the enduring relationship between the Church and literary creation.