"Cottam is a masterly maven of the deeply disturbing occult. His latest may well leave you with nightmares Kirkus Reviews In the 1500s an almanac full of magic spells was put together by someone intent on bringing about The End Times. It has resurfaced and is being used indiscriminately.An unexpected lunar eclipse. A poisonous fog that cripples the capital. Statues that weep blood. As the catalogue of calamities mount, fear and paranoia provoke rumours of terrorist attacks. But from whom? History professor Juliet Harrington is an authority on sixteenth-century mysticism and a long-time believer in the existence of the Almanac of Forbidden Wisdom, a potent spell-book legend insists was compiled in that period by a cabal of powerful occultists. Its magic is summoned though only at disastrous cost, signalled by The Auguries. Juliet is convinced that the recent plague of disasters means someone reckless is using the book - and she has little time left to stop them.

This book is superb. Full of the knowledge that every self-respecting Pagan and Occultist needs to know. You are strongly advised to buy this book. Highly recommended. Touchstone Examines in detail the interpretation of birds as auguries & omens, the mythology of birds (Roman, Greek, Celtic & Teutonic), the folklore & weather lore associated with them, their use in heraldry & falconry & their appearances in folk songs & poetry. The book explores these areas in a general way, then goes into specific details of individual birds from the albatross to the yellowhammer, including exotic & even mythical birds.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

LONGLISTED FOR THE DYLAN THOMAS PRIZE 2022 POETRY BOOK SOCIETY RECOMMENDATION 'In Auguries of a Minor God, her outstandingdebut collection, Eipe sings of joys and wounds felt deeply under the skin' David Wheatley, Guardian Nidhi Zak/Aria Eipe's spellbinding debut poetry collection explores love and the wounds it makes. Its first half is composed of five sections, corresponding to the five arrows of Kama, the Hindu God of Love, Desire and Memory. From 'stunning' and 'paralysing' to 'killing' and 'destroying', each arrow has its own effect on some body - a very real, contemporary body - and its particular journey of love. The second is a long narrative poem, 'A is for [Arabs]', which follows a different kind of journey: a family of refugees who have fled to the West from conflict in an unspecified Middle Eastern country. With an extraordinary structure, yoking abecedarian and Fibonacci sequences, it is a skilful and intimate account of migration and exile, of home and belonging.

This book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice. Drawing upon stylistic, cognitive-poetic and narratological approaches, the work proposes a stylistic profile of dystopia, arguing for a reader-led discussion of genre that takes into account reader subjectivity and personal conceptualisations of prototypicality. In examining and identifying those aspects of language that characterise dystopian narratives and the experience of reading dystopian fictions, the work discusses in particular the manipulation and construction of dystopian languages, the conceptualisation of dystopian worlds, the reading of dystopian minds, the projection of dystopian ethics, the unreliability of dystopian refraction, and the evolution and hybridity of the dystopian genre.