Sir Philip Rookwood is the disgrace of the county. He

A concise, lively, and bracing exploration of an issue bedeviling our cultural landscape–plagiarism in literature, academia, music, art, and film–by one of our most influential and controversial legal scholars. Best-selling novelists J. K. Rowling and Dan Brown, popular historians Doris Kearns Goodwin and Stephen Ambrose, Harvard law professor Charles Ogletree, first novelist Kaavya Viswanathan: all have rightly or wrongly been accused of plagiarism–theft of intellectual property–provoking widespread media punditry. But what exactly is plagiarism? How has the meaning of this notoriously ambiguous term changed over time as a consequence of historical and cultural transformations? Is the practice on the rise, or just more easily detectable by technological advances? How does the current market for expressive goods inform our own understanding of plagiarism? Is there really such a thing as “cryptomnesia,” the unconscious, unintentional appropriation of another’s work? What are the mysterious motives and curious excuses of plagiarists? What forms of punishment and absolution does this “sin” elicit? What is the good in certain types of plagiarism? Provocative, insightful, and extraordinary for its clarity and forthrightness, The Little Book of Plagiarism is an analytical tour de force in small, the work of “one of the top twenty legal thinkers in America” (Legal Affairs), a distinguished jurist renowned for his adventuresome intellect and daring iconoclasm.

An elite spy risks his biggest asset to defeat an insidious international organization hell-bent on selling the most sensitive state secrets to the highest bidder. Jonathan Chase, the CIA's top field agent, is sworn to protect and serve the United States at all costs. But after a brutal period of captivity during the Korean War, Chase developed an agenda of his own: to use his mastery of war to create peace. His new target: the Zero Directorate, a cabal of rogue assassins who have embarked on a campaign to systematically interrogate and kill seasoned secret agents from across the globe. But the Directorate has set an elaborate trap, and for Chase the whole mission involves an inescapable paradox. As the world's preeminent operative, the closer he gets to the cabal, the closer the cabal gets to their primary target.

An in-depth look at how Machado de Assis affirms his uniqueness through the role of a reflective reader who eventually becomes a self-reflective author, whose text is primarily the written memory of his private library

In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.

Offered a second chance at getting into Harvard when the dean urges her to prove she is capable of having fun as well as overachieving academically, Opal takes calculated measures to establish her place in the popular crowd.

A young Russian woman comes into her own in the midst of revolution and civil war in this "brilliant" novel set in "a world of furious beauty" (Los Angeles Review of Books). After the loves and betrayals of The Revolution of Marina M., young poet Marina Makarova finds herself alone amid the devastation of the Russian Civil War -- pregnant and adrift, forced to rely on her own resourcefulness to find a place to wait out the birth of her child and eventually make her way back to her native city, Petrograd. After two years of revolution, the city that was once St. Petersburg is almost unrecognizable, the haunted, half-emptied, starving Capital of Once Had Been, its streets teeming with homeless children. Moved by their plight, though hardly better off herself, she takes on the challenge of caring for these orphans, until they become the tool of tragedy from an unexpected direction. Shaped by her country's ordeals and her own trials -- betrayal and privation and inconceivable loss -- Marina evolves as a poet and a woman of sensibility and substance hardly imaginable at the beginning of her transformative odyssey. Chimes of a Lost Cathedral is the culmination of one woman's s journey through some of the most dramatic events of the last century -- the epic story of an artist who discovers her full power, passion, and creativity just as her revolution reveals its true direction for the future.

JUNKYARD DRUID A New Adult Urban Fantasy Novel From M.D. Massey A cursed druid, blackmailed by a faery queen to find a missing magic rock. Let's just hope they don't hack the druid off... for everyone's sake. Name's Colin McCool. Folks call me the Junkyard Druid. I hate that name. Despite my last name, I'm not "cool" like the other hunters in town. I don't run an occult bookstore, I've never owned a Harley, and I didn't inherit a family fortune passed down through generations of hunters before me. And I kind of have this curse on me that's messed up my life. So, things have gone to hell since I was cursed. I live in a junkyard, my mentor Finn is a heroin addict, I've got the Cold Iron Circle breathing down my neck, and the local Fae Queen Maeve is blackmailing me into doing her dirty work. Now I'm in way over my head trying to retrieve Maeve's stolen magic rock, all while helping my friend Belladonna solve a series of murders that may or may not involve the local werewolves. And did I mention that my girlfriend is a ghost? If I can just get the Faery Queen's tathlum back, and help Belladonna solve the murders... Then I just might live long enough to finish my first year of college. - - - Junkyard Druid is a new adult fantasy novel that interweaves elements of paranormal mystery and suspense to introduce an exciting new world and characters in the urban fantasy paranormal genre. It is the first book in the Colin McCool urban fantasy series for adults. Readers of Jim Butcher, Patricia Briggs, Kevin Hearne, and Al K. Line will enjoy exploring this new fantasy world through the eyes of Colin McCool. Get your copy today!

The definitive book on the subject of plagiarism (The New York Times) is updated with a new afterword about the Internet. What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every angle. Award-winning author Thomas Mallon begins in the seventeenth century and pushes forward toward scandals in publishing, academia, and Hollywood, exploring the motivations, consequences, and emotional reverberations of an intriguing and distressingly widespread practice. In this now-classic study, Mallon proves himself to be one of our most versatile, original, and delightful writers.

From a critically acclaimed New York Times bestselling author and poet comes “a delightfully hybrid book: part anthology, part critical study, part autobiography” (Chicago Tribune) that is organized around fifty-one remarkable poems by poets such as Robert Frost, Emily Dickinson, Wallace Stevens, and Sylvia Plath. For Jill Bialosky, certain poems stand out like signposts at pivotal moments in a life: the death of a father, adolescence, first love, leaving home, the suicide of a sister, marriage, the birth of a child, the day in New York City the Twin Towers fell. As Bialosky narrates these moments, she illuminates the ways in which particular poems offered insight, compassion, and connection, and shows how poetry can be a blueprint for living. In Poetry Will Save Your Life, Bialosky recalls when she encountered each formative poem, and how its importance and meaning evolved over time, allowing new insights and perceptions to emerge. While Bialosky’s personal stories animate each poem, they touch on many universal experiences, from the awkwardness of girlhood, to crises of faith and identity, from braving a new life in a foreign city to enduring the loss of a loved one, from becoming a parent to growing creatively as a poet and artist. Each moment and poem illustrate “not only how to read poetry, but also how to love poetry” (Christian Science Monitor). “An emotional, sometimes-wrenching account of how lines of poetry can be lifelines” (Kirkus Reviews), Poetry Will Save Your Life is an engaging and entirely original examination of a life while celebrating the enduring value of poetry, not as a purely cerebral activity, but as a means of conveying personal experience and as a source of comfort and intimacy. In doing so the book brilliantly illustrates the ways in which poetry can be an integral part of life itself and can, in fact, save your life.